time remaining 9 part 1 - 2020 march-may  work & days: a lifetime journal project

March 6 2020

Posted the child with her hands in a bush. People said happy birthday things but no one noticed the photo.

Adam, Jane, Laiwan, Val and Sue, Indra, Janet, Jim Mann, Cheryl, Jennifer, Em, Gabe, Jim Sparrell, Katrin, Jaes. Rachel said her birthday is the same. Don said O was forcibly confined for a while. Paul said he was coming home early on account of the virus in Asia. Leslie is always the one I'm glad to see. "Your life seems as a lesson in freedom."

First thing I walked with a cane half a block to Autoplan to renew my license. Couldn't think of anywhere to have a really nice meal or anywhere lovely this time of year. Pulled wire cages off the roses and found all of them have tiny leaf buds. Gail knocked with a bromeliad like a lemon jello spear. When I closed my eyes for a nap I could feel the lively weight of Mouse and Patch asleep either side of my ankles. Brad asked me to lend him $40 for gas to get to his job. I said I'd look in my pockets, gave him $80. Am reading Adam Gopnik on liberalism. That was it. I liked Doug shouting "Good girl!" when I shouted that I'm seventy-five. I liked Gabe on a break in Quebec City where he's moved in with a girl sending a photo of dunes on the road to Calexico. I hate it when Em says she loves me. I don't know why people bother to say happy birthday or happy returns since it's no notice at all. I didn't like Janet saying septuagenarians are something or other - meaning she thinks she is - or Cheryl saying 75 is not insignificant - really? I liked Sue saying two beautiful numbers seven and five. In sum I'm scowling at the end of this day. I'm back where I was before I knew anyone who'd focus the way artists do and actually say things. That despite the way every day I show them how.

7

Kate sent a photo of salvia apiana. "You are so like CA white sage. Your presence, writing and art put off a vibration that clarifies everything it touches .... You changed the course of my life in a way I will be glad about always. Thank you for living so wonderfully and blazing a path for how it can be done."

8

Jim S and Katrin noticed the photo. Red hearts.

I open the door for Patch when she asks. Sometimes she's out for just a moment, sometimes she wanders in the garden. Sometimes I forget her. Just now I heard a clawing at the door and saw her pointed little face at the door's window four and a half feet up. She was hanging by her claws. I'm still laughing. She's clever. I've suspected it from the way she's cynical and depressed.

Snow sifting down, nine on a Sunday morning.

I don't know whether Mouse is clever but he's sexy. I was napping under the covers yesterday and he was asleep relaxed full length along my right leg. I could just reach to hold his front paws with the tips of my fingers. When he pulled back one of his paws and laid it over mine I was imagining if he were my size how delicious it would be to lie naked against that subtly thrumming velvet length. - But his sharp clean little teeth.

Today I posted Luke on Table Mountain and am noticing a couple of things. One his skill in story-telling and how it's like mine, the way he tells the right details and I remember them to set them down. The other is his brio in adventure, which is like mine too.

- There's the 10 o'clock church bell. It has stopped snowing but the sky is white from corner to corner with a silvered sunlight filtering through.

At this moment Patch on the hassock at my knee is digging vigorously at her forepaw, Mouse is behind my neck on the chair's back - now on my bed staring up at the tree's branches voicing intent to get at them. Now Patch is asleep curled toward me, her belly rising and falling. Their faces asleep are so - I don't know how to say this - they're vulnerably trusting but with eyes closed also more beast-like, more locked away in unfathomable otherness. When they are not staring back they're more visibly what they are?

12

What an odd time in the world. It's as if all who haven't felt how vile Trump and his enablers and his worldwide similars are, are displacing their unconscious distress onto contamination fear. Buying toilet paper! The stock market has been falling. The Canadian dollar is down into 71 cents. People aren't flying and cruise ships are holding off: the environment will have a brief respite. It's mostly killing old people, which makes it seem needed.

-

Patch purred when I stroked her!

13

I've seen fat robins and the bird-feeder suddenly is empty but it's cold today and snow staying where it is. Brad working on the back bedroom.

14

Patch was outside. I forgot her then after a while opened the door and called - "Patch, Patchy, come on." She came shooting around the corner.

Began pale green for the guest room walls - edges - will roll them tomorrow. It was a dark crude room and will be bright and subtle. Bright wood doors next to bright white mouldings and skirting boards next to pale green eggshell. Brad made a mess of the patching but still it's better without cracks.

15

Woke at 6:30 this morning actually feeling well, a rare feeling of having slept enough.

Finished the bedroom walls except for touch-up details - sponged a bit so it's mist-like - pale, almost white - color seen best next to the bright white door frames. Took up the floor plastic. Frog tape left the skirting board edges immaculate.

Should I let Kathy clean - I live so isolated already, should I be cautious even about shopping - the post office - the library - the bank - cautions could go on for many months - I can garden.

When I think of dying in the way threatening now - I mean when I've imagined the story ending that way - there's been a feeling as if of dissolving - as if a bright solid ribbon that had looped along for 75 years instead of being cut just shreds. Can I say that better. So many years of caring and being interested and I sort of don't care and am not interested. Not a bang, not a whimper, just sort of ... . Shouldn't that ardent journal woman be ardent about her death?

20

Five in the morning, spring equinox. Two cats asleep on my bed curled tight because the house is still warming.

Rereading DR noticing ways I became like her - she's more of a scientist than Woolf, she notes forms of situation as such - a kind of abstraction - and I do that too. Woolf goes for creation not notation: speed and beauty. DR kept wanting to address what needed fixing. She was self-made in a way VW didn't have to be and she was interested in how self-making is done. She wanted other women to use what she'd learned but only the most intelligent can: I'm enough stupider now so I have to labour at her. [Dorothy Richardson in Pilgrimage]

I'm half-heartedly checking through Raw forming, half-heartedly because there's no writing there I can like. When I choose later scraps to post I'm pleased by how much better they are. I did that: I worked for that.

21

6:30 tinted open sky pale gold at its rim.

6:45 sky intensifying wondrously.

7:00 an almost-even bright ivory. Vivid. Compared to dark unmoving earth - branches, the church's steep roof - but is there a better word - the sky is more alive.

- I've just noticed there are no contrails. Airlines are shut down. How odd it's happening all over the world.

Patch is doing a new thing a couple of times a day, jumping on the desk when I'm at the computer, lumping down facing me, staring into my face, reaching to lick my nose, half-purring when I stroke her. It seems a kind greeting and she has got so round-bellied, is such a solid chunk sitting there, that I'm feeling her as matronly rather than cynical.

22

Greg is worried about the stock market emptying his retirement account. Louie is worried they won't be able to pay the yoga studio mortgage and will have to sell it.

This morning I posted this with the photo I took of myself under an aspen sapling with the pasture behind me:

I took some more pix and some of me.
-
"You - you," he went on to tell me all about my sins, the greatest of which is having independence of thought I suppose. Actually, I can't remember what he said, besides that if I don't stop having the last word all the time, he'd take me out to the woodpile and hit me until I'm black and blue and "Who do you think you are anyway?" - that's his favorite question.
-
While Uncle, Aunt, Judy Paul Mom picked blueberries I babysat and cooked dinner.
-
I drove tractor - discing - for three hours, then put on the G-goo because I wanted to feel like a girl.
-
Got my first own developed film back - my pix are so-so.
 
La Glace Alberta August 1960

I love the photo. Seen against Ed's bullying it's a photo of true me, actual continuing me, my steadiness. She's posing with a young tree. Behind it the pasture and its poplar bluff, the driveway, a granary's little mouth: the eternal yard. She's wearing a dress she likes, second-hand, thin red nylon with its white dots worn off. I like her slender shoulders, smooth brown skin. She's fifteen. She's got her grade 9 results but she doesn't know yet that she has the medal. In relation to her father she knows she's won, she knows she's stronger than he is.

23

They say it's got into the valley, one positive test. I read two things yesterday that made me nervous as I was wanting to fall asleep. One was that lungs get completely blocked with mucus, the other that immune systems are less ready to handle viruses mutating from animals.

7:40 broken cloud gliding north.

29

Toward the end of talking to Rob last night I got into telling him about being in the hospital when I was fourteen. I could feel that he thought it was going on too long but kept going and told him about Paul Sylvestre. He said it was a sweet story and I should write it. I'd been thinking that as I was telling it.

He said in Spain they are keeping corpses on ice in skating rinks.

Mouse winds round my ankles crying The bowl is empty! It's EMPTY! Oh EMPTY! EMPTY!

31

Yesterday when I was reading in bed Patch jumped up, strolled over with intent, lay down with the front half of her body on my chest, purred the sort of short rumbling purrs she has, stretched her paws forward to embrace me and went to sleep. She seems sorrowful now rather than cynical. When she butts me with her head I'm moved, I feel she's taking shelter in a what's been a hard life. Meantime Mouse is a teenage boy, lean, handsome and impatient: don't touch me.

Patch has gone as far as the compost, where she knows there's a mouse. Othertimes she just sits on the porch looking and sniffing. Is she guarding the perimeter? I'm her lord of doors, back door, verandah door, cellar door. She asks courteously. When I'd called her out the back door and she hadn't come, after a while I heard a quiet meoow I thought must be at the verandah's screen door. There she was. She knows her house.

Now at six in the dark Mouse is curled on the green blanket, Patch licking her paw on the red carpet, boiler purring loudly, seedlings on the rad, on the verandah sills. I'll go turn on the grow light.

2020 the plague year. I've thought of the days Tom and I lay next to each other in the Maryland with high fevers. Would it be worse than that?

Patchy grey cloud on very pale blue. March is over at last, long dead cold grey March, sore worried March.

-

I'd left the door open and was crouched on the near path weeding. When I got up to come in there were both cats on the sill looking out.

April 1

The graceless way I called Bill Volk my sugar daddy. Only in letters to my folks, and what was that - a stroke against my dad who thought me sexually spoiled. I was saying I could compel money from a better man than he could be. I did need to know that but my liking for Bill wasn't mercenary so I was in fact lying.

3

Found Madeleine's parents' address in Winnipeg in a letter file last night. Googled it. 1998 obit for her dad that named a daughter Madeleine and grandson Orlando of Sydney Australia. Tried that in Google Images. Second row down, There you are I said. "When I lived in Sydney. I worked for about 20 years painting backdrops and sets, for films . Later I became a journalist and wrote for the men's magazine Ralph and the Sydney Morning Herald." In 2018 a potter in a small town. 2020 no longer a potter. Lives in Uki, northern New South Wales near the coast, semi-tropical, house with a swimming pool, Airbnb. FB pages full of enthusiasms.

Visited her in Trets September 1972 when Orlando was born. She was with me in London for Christmas that year. I stayed in her room in Dublin a year later. Year after that she phoned from a hotel, leaving Eugene. Didn't hear from her after that but Greg said he'd seen her in the metro in Montreal in 1976. Sydney was 1980. I wanted to tell her I'd seen Orlando in London but never knew where to find her. It was maybe 1976? I was visiting London after I'd lived in BC for a couple of years, walking in a back lane - in Bloomsbury - past the back door of I think a theatre. A small boy came alone out of a back door. Four years old? I asked "Are you Orlando?" Have no idea why I thought so. He said he was. Then Eugene came out the door. - I thought I'd written this meeting down but it seems not. Have tried googling her for years, no trace. I was in Melbourne November 1990.

4

I am so grateful to you for being here when you were for coming all the way for being wise and gentle about Orlando. The first week I would have been total agony without you. me with my careless ignorance & Eugene being obstinate and idiosyncratic. you gave a beginning to Orlando's life which was harmonious and graceful and after you left I had gotten sufficient confidence & Eugene enough faith in me to be able to survive. now I am much less solicitous about him, not hovering over his bed constantly - his eyes are a wonderful wise blue of flemish robes. I wish you were here now - it is hell among the grapes, melons and bright blue sun.

6

Warm enough - worked for hours - weak at first and then it got easier - weed-whacked standing grass, some edges and street edge dead stuff - finished uncovering the roses - found and fine-weeded an exquisite wild patch in the sunny corner, clump of blooming johnny-jump-ups - uncovered the finally-rotted rowan stump in the front. Patch wandered and Mouse sat in the doorway. Cucumbers and melons, squash, tomatoes, all have second leaves.

8

Full moon last night, two black cats creeping on the garden paths.

Earlier on when I was courting Mouse, when I was eating pork sausage I'd give him tiny bits by hand. I'm not courting him now, he's too haughty and evasive and Patch is nicer to me, but yesterday when I was on my bed eating a sausage Mouse jumped up and stood at my elbow purring eagerly. Anticipation.

At this moment Mouse on the toilet rim drinking and Patch in her spot next to my pillows nibbling her flank. 5:33. Clear sky, the moon is still out far in the west.

"You're an 8 trying to get 10s and the guys who are trying to get you are 6s." Mate value. TED talk guy last night. If an 8 does get a 10 the 10 is more likely either to leave or to cheat. Dispassionately exact.

10

When Patch is outside Mouse waits on the table, lets me know when Patch is ready to come in by meowing. I don't know how he knows.

12

I can work now - this morning cleaned the front room thoroughly, then went out and dug half the east fence bed. Earth like velvet. My clean beds look so nice.

13

Dug the rest of the E fence bed. When I began my chest felt so weak I had to work slowly to keep from keeling over. Later it was better - it's like that now, I have to warm up.

The yellow tulips are out. Others showing buds.

FB stories. Yesterday Luke and the Somalian, today Louise's party. Why do smart people leave dumb comments. I keep wanting them to talk about the writing but the comments just tell me which little bit of a story people recognize themselves in. Susan says she likes the writing but she doesn't say why. Rachel likes travel escape. I suspect Nathalie just clicks like without reading. Only Jennifer laughed at the Arden and Donnie electric fence story. Only Indra notices a stunning photo as such. Jim S can like the writing maybe but doesn't say so. Jim Mann likes Peace River Country tales. Cheryl checks in faithfully but why don't her comments show focus. Same with Janet, has she retired her brain? Freya could say good things I suspect but she doesn't dare.

The cats are in the garden when I work. Patch investigates, patrols all around, finds her way back inside and lies on the sill looking out. Mouse jumps at flies, gets frightened, shoots back inside. Mouse is passionate. He runs everywhere. I love the way he'll toss himself onto his mom - doesn't lie down next to her, just flops over sideways on top of her. Cries when he doesn't know where she is. I love the shapes they sleep in as if looking at such relaxed bodies is good for me.

- I can smell the balsam poplar next to me.

They can be fast asleep but it's as if they stay in touch with me all the same; if I sit down to poop there they are, if I open the back door there they are. It still amazes me when I'm at the computer and Patch jumps onto the desk to bunt me. It seems she likes that spot for cuddling because we're eye to eye there. My bed in the living room is our common platform. I can lie there seeing out. They each have their spot, Patch up next to my pillows and Mouse against the lump of hot rock at the foot end. There they both are now asleep with Virginia Woolf Diaries vol 2 between them.

It's not her best volume, she talks too much about insignificant people, I suppose to erase their imprint. I reread Jacob's room remembering reading it when Rowen was newborn, saying then that it seemed brittle. This time what I noticed was that it's about London, about England, flies about noticing not Jacob but his lifetime. Not brittle but venturesome - as writing - whizzing along inventing so much on the wing. It's not warm about him, she doesn't feel for him, but she says where he was.

I like to watch her thinking about herself, thinking how to manage herself. She's 40, 41, 42, 43. Isn't all the way there yet. Sort of hacking her way into Mrs Dalloway in jerks among other tasks. She thinks about how to manage her energy but she isn't using her diary to think about writing the way she does later.

It's occurred to me that the way to write about her and DR would be to compare them - though they're living in London at the same time and both feminists and both self-educated they have such different strategies and temperaments and placements. DR is a sturdy roving bootstrapper like me so I've been grateful to her for studying that condition. She's heavy though. VW is a delicate privileged snob who grew up with her famous father's library. She doesn't study my condition but she teaches me the speed and lightness of her privilege. - It's a speed and lightness I actually had when I was fourteen in the hospital though without the sophistication given by that library.

So, for instance, what I posted today:

Louise's party last night. Her house was beautiful. Her garden was beautiful. There stands the Monterey pine at the gate. It rises four stories before it branches. And there's the Monterey cypress. And there's the oak. Last night it was the oak I was feeling. A fire outside, scented smoke in the ivy, firelight across the cutleaf elder, which is one of my few additions to what was almost perfect, a beautiful shape, arcing, long branches that arc up across the lighted windows of her corridor.
 
I'm depressed by the party and so far depressed by this writing too. I loved the garden. I stood in it in a faint spit of rain and saw wolfy Rue standing with a lit silver bush down the path. That was wonderful. The spotlights on the acanthus were wonderful, the lit small room of the back garden, the open gate, the stone wall. Inside the house were people in party clothes, people I did not want to talk to. Edie Munk was wonderful in her liveliness but what was she doing with that thick stupid Republican man. (I got passionate about Canadian medicare.)
 
There was a man who came in looking like a wooden Indian, I mean in his tall woodenness, although he was dressed - I guess - like a country landowner, in a flat felt cap and very stiff-looking money clothes. He stood there tall and as if painted telling us his x-acre garden out by Lake Hodges had two years ago been voted the county's most beautiful garden design. Then he explained to me the concept of garden rooms. I left beautiful Genevieve in her high heels listening to him tell how he had designed the house extension himself after studying again all his books about Frank Lloyd Wright. She was saying, more or less, How wonderful.
 
What else. Nora. There she was, little cat face, with her orange hair in another new style. I was watching her face with a greed for beauty, as I do. The relation of her eyes and the corners of her mouth. And yet. We were in the stone-walled garden together, I was telling her about the Graham Thomas rose in the garden up the alley and standing with her looking at the plants and she suddenly walked back into the house. I had offended her, I think by praising Louise's garden too much, or maybe by praising the fireplace? Those moments of mysterious recoil in a party. People who were there one moment are across the room in the next. I'd said something. Often I don't know what.
 
- And that's it, enough discharging. I walked out through the open door and down through the wonderful garden and got in my jeep on the tall-tree street and drove home among gleaming lights on the pavement.
 
Point Loma December 2003

I like it because it's light and fast and accurate, it's who I was at that party and who I was when remembering it, it has pleasure and disappointment and puzzlement and more pleasure and sardonic poise and weather and a happy ending. It's a complete tale.

17

Paul Sylvestre tenderly astute Louie said.

Yesterday the cats had a fine day in the garden, slept on bare ground in the garage's shadow. Their sound I like best is a mouth sound, not a purr but like a single syllable of purr, that means, I think, Here I am or maybe hello. Patch says it when she jumps onto the desk. When do they say it to each other?

I sometimes hear Mouse making loud sucking noises. He'll have his head digging at Patch's chest but I can't tell whether he's got hold of a nipple. Meantime she has an arm holding him down while she scrubs his face. He purrs. After a small while she gets up and goes away. She never seems concerned about him: I'll see them cuddled alongside but he's always the one to make the move. When she's head-butting me she'll sometimes gnaw my shirt button as if maybe she's wanting to feel mothered herself.

- Waiting for Pat the plumber to come fix the outside tap and maybe the bathtub drain.

I grocery-shopped this morning, 7am the hour for old people. I was out of cream and couldn't have tea. I leave nonperishable stuff I don't need right away in the verandah for five days. What I bring in I wash with soapy water.

18

Posted gorgon philosopher, almost totally ignored - Emilee and Zimmerman - though it's much more accomplished than the simpler things they like. Is it that they don't believe me? They think I'm bragging? No they just have no experience of it. But it can't interest them as a phenomenon? Even the feminists? [Jody later.]

19

Bit after 7, sun from this side of the blue spruce. Tea in the red chair. Mouse chasing a bit of paper. I'm mad at Patch. Last night when I was watching the Vancouver EMT show she was asleep between the chair's legs under me and I took it as fondness so I leaned over and stroked her. She snapped her head around and bit me, rolled suddenly scratching at me with all four legs: Don't come to me, I'll come to you. I thought about it and kicked her twice. Not hard. Bed time, down the cellar you go.

20

Posted male philosophers.

Under 1962 thunder-fear Jim said,

I often have to remind myself to breathe while I read your posts.
 
Because they're scary?
 
No, not scary. I just never know where they are going and the telling is clear. So maybe I have to remember to breathe when I am enrapt with birding and no one is around. The writing is unpostured which leaves so much possibility.
 
I'm not just sure what he means, do you?     yes
Does unpostured mean honest     no
'The telling is clear' means outright     yes
Personal, from an unfamiliar private life     yes
He is holding his breath because I might be about to say something he knows about and has never heard said?         yes
How is personal like being alone watching a bird     intimate
Watching the otherness of the bird     yes
Do you want to add anything         no

- When I began working in the garden this morning I was so weak I had to force each small movement, felt my heart was straining.

Was it     no
Would a chocolate bar help     yes

22

Yesterday amtrack december 1996. Zimmerman said Wonderful! I could read your posts all day. I said You must be a writer.

Took garden trash to the dump, jeep through the carwash, picked up 10 bags of mushroom compost. Proud when I get things done.

When Patch was sleeping near enough so I could hold her little skull with my left hand I felt such definite electrical surges in my palm. She was very sound asleep.

It's been cold for two days. Wind.

23

In my dream I'd been thinking about how to put up a shelf in a nice way. I was explaining to a boy who was saying math was too hard that I wasn't good at math either but I'd needed a hard calculation to place my shelf and I'd stuck with it. I'd been looking around my place and seeing all the sloppy ways they'd been put up. Then I saw some weathered blue boards I'd used for a wall and thought of Dave Carter liking them. Thought of him with a flush of the old pleasure.

- So I thought I'd post a story about feeling Dave but found that story so enlarded in Louie's jealousy and her devious cryptic book sessions that I fled. The rage I still feel toward Louie in that time I know is like the hard unforgiveness I never stop feeling toward my mom. I know it but that doesn't make it shift.

Is it POSSIBLE for me to stop holding that     no
Would it be better for me if I could     yes
What makes it impossible     turn for the better, delay, community, the work
It's basic justice     YES
Basic loyalty to myself     yes
It's the same for Luke     yes
He kept the conflict going more     yes
But he can't do that now, shouldn't     yes
Keep on not contacting him     yes
Basic justice shouldn't be overridden     yes
In relation to Louie it's displaced, unfair     yes
But locked all the same     yes

24

Do you understand why Gail kept saying it again     no
Or why she was the one to say it     no
Was I tripped by her anxiety     yes
And because I was being blamed     yes
Just assume their concern is irrational     yes
Will we go back to normal     yes

Ate half an O Henry and did a lot.

26

There was a strong wind yesterday afternoon. When I woke from a nap and was sitting here groggy I saw that the top fifth of the blue spruce is gone. Men with chainsaws in the yard below, a boy carrying limbs. I'd loved the whole shape of that tree and counted on it to go on.

There's still a kink in the air between me and my neighbours. I wrote a letter and found a way to print it but haven't delivered it yet. Voice making defensive statements - "You have a bee in your bonnet about water on the fence and you're just going to have to get over it. Telling me off for a bit of mist on the fence is bullying and I won't have it." Etc. Very unpleasant. It will die down after a while but I have to endure for now.

Paul and I yesterday discovering our infirmities are alike. Tinnitus. Some heart thing. Winter misery. He's fond of his cat and learning software. He said everyone in Thailand, young, old, is beautiful, a beautiful color.

-

Yvonne picking tulips after she's brought my print-out saying "Frank says to tell you not to forget we're your friends." "I like Frank" I say. "Oh my goodness, so do I" she says, a small friendly thing with a grey ponytail.

The touching way that Mouse, when Patch has been outside just for a moment, comes crying to me to let her in and then runs alongside her bumping her belly as if to say I missed you, I missed you. Mouse is such a child. The way when I'm walking to open the door she runs beside me twisting her head up eagerly, Are you coming? They do look at faces to see intention - isn't that kind of extraordinary?

-

I'm watering irises in the north fence bed with a jar and a white pickup pulls up next to me. Man at the wheel says If I stay six feet away from you can I talk to you? A wizened humorous brown face under a baseball cap with what looks like a butterfly on it. I like him right away. He asks the age of the house but it's just an opening, he wants to talk about anything at all. Birth order. RD Laing. The librarian teacher who stuck with him. His boxes of photocopies.

He grew up in New Westminster and came this way at nineteen to work in the Craigmont mine. He was farming in East Richmond and converted his crop to poplars. The Beaches liked that - he knew David. Paul Emory. Would have been glad to tell me his whole story but I was getting cold and standing for a long time starts to hurt.

The neighbour fizz isn't over but after I handed Gail my letter through the fence trying not to shake with stress I oddly felt elated. I was digging the potato bed near the sidewalk and people stopped to talk, Sarah from the cop's house and that NVIT guy I like. Then Gail with an envelope. I haven't opened it but I can feel my key inside it. Fair enough. The letter was polite, acknowledges, thanks, in best professional style, but there's a sentence in it that says what satisfies me to have said.

- It's been a dark cold afternoon but at this moment Hamilton Hill is cloth of gold, all lit up, only it, like a nightfall billboard across the east.

I don't much care if they shut down on me, what I don't want is the obsessive self-justifying voice I hear when I quiet down. Is that just me or is it telepathic reverb? It says just me. Does that mean I can unmake it? It says no. It started in relation to my dad. It was made by not being allowed to reply to him.

Now the billboard has gone out. Scent of balsam. After eight and not dark yet. Bluer.

First tulip, red. The anjou has begun.

28

Why is it Gail I'm grinding at though he's the one who tells me off about my water. There she is on the other side of the fence a polite safe stupid church-going woman who's never done anything but be married and whose polite stupid false-cheery voice I endure, whose tidy dumb yard and monstrous orange gladiolas I have had to guard my eyes against. I assume she hates me too so why did she give me that lemon jello plant for my birthday and this stringy insufficient plant in her kind of dainty creamer? Hopefully sneaking her kind of conformity into what she must guess about my wilder brighter more experienced life? Symbolism of water on the fence oh for sure. I have comfortable long talks with her husband and short false-cheery ones with her. They didn't like the key because it was sneaking the possibility of wilder brighter more experienced life into their fortress? So he kept saying don't splash your looseness against our tightness and I kept saying being loose means I'm loose all the way to the boundary, I won't shrink back from it to service your anxiety. It came to a little crisis. I snapped at her because she kept insisting in her cooperative frightened voice that I must make a fence inside the fence so my boundary can't touch hers, so she won't feel how much classier my roses are than hers. That's it isn't it. "I have something for you." "No no no no I have an ancestral hatred of gladiolas" I said, laughing. Alright so neighbour friendliness must get damped down, being different is too hard for people? Yes. And it's more of a crisis for her in the front yard because that's their tidy controlled public presentation. My front yard is my back yard, it's the side yard with its flourishing uncon that's my presentation. It's got harder for them since I started working in the front because what I've done with it isn't what they do.

So anyway it's Gail I'm grinding at because she presses for polite dumb anxious conformity? YES. I can back off pressing her boundaries without backing off living up to the edge of my own can't I. What's the symbolism of backing off? Not having fun with her husband.

29

My heart or something else pressing in my mid-chest woke me at 1:30 - pulse weak, fast and stuttering - and then that went on for the rest of the night and then day until about 6pm when I suddenly knew I was going to clean the bathroom and laundry room and vacuum this room. Worked fast, ran with sweat. Cleaned and organized the medicine cupboard even, threw stuff out. Pleased the way I am when I get things done.

Anne liked my letter about her book. After I got her note I snipped together parts of what I wrote her for a post about Oma, with the photo of her shrine and a photo I'd forgotten was there, of me very dark-skinned with a lot of hair and my arm around small white Oma in her kitchen.

30

Scent of the air when I step outside soft fresh and green. I look at my whole yard with pleasure at its order and say this year I did all of it with no help. There are the tulips standing down the centre of the strawberry bed's new leaves. There are the shapely beds around the house, the rock-edged nectarine bed clean now with garlic chives and six paeony clumps in shades of copper-red; the porch pad's edge bed with iris spears and moss phlox blooming mauve; cowslips with white moss phlox. The apricot starred all over with very small blossoms, under it a ripple of dark blue muscari, yellow Empress tulips bloomed out; alongside the porch pad four many-legged paeonies; a yellow primula blooming like mad. Currant all over dangling yellow-green flowers. Gravel paths not as raw now and defining the beds just right; crabapple with unopened white tulips spiking up under it; pea bed with its comb of sticks; knotty black plum limbs foaming with white. Blue wheelbarrow standing with dandelions on mown grass. New leaves all different shapes and colors on the spindly roses. Coldframe windows standing open. And oh the new self-organized meadow-tapestry in the water corner, completely sown with little flowering things of different textures, hollyhock mounds spaced among them - the way that corner designed itself in perfection.

- I haven't said that I saw something odd in the night sky maybe a week ago, a row like zipper teeth of faint lights being hauled slowly south. Then gone. There's also been quite a bright light above the roofs to the west, always there when it gets dark. It doesn't seem to move but its position is further north when I go to bed.

What it's like going to bed. When I've turned out the light I always snuggle in thankful to such a good bed. I might thank the cats too and other good things of the day. Then just as I've drifted out I'm hauled back in fear because my heart is thumping too hard and too fast. What is it about falling asleep that does that?

Your birthday Tom. Yesterday I sent you a sentence that said please phone me. I've been scared to.

-

Anne says write a book about myself as a child in La Glace, in the hospital, in Clearbrook. I've been doing things today sometimes thinking why I don't want to. Then here on the screen I see a sheet called writing childhood, from a time maybe still in Van?, when I thought I was going to.

Why don't I want to now. If I write childhood I have to narrate background and persons and sequence in ways that seem not worth what would have to be a large effort. When I work from the journals most of the writing is already done.

For Anne childhood is a reservoir of good time. She can do it in her eighties because it's good for her. She's kept it present to her living with Harvey who liked her in it.

When I was first with Roy childhood was vivid to me and I wanted to tell it but couldn't. Now I feel the things I could want to share aren't shareable. "The sand bank." I couldn't give that spot on the road so anyone else could see it.

My writing childhood document lists episodes and images and why don't I want to enlarge them. What I wanted to say about childhood is more silent and visual and I said quite a lot of it in notes in origin, the photos and text.

I used to want to write only the landscape. When I thought of writing the people I thought I'd have to write about them as an exotic group. I don't want to write anything about this group that a child wouldn't feel interested in.

I was interested in the buildings. I was interested in the shape of the church. I remember the evening service when gravel dust hung on the road outside lit with sun far in the west. I wasn't very interested in people but I was interested in how they looked. There is a tone to be found for these interests. Not a childish tone. The interest was subtle and strong and clear, although its expression would not have been possible.

Her story is shallow and factual. I'd have to write mine deep and psychological and I don't think what I'd find to say in it is as advanced or as needed as the work I did later.

I've loved childhood books but I couldn't make a wonderful book out of the childhood I had without deeply, laboriously reseeing it in the present. I wasn't conscious enough or free enough then to be an interesting child? Don't feel it's the best use of what time I have left.

What about my little FB stories - they don't need setting up and they roam over the whole life and they needn't be even in tone - travel tales, therapy tales, love and sex tales, philosophy tales, teaching tales, friendship tales, many other kinds of work tales - and when they're out of the journal they show how that time writes. Does that matter? Does only the farthest style matter?

What is the farthest style - the swift accurate located unselfconscious journal mixes of observation, feeling and reflection that only the best can like for what they are.

May 1

Jeep battery is flat and I can't ask Doug for help. Toilet flush broken. Patch has tapeworms. Camera has stopped dead. Pandemic miasma everywhere. Heart worry has come back. BP is higher.

1. Shop -
2. Fix toilet
3. Fix the jeep
4. Talk to Row about the camera
5. Talk to the vet
6. Talk to the dr about whether to take more meds
 
2. Fixed with bit of wire
3. Posted on the Grapevine and Big Jim came and tightened the clamp
1. Could now shop and check the post office for roses
5. Phone prescription for dewormer, paid with credit card and picked up in the parking lot
6. Dr McLeod says add 5 ramipril in the morning and call him next week
4. Row said try a different lens and yes; took garden photos

2

At nearly eight the air a leaden grey in which new bits of leaf on the linden's tips and the church's crabapples show faintly luminously green. There were a few spits of rain on the window but they dried fast. The street has a look of vacant quiet. New yellow stripe down the centre of the pavement. It's the anniversary of coming here, beginning of the fifth year. Am I going to live through the summer? It says yes.

I posted Phyllis Altman today. This is how it ends:

"Writing really is fantasy. If it isn't it doesn't sell" Phyllis said. "But it's a sort of research into fantasy isn't it" announced the gardener, barefoot in bib-and-brace, hair up in a lump. Phyllis was talking about the novel she was writing, set in the East Transvaal. She was thinking of something pleasant; she stared at the flowerbed and her mouth opened and closed very slightly like gills. On her left temple there was a birthmark? - a scar? - a dark coin-shaped depression I thought of as a porthole.
 
Hampstead June 1974

What I like is that what I tried to do with woman with a hole in her head I got right this time with the slightest of means.

3

6:14. There's the sun edging out of a cloud bank over the long northeastern tail of Hamilton Hill. Into my eye. There's the intersection's mourning dove.

-

I'm living in the Central Interior now.

Sunday. Both cats sitting quietly in the verandah full of light. I've gone to open the cold frame.

4

David Mac. I opened the file and thought I can post this, I can post fiction. I can make that imaginary place stake creation. A sound artist, an electronic composer. The air is his notebook. (Who is she?) Writers who find an imagined man splendid and capable enough to carry them. Le Guin, Mantel.

The air is

  • cosmos, ultimate ether substance
  • space, spatiality
  • light, transparency
  • fluidity
  • subtlety
  • weather, local sky
  • sound
  • felt/subtle body
  • electromagnetic brain
  • felt/subtle body
  • gods and spirits
  • being, consciousness
  • reverie
I look up into the sunburst of a glint on chrome across the street. Strallen. A point of brilliant light and radiating from it many shimmering lines, fine lines that can be iridescent, can be still, can shimmer. The central light leaves a burn in my eyesight, a white scar.

> where is my short sound paper?

So yes it's huge, it's universal, it's the hugest there is, it's large enough, I have an imaginary guide, I have four moment-sketches, whether I have a little audience yet to discover, so far not.

Who is she. She's vision and has a notebook too. She's trying to make an Orpheus film.

-

The garden looks so happy.

5

I don't hear him. His voice is my writing voice. Can I find a more separate voice?

He's all the desired of the ideal kind, Ken D, Keith Jackson, Robert MacLean, Dave C, Ian Mackintosh.

When I found David Mac. Why it's him. Why it's London.

6

Grey dawn coming up, cats asleep in their places on my bed, boiler rumbling though this morning it's only for two degrees. Kate wrote to say the story of David and the muffins is potent. I'd said I'm less confident when I leave the actual. The question I'm feeling is shall I write it as raw fantasy, shall I write it as research into fantasy, ie as an old woman piecing younger desire and unfinished art.

The best people will despise my desire, will despise me for indulging it in work. They will admire me if I show a distance from it.

How to be truthful in fantasy. Honorable.

I respect the actual because I can trust what I don't know about it, the vast penumbra that exceeds me.

The refractoriness of the actual. The way Peter Manning made that work but wasn't a possible man.

What I can't have, can't be, in this life. Fiction has to be massively backed up by actuality to be worth anything at all.

- The answer is to keep double books, this one and that one.

7

Peter Manning is 1994. She is 49. Should I peg it to that time?

Piecing.

Who she is, which aspect of me. Which aspect is unfinished.

-

I like Jimmy Perez's accent and he's from southwest of Glasgow. Am thinking I don't need to know much more than I do. A few details. Then I've been remembering Lisa's way of writing her novel, she had a way of picturing her people and it was episodic. I could use the journal excerpts sort of patching. - These are just notes at the end of the day. - Also rereading Master and commander and seeing the thoroughly specifically place-time locatedness that is so much of his charm.

9

5 in the morning, lopped spruce and half-leafed linden cut sharp against there is no way to say that textureless pale orange shading rapidly through pale yellow to palest blue. Can I say how I feel it? Immaculate. A bird flaps through. Another a minute later. Thankful. That something is good. The mighty sky. The trees' complex long standing.

It says the McAras lived around Perth. I see there are long horizons, wide cultivated fields, frothy ditches.

I let Patch onto the porch to smell the air, which is intoxicatingly fresh. Mouse doesn't know where she is, bumps my ankles anxiously. I open the door a crack, Patch glides in, Mouse rushes to touch her flank, smells the air on her coat.

Earth level is dim still. White Boots crosses the empty intersection. Orange Cat follows at a distance, same pace.

Sky intensifying.

- Gosh, a contrail. Pale pink and thick as chalk.

Yesterday I was on the Nicola's bank hearing blackbirds, water's chuckle against a fallen branch. The river is high but this year isn't going to flood.

-

I took my camping chair to the riverbank. Scent of balsam poplar, chokecherry blossom. Blackbirds crying TZUT. High up the fine tips of two Lombardy poplars in small yellow-green leaf tenderly stroking the blue. The river at that hour slipping under long shadows lying upstream and then under a bright green glaze by the willow. Most of all the constant constantly varied slight chuckle of water in water.

Everywhere, up the street, far and across, trees in leaf.

10

Last night Patch crouched in the garden while I watched from the porch. She was near the gate among plants taller than her, a black form among black forms. Cars would pass, harsh sudden light and sound. I could see the alert turn of her head. Then at the far end of the garden, along the side of the garage, a black cat strolled through, another black cat, and turned south out of sight without noticing her. Why did I want to tell that. Was it a moment of seeing what she sees.

I'm touched by the way she chooses to be near me. I was sleeping on the veranda couch yesterday afternoon, Master and commander folded open next to me, and woke to find her stretched asleep parallel to me on the bench. When I'm at the desk I'll find her asleep at my feet. She claims the pillow end of my bed and if the covers are open claims the white sheets as if they were what she was used to when she was a human.

I was nervous last night when Mouse was outside, he was too near the fence and I don't trust him with the road. He was so interested in where he was that rattling the treat box wasn't working. I stepped down onto the path and barked once. He shot into the open door.

It's Sunday morning, quarter to six. When they hear me stir they wait at the top of the cellar steps. I open the door, they flow out, two furry backs. Mouse circles waiting for a treat.

After they've rushed to the bowl Patch comes back to the kitchen where I'm making tea, waits by the door, wants to see the day. When I open the door she hesitates, sometimes decides against, sometimes slips through. This morning I let her out and went to the desk. After a while Mouse came to fetch me and yes there she was waiting to come in. Mouse like a child has no personal interest in me, just wants what he wants, comes crying if the bowl is empty or if he can't find his mum.

I'm wondering if Patch isn't an old cat. Mouse gobbles his food but she bites awkwardly, leaves crumbs, and when I give her treats can seem not to see or smell them. She can streak around the room chasing and fighting but she sleeps much more than Mouse.

Yesterday in the NY Review such a nasty piece by Rebecca West's son. I was wondering whether that nasty sense of grievance is how Luke has to think of me now. Anthony West disregards the mother who fought to give something to the world and invents a mother who only lives to hate him.

-

Row was trying to phone me. I told Freya he could think himself off the hook for Mothers Day. She said she thought there was something else he wanted to talk to me about. When I reached him there was a prepared paragraph. Freya is pregnant. I didn't know what to say. May 1985 Rowen was born out of my excruciating mess with Jam. May 2020 Freya writes to thank me for wonderful him. He's passing it on. The right sort of grandmother would feel some marvelous new thing was coming to her. I don't feel that. There'll be a child who isn't for me, who'll live and be someone else like anyone else. My life had a branching-off at Rowen's conception: there began a branch I'm not in. Luke was a branch I was in because I chose him in the right way. Despite much. It is a branch I'm not in now but I was alive in it for almost fifty years.

Leslie's FB note:

Oh Sheila. Happy Mother's Day. Your steadfast example of patience, resilience, curiosity, quiet competitiveness, focus, commitment and loyalty is my north star. Thank you for it all. I love you and I miss you. See you when we get out of the upside down.

11

I need a better sense of her, what she's doing. She's forty-something, honed. Instead of the doctorate she makes the film she hoped to make. Instead of Tom she's with her other half.

- Here I'm checking through the David C story for bits about how she feels him and what I find is that story as it actually was, the lyric feeling all around it. Inspiration and pain, the grapple with the meaning of - what to call it - the names given are either disrespectful or false - he was a muse - he lit me up -

How the story doesn't work for my tale is that it's a story of wanting and not getting and I'm trying to write a story about having.

12

I need a time line.

They meet on the plane. She does her gig. They don't see much of each other. She goes home imprinted. He works. She works. They write letters. She gets a 3-month research grant, comes back. They're working not together but parallel. Grain work. His notes, her notes.

Is there more after that?     fight, prepared, power struggle, balance in the midst of change
Is that what you mean     yes
They fight     no
There's some kind of conflict     yes
With an outside force     no
Inside him     no
Inside her     yes
I don't understand     justice, early love, turn for the better, betrayal

There's my difficulty, there's no dynamism in the ideal. Le Guin makes it his quest, their separation. In Orpheus it's her capture, his quest. I could decide there doesn't need to be a plot, the whole story is just being together and apart and working. That's my mode, showing people who notice and feel. We leave the story with nothing decided. They'll find a way.

Show his fear, show her fear, that's conflict enough? Difficulties in the work?

Show it evoking early love and its floods?

Her Orpheus proposal. She's captured by early love.

What is early love for him. He seems not to have a mother. His work gropes in the dark. It begins psychological in that way but ends with cosmos.

What is my question. What could have been the work and love trajectory if desire hadn't needed the strenuous compromises there were.

In real life there was the smothering conflict with Louie. Do I have to look in the Louie story for conflict. It says yes.

Early love pain in both of them.

-

Frightened phoning Dr MacLeod, stressed waiting to be put through. He says he'll pursue the Echo.

Could work this aft and then it RAINED.

Posted Tom's hand creeping in my thinner-than-it-was fur - "He got my pants down so that people in A seats in descending airplanes could see his hand creeping about in my thinner-than-it-was fur and later very lusciously stroking my bum." It's not popular but Janet leapt in first thing with a red heart. Relatives following me now include Aunt Hilda, Aunt Lillian, Uncle Bernard and four cousins whose degree of piety I don't know.

-

Ian MacIntosh. After the Whittington there were intersections. The time I was coming from daycare climbing the railway bridge steps, carrying the bike? or the pushchair? and he met me coming up the other side and asked if I wanted a hand. I didn't realize it was him until after. Once coming over the bridge in the other direction seeing him in his window at its foot holding a child - he lived right there. Then I was walking with crowds for some street festival maybe on the upper end of Burghley Road and suddenly turned my head straight into his eyes half a block behind. And years later when I'd moved to Vancouver but was visiting London, walking north on Tottenham Court Road the very morning I'd landed, meeting him walking south. In Point Loma feeling him somehow connected to the empty house I liked and inventing that house as the house with the studio. - He was so exactly right. HD heart's desire.

 

part 2


time remaining volume 9: march 2020 - march 2021

work & days: a lifetime journal project