18 August
[assembled notes for the next workshop:
The period we now live in, the 21st century,
is perhaps the only time in human history when common people have held so
little knowledge of the sky. Childs 2006
32
the people had tied themselves to points on
the horizon and points in the sky 35
confirming the peerless order of the world 40
supernova in AD 1054 as bright as the full moon
for almost a month, visible in the middle of the day. At night it bathed
the earth in a ghostly ruby-colored light. It was positioned off Orion's
shoulder . Over the next six years this light slowly faded
'spirit' - essence - transparency - aspiration
- the sky gods -
Interdisciplinarity - body as frame - CS psychology
of sky, guided reverie; ES physics, astronomy, sky and place; TLA language
of sky
'Blueskying'
Invisible structure - gravity - communication -
First move in visual poetics
Bachelard archetype of sky - element-archetypal
Spangles in cold air
Virgas
Gegenschein
Lying on one's back
Redgrove and atmosphere felt
Minnaert and optical phenomena
Sky words in Persian zenith and azimuth, nadir
What color is the sky?
Four last songs, the lark ascending
Materiality of transparency
Quantum field
Silence and sound, the marks of sound
Audition
Daily sky photo
The desert dawn photos of *
Alchemical sky
Cloud streets - the language of atmosphere, the
action of atmosphere - air dynamics - visualizations of - dust, cloud -
currents and waves - judder of clouds
Openness - open body - Buddhist sky - evocation
of great space, great spaciousness
Flying dreams
Dissolving
What a cloud is
Optics - straight lines in nature
In 4 movements: linguistic S, cosmos physics of
atmosphere W, psychological subtle sensing C, breath P
To evoke the greatness of life
Sky within the body
Name horizontal concern
Music the art of air
The frame of sky - spatial mapping - motion of
the Milky Way - "Imagine yourself at the center" - cycles, moonrise
and set, sun rise and set - Yeats on moon cycle
Imagining blue
Daily sky photos, daily sky writing
'Consciousness as sky'
Guided reverie the meaning of sky]
O'Hare B18. Flight in an hour.
Inventing Tenuous body: the sky. Began to think of it when I was
turned on up there. What is it, the humming seat.
Someone just bent and picked up my NY Times from the floor. It was one
of our pilots.
The girl in pink sweats and cornrows with bobbles looking at a book called
God's little princess, bible stories.
Come on people, it takes so little to lose your gut bulges, couple my
age, his round and hard, hers soft dough under a higher ridge of breast-dough.
Lot of hugging in that black family, is he a minister. The way it'd be
fun to have a lot of kids, see who showed up.
I like to have hours in Chicago.
When the seat vibration was working on me I imagined Mac in
- At that moment an announcement from the counter, looking for a passenger
willing to fly to Vancouver four hours later in exchange for a return ticket
anywhere in the continental states. Two old couples trying to make a connection
with a cruise in Vancouver. Happy old thing rushing to give me a hug. Old
gent reaching to shake my hand. Where shall I go? Voucher good for a year.
Where do I want to go, NYC? That's about it, or SF with films.
- I imagined Mac in a green cord shirt and cowboy hat coming in at lunchtime
with his crew and pulling me into a nook for a moment. He's thinking about
later, maybe because of the stallion he saw. When we take a quilt into the
moonlight he's going to say, Are you sure? And I'm going to say, I'm a mare.
Big man in a farmer cap munching munching a sausage pizza.
In Everywhere Taxi this morning - light rain and grey light - Louis telling
me more of the story of losing his kids to Child Protective Services. When
we were stopped at the light next to the Montpelier bridge there happened
to be a perfect scene next to the road, accidental garden, wet sumac, goldenrod,
grass. Meadows had swaths of goldenrod, joe pye weed, loosestrife, Queen
Anne's lace. Sometimes on the verge there'd be white and yellow with spots
of chicory blue. Soft pines, rock walls. A lot of sweet slopes.
After the fac dinner Lise took me a fast detour up Hollister Hill. Ridges,
roads along ridges where either side shows openings onto vale after vale.
Misted pastures with black cows, a cloud in the west outlined in pink. The
soft pink and blue evening with goldenrod a bit jumped up.
Hello pretty jarhead. New army boots, velvety.
Is there something about time in a departure lounge? It's already almost
three.
-
Onboard organized with 3 pillows and a blanket. 8F.
Is that huge side of beef intending - no, he's not. Luggage carts in
the rain. They're scanning tags as they load them. Here's somebody buckling
in.
19 Vancouver
Louie's house.
It was raining this morning. I have nothing to do.
Jim Smith in the market this morning, his face plumped up. He was stooped,
rasping. He's living in the Ukrainian Home. "Are we old enough for
that?" "55." He seemed old and ill but soft and sweet. Seeing
him was like stepping out of a twenty-year sleep: I'm the same but you are
not.
Luke's arriving at any moment.
Jim Smith in Michael's pink back room, Rowen on his lap eating a peach.
Jim in the little house on Hawks before that block was gentrified. Now he's
fifty steps away in the old folks' home. He was a spidery person with bad
teeth. A witty American.
I was happy in Chicago. Was happy in the air thinking of sky and imagining
someone poking into me. Then happy my flight was delayed so I could be longer
wandering in the wide high covered markets of O'Hare. My flight was about
to be boarded when I jumped up to the counter and won a ticket. Then I was
happy that I had three more hours in the transition zone. I shopped. I bought
silver dolphin earrings at the Red Horse native gallery (wearing one now).
People were looking at me because I was happy. As I started the long road
from F terminal and was passing a Mexican mopping a section of floor segregated
with caution cones he suddenly said good morning although I hadn't been
looking at him. On the escalator up to C from B a sad-looking man my age,
passing me going down, held my eyes. I was sauntering with my hands in my
pockets. I am looking brown and intense.
We were flying at 36,000' from Chicago to Vancouver over high even cloud.
I napped. About three hours into the flight I could see through to dry land
below, and then there ahead was a north-south cliff of blazing cumulous.
The pilot was saying fasten your seat belts. One of the highest towers was
at eye level and we were going to be passing within twenty feet. It was
20
hard edged-and dazzling, boiling with internal light. Dangerous. We slid
past it. We were a small thing slipping past.
Where the sentence stopped yesterday Luke arrived. He was here eight
hours. We talked straight through.
Leslie Freeman at the student-faculty reading lifting her hand without
fingers when she says the word 'deformed.' I found her at the dessert counter
and said I'd liked her reading and had felt she was speaking for me too.
She was looking at me from her scarred white face disliking me, and I could
see that was so and continued to speak. I know she has reasons to dislike
me and even so think she should know her work reached me. I said I liked
that she had said both sides, that she had spoken for beauty. "Beauty
is very important" she said in her light voice. She wrote that she
has blue eyes, is tall and slender, blond, with high round breasts. She's
both more beautiful and more deformed than I am, and that's what's awkward
between us. It makes me stare, wanting to see how it is to be that. Patricia
says beauty is not appearance. She's wrong. Leslie is more lucid, she's
fiercely smart and proud. She holds to companions who are freakishly less
than she is, and I understand that. Patricia's strategy has been to reach
forward generously and playfully to make herself welcome. Leslie holds a
fierce distance, defends her fiercer talent.
I've wondered why I don't know much when I'm at the res. It's four days
later and I just now have a few things to say.
People grateful for the lectures.
The fac in their dorm the night of graduation saying Ellie handled introducing
Laura well.
The advising group never did light up.
The only strong moments in half hour interviews were Emilee startling,
and telling Justin he shouldn't let Polly have a child of his that he couldn't
be with. "You wouldn't want to look at that wrecked person and say,
I did that."
The soft way he'd say "Polly."
He said he should go home and work on not having to be with a woman to
forestall what he feels without one.
Luke yesterday saying that I'd had a platform at home that let me work.
At his house it had been chaos. I had never thought of that, the physical
order, Ed's sense of its value, that it had been a gift.
Melanie smiling unbearably whenever she speaks. Annie's quirk. I write
both of them off. I write David and Billy off. I definitely write Betty
off. That leaves Justin, Emilee, one more - Belle. I'm wasted on 5 out of
8. That's unacceptable.
21st
Beauty bare:
I woke defining aesthetics as studying how to negotiate the powers of
beauty.
Then thought it could be my second lecture next time.
"In India people believe beauty is human's relation to the divine."
- beauty corrupt styles of dissociation
- early love, openness, powerlessness
- a way body is soul
- Greek aisthetikos perceptive
- aisthetes
one who perceives
- aisthanesthai
to perceive
-
- birth of pleasure
- pleasure and displeasure
- dissociation - not feeling it
- segregating it (into 'art')
- sentiment weak beauty / strong beauty
- infantilizing
- addiction - abusing it
Beauty is a crisis.
L artis skill - bringing skill to beauty
The moment in Speaking bodies III when I said liking is liking to be
and Lorraine said Of course! surprised.
In here in Louie's beautiful house turned on because I had a week of
giving what I make and having it liked.
6 more days including today.
[notes on PhD possibilities at [the college]]
- exceptional students
- research interdisciplinary PhDs
- what would they have to cover
- coursework
- comps
- thesis
- actual courses for credit
- what a progressive ed PhD would look like
- what a low residency PhD would look like
- Seabrook
- Union
- Only accept in areas where we have deep expertise
- Our MAs have been progressive correctives to their BAs.
Next res:
- 1. Body as spirit
- 2. Tenuous body: the sky
- 3. Beauty bare: body's measure - body is soul by being open in pain
and pleasure
22nd
Pouring money. Dentist is going to be $700 min. There was health insurance,
Luke's ticket.
Yesterday back and forth to Cineworks on the bike, today Reach Dental
and Video In. Miles.
Email in the grocery on Commercial this morning. Smart note from Tom,
one of his keepers.
Mary Daniel on the phone agreeing to let me pull 2 prints of Bright
and dark.
Note from Rowen saying should he come now. Waiting to hear from Luke
about tomorrow.
One of the new age mags on Commercial has Eckhart Tolle talking about
an 'inner body' in contrast with the 'physical body.' "Out of the body
and trapped in the mind." Odd ontology but right recommendations to
strengthen body by flushing it with awareness. First parts and then a wave
through, then totality as single field. - The spiritual body is this one
felt.
[Opposite page:
- What beauty has to do with embodiment
- Body is soul by being open in pain and pleasure
- Gnostic tale of descent
- Widening to love of what is
- Holding beauty as protector
- The moment giving up beauty for the real
- Beauty in embodiment studies
- Liking to be - body's measure]
-
- Valéry silent for 20 years, occupied
with mathematics
-
- so that, through an exchange of friendly admiration,
we would understand ourselves better.
Rilke
-
- I was alone and waited. My whole work waited.
-
- States of intoxication caused by actions that
bring our whole body into play conduct us to a strange and admirable state.
Valéry
- Once and no more
-
- having been once on earth
23
At last an open morning. The column of steam extruding messily alongside
the shouldered chimney that I'm realizing I used to see from its other side
standing like a flat-headed soldier sentinel on the roof. There's the mountain.
There's soft 7:43 lying across the east-facing shingled slopes. There's
one white gull ferrying alone far away and small. There's the laundry line.
24
With Luke to Mary's yesterday.
She was a bent-backed little thing in white, peering up. Luke was a tall
lean person walking next to her with his arm around her shoulder. I'd hear
him in the next room earnestly cooperating.
When we'd got into the car to go home, nightfall, I said Now let's
go eat. We were in Abbotsford looking for food and the west was dull
gold and pink in the open above the ocean. Should we see this first and
eat in town? says Luke. Yes! So we sleeked toward the bridge while the color
deepened and the freeway trees stood black against it, forest remnant firs.
Mary wanted to give Luke soup so we were there for lunch eating cabbage
soup and left over pizza with chopped lettuce to give her the pleasure of
posing as a grandmother. After a while Luke mentioned coffee and I said
let's go out and we explained Starbucks and Tim Horton's and from there
were on the road north of the river. Communities I'd never seen, Dewdney
Trunk road. New tract houses in fake old styles tight next to each other
in suburbs still being cut out of forest. We stopped at a Starbucks. I'll
get you a chai latté, you'll like that, I say to Mary. Medium cappuccino
one brown sugar for Luke. He too refuses to use their size names. Decaff
latté, small size I say.
We're past the new streets into strangely flat land reaching to the base
of high mountains, blueberry fields a mile deep, school buses parked in
their alleys. Then dyked marsh and Pitt Lake, which I'd never seen. Pitt
Marsh a smooth field of water lily to mountain flanks far across, islands
of green reed.
We eat pie with spoons and then walk the gravelled causeway to the observation
tower, which shakes underfoot. Luke is carved on a rail.
Earlier I'd fiddled with a cassette in Mary's player and there suddenly
I had conjured Opa and Oma, Ed, singing with me and Mary. Ed's bass reaching.
I was kneeling behind Mary's chair where I could see Luke but not her.
Dead people singing. Then conversation, clinking cups. Jam's voice, I'd
forgotten she was there.
Everyone is mortal now. I mean I was walking on the causeway with Mary
and Luke feeling we'll all be dead, many already are. Mary talking about
her memory. She has to write down what she does in a day or it will be gone.
Eating with tense shaking fingers.
- There's a raccoon creeping on the railing to eat grapes. Striped tail
in the living room light falling through the open doors. Quietly pulling
branches down. He got past the dog downstairs. There's his masked little
face at the window.
I feel light next to her, light voiced, light and straight where she's
ponderous and bent. I look at her and think, twenty years.
Luke whisked us through country he now knows better than I do and I was
marveling dimly that here was my boy in the country where Frank and I were
young together, competently taking care of us, beautifully, kindly, in his
brisk prime having become the man of the line.
Quiet night outside this well lit space. One more day and a morning before
Louie's back. Traffic's distant and full in the dark.
In the West End last night we were having supper at Stepho's at 10 at
night, Luke's old neighbourhood. Standing in line with me the West End's
hard edge caught him and he demanded officiously why I would pay to have
my old films transferred to digital rather than use the money for new work.
He needed to dominate me for a moment - what was that. He was hungry.
- My numbers from the dr this aft. They're good. Cholesterol is good.
-
- Tonight in China let me think of one
-
- Who through ten years of silence worked and waited
- Until in Muzot all his power spoke,
- And everything was given once for all.
-
- And with the gratitude of the Completed
- He went out in the winter night to stroke
- That little tower like a great animal.
For the soul something like a secret space, a fourth
dimension of its existence den Fernen
God is so not a problem to me.
So Rilke was about staying in touch with early
love? That's what 'poet' meant to him and others?
Faust's one voice grown into two:
- die eine will den Fernen vorbereitern,
- die andere muss meiner Einsamkeiten
- Gesicht und Seligkeit und Engel sein.
Rilke on his mother:
When I must see this lost, unreal, entirely
unrelated woman, who cannot grow old, then I feel that I tried to get away
from her even as a child and am deeply afraid that after years and years
of running and walking I am still not far enough from her, that I have somewhere
in me inner movements which are the other half of her withered gestures,
broken pieces of memory which she carries in her; I am horrified then at
her distracted piety, her obstinate faith, all the disfigured and distorted
things she clings to, herself empty as a dress, ghostlike and terrible.
And that I am yet her child; that some hardly recognizable wallpaper door
in this faded wall, which belongs nowhere, was my entrance into the world
(if indeed such an entrance can lead into the world).
Letter to Lou Andreas Salomé
25th
Saturday at the Calabria, marble table in the corner. I'm not going to
say anything sentimental. Quite a harsh babble. Wish I were meeting someone.
Who. None of these random poor. Someone who smokes. Occasionally. Okay,
Susan. She'd be pink and burbling.
- The sky is battleship grey up across the street.
- Ken Sallit would be interesting. I would hear his humiliated adventures
and admire his high color.
- Small sips of bitter foam.
-
- Stylistic declarations of the poor.
-
- What was I looking for in Rilke. Vocation.
- Moments that tower into significance.
- The gratitude of the Completed, I know that.
- Is it possible for me to work in it. Somehow again.
- (Not stroking a little tower.)
- My sense of die Fernen is not god, nothing like god, not yearning or
adoration, more like weightless motion in an ether. A stepping.
-
- It is not the same thing as moments that tower.
- Those are the dark ones.
- The transparency is pagan delight.
-
- Die Phänomenologie
-
- -
-
- Transcribing this book to have something to do, but today also transcribed
15 pages of the first vol of DR. How is she. It's 1975, she turns 30 in
East Van. There's a photo machine picture where I look so meltedly soft
I have to think I was doing something right, but I was sometimes brutal
with Luke and often jejune in the writing. Half-baked. Floue. That
would have been one of her words. Looking to form. Scrounging anywhere
for clues of what to be. There's that manneredly arty phase before I begin
to break up.
-
- Greece
- Celtic Britain
- Hegel
- vision
- neuroscience images
- Romantics
- early love
- vis animations
-
- Feb 22
-
- Jubilation that swells up behind everything hard
and painful and endured and without which our voices are incomplete.
-
- how rested all things are:
- shadow and fall of light,
- blossom and book
- - Leishman trans.
-
- (everything's rested: darkness and light)
-
- A dead girl
-
- be past every parting, as if it were behind
- you, like winter, just gone.
- for under winter is so endless a winter,
- which your overwintered heart absolutely outlasts.
- stay dead in Eurydike - step singing,
- step praising back into the clean [Bezug] pull?
- here among the vanishing, in [der Neige]'s kingdom.
- be a tinkling glass that has smashed itself in
sound.
- be, and at the same time understand non-being,
- the endless ground of your inner oscillation
- so you fully understand it this one time.
- into the used-up as well as the damped and dumb
- [Vorrat] of full nature, the unsayable sum,
- count yourself rejoicingly, and cancel the count.
26
The shell of an old black car I find on my street
when I'm coming home after dark. Doors gone, it's just a metal casing. Inside
is a suitcase. I'm investigating. There's fruit in it barely begun spoiling,
this man hasn't been gone long. I'm assuming he's dead. A military uniform
very splendid. Hold it up against me and see how much too big it is. I'm
wondering though whether I can recut the pants to fit. And then it wanders
on. The back view of the tunic with a wide fancy belt outlined in red.
27
3:17. Louie went to bed at 8:30 so I did too, and now I'm awake. The
trains are working.
I'm thinking about the difference between fine and coarse faces, mine
in the 1975 book, one of each. Louie's coarse face when she came home yesterday
after teaching for 9 days, Susan's most fervent one. And fine and coarse
voices. VW in Lighthouse, and how hardly any books since have taken
that way. My voice on tape compared with my mother's. Why all of Louie's
yoga doesn't run energy in that way - it's about sex but also fervency.
- Can you explain this to me
- Am I right to want the fine-grained way
- Should I look for it
- Is it about 'running energy'
- Louie doesn't do that in yoga
- And Susan does
- Yoga is somehow on the side of ego for L
- It's about sex
- A certain kind
- Can I get to that pitch again
- Even if I'm teaching
- Even if I'm with Tom
- Are you sure YES
- Is it the state my body wants to get to
- I need it for film
- It's a kind of femaleness
- I'm going to need a lot of money
- For the film
- Could I get Canada Council money for the dubs
-
- Does the fine face have something to do with pain
no
- Realness
- Will you explain how to get there come through,
shared pleasure, observant, innocence
- Is this a list
- By coming through shared pleasure, close focus, in all
innocence
- Is that the best way to say it
- Intimacy
- It is intimacy YES
- Would I get to it if I were lovers with Susan
NO
Then I go back to sleep and dream the last bit
- that I'm doing therapy with Joyce or someone like her - first in a room
- then in a car parked in the alley behind Pender St. Something about a
young woman who is being invited by an older man, how old is she, nineteen,
say. In the room I'm in a chair set off to the side so she can't see me
when the door is open. We are parked in the alley and both she and I are
writing our comments in the same book, in the same paragraph. There's another
woman with us. Peter (Harcourt) comes and touches the top of my head, I
lift my thumb and touch his lip with it very tenderly. I wonder whether
that will put her off.
A group of people appears in front of the car posturing
dramatically. Someone's hands like claws, long fingernails. A car is coming
up the alley behind us. I put my hand out the driver's side window to slow
it. Some talking about what's been happening in the playground/schoolroom
next to the alley. Someone says, your son's attention is more settled. (I
understand the grown Luke.) I ask what that means. She says something I
wish I could remember because it now seems to be the answer to my questions
before I went back to sleep. She says he's less aggressive, but then more.
More present and clear. I wake thinking "lighter and freer,
Margo" is for instance what I have to say about the fac photo.
28
Pouring money at the dentist.
He says implants are $3000, and that I only have 3 that are so completely
fillings that they could break.
Dames Rocket 1975. What can I say about her. Her interests are
not mine. She's 'poetic'. It was partly the times, for instance Dillard,
who now reads as trying too hard. I was looking for high feeling, which
is alright, but the ways I found it described were vague and as if self
aggrandizing - 'mystical'.
What do I think about the affair with Paul, and can I see it apart from
the opinion I now have of him. It seems trivial, a light entertainment.
It would have been better to be digging down into what I was underestimating,
which was how hard it was to move to a new place. Paul was a shortcut into
having some of what I needed. I could admire how quickly I got someone to
talk to and some kind of anchor in the town. But I didn't know I was doing
that and I got silly. But was it oxytocin silliness what looks so lovely
in the photo?
What is it I want to know. What the mediocrity is. What makes that journal
not at all worth reading. If I can see that I'll be able to track what I
was doing through the breakdown years. That's the story in DR.
- I was trivial. What does that mean?
- Did not have sustained focus.
- Felt a lot and didn't know how to work with it.
-
Clarity, confidence, competence, good energy. [Rowen's list of virtues
to ask for]
Good looks, self commitment, brilliance, money sense [mine]
Right livelihood for Rowen:
- 1. educate himself about photography in whole world
- 2. money and time to do what he wants to do in photog, financial flexibility
- 3. do something with photos he has, to make it easier to do more, entrepreneurship
30th, Starbucks on Howe
Rowen was here for a day. Camera, computer. I took a picture I liked,
of him in a white space looking down focusing through his lens. The wall
behind him has a reflected light-line, a caustic thrown off the surface
of his computer, reaching from the upper corner in front of him downward
to touch his forehead. Photographer and light.
I was there with my $100 Coolpix and he with his $2800 Nikon.
He was lovely. Barefoot in jeans and black teeshirt, curve of muscle
in his arm where the skin fades from brown to white at the edge of the sleeve.
Broader shoulders, less of a droop in the upper back. What I saw most were
his eyes, which are now big bright dark eyes as beautiful as when he was
a boy. Soft bright red mouth. Pixie hair that suits him. Brown skin. Young
Rowen at 22 happy and found.
We talked about which 5 virtues he'd choose if he could pick five. He
loves that kind of question.
Mike in cowboy hat wearing a many-colored striped seater, smelling like
skid row. As soon as he came through the door he exclaimed Look at you!
He'd noticed. He put out his hand to touch the side of my waist to verify
what he saw.
He was garrulous, eager, laughing. I showed him the photos of Rowen and
him in AG.
31st
Blenz at noon on Friday. The computer room is closed, what will I do
for the rest of the day.
- Ticket for a week from today.
- Bright and dark print - which is Dark and bright - done.
- Luke posted his phone photo of me and Mary at Pitt Lake on Facebook.
I was whisking past a construction site on the bike this morning and
heard a loud voice saying "Look at that old cougar!" I
stopped in my tracks and turned around. Five construction workers on their
break sitting on scaffolding at street level. "You talking about
me?" The young one fourth in line grinning. I'm grinning too. The
old one second in line points with his black finger. "I was looking
at that old red Cougar there." Red car moving on as the light changes.
In the food court reading newspapers and eating chicken next to one of
the exit doors. Small unshaven man, looks like a drinker, says "I love
your hair" as he's about to open the door. I look into his eyes to
see who he is. He's looking back. A strong second.
As I'm rushing toward the escalator, Daniel coming past. "What time's
your train?" Turning after him, "Next week."
1st September
- Open Saturday. Louie away all day.
- Transcribing 1975.
Oh Luke. "Can I come to the airport with you?" He agrees that
would be right. He's leaving my continent, I say. He's beginning a new stage,
he says. Yes. My blessing as much as I can. He's had his root here since
he was 20. 20-37, 4-6.
3rd
Calabria, Labour Day. Guy in the next table jiggling his knee.
Is there anything to tell from Luke yesterday. He came at 4. I'd made
curry of a sort. Was thinking of the feast I made to welcome him, one of
his visits. He said if we had gone out he would have said curry.
At 37 how is he. There's fat under his chin though he's not fat otherwise.
His head looks squarer, a bit more brutal in the boss-man way. That's still
the film work, I think.
We didn't have the kind of conversation we've had at our best, this time
at all. I've been wanting to make sure he has anything he needs to go on.
There were some things. He said he thought I didn't want him because I wanted
a girl. I said I have always thought him the ideal child, which is true,
I have never imagined a child I'd like better. He said Sara didn't want
him, out of competition with her own kids. Catherine liked him best, Roy
liked him best.
He said Roy's card to Mary and Ed [when he was born] is one of his treasures,
and Andy's photo of him with me. That was good. He has two tokens of orginary
love that he's carrying to the next stage.
He had tears in his eyes talking about Kim's mother. He'd been loved
by a mother in a family.
So now he understands Roy, he has seen through Roy. Has he seen through
me? I think. And I have too. I said what I could about what was wrong with
me in 1975. I wasn't real. I didn't say that having betrayed him gave me
the liberty in which I could become the person who can feel remorse for
having betrayed him.
I said the irony is that if there hadn't been something wrong with me
I would never have had a baby with Roy. It wasn't a good way but it's the
way that made him and neither he nor I would want him not to be.
He's looking at children in the streets.
Not wanting to leave his nest, that welcomed him on the many nights when
he came in exhausted after 17 hours of work. Nights with Kim on the sheets
she gave him.
My wish for my kids to be well has come true for now. I think. Jam's
reparations, mine.
The Drive on a holiday. Lookit the boobs. That perfectly right word,
both for the way the lips clamp around it and for the way it has two round
o's diagrammed next to each other. 4 of them in a row, sort of.
Louie was back from Doug's this morning relaxed so it was easy to be
with her. I was giving her love woman instructions. Don't get even, just
call him out, firmly and clearly. Say "What are you really feeling?"
Say "When you figure out what you're really feeling, call me."
- And I ask her too, What are you really feeling?
- That I deserve better.
- 'Deserve' isn't really a feeling word.
- That I must have better.
- That you want better.
- Yes.
She says she doesn't want to be larger self for both of them. I say it's
the baby who doesn't want it, because she thinks it means faking being the
larger self, because she often does fake it.
- Larger self doesn't ever resent being that, because that's what it
does.
- Actually being larger self is a privilege.
And who are you being now, she thinks to say.
The larger larger self, I say. We laugh.
She says she can live with calling him instead of getting even, but what
if she's not sure.
If you're not sure you can ask the book, I say. I make a comical there-you-are
face. She cracks up.
- You don't have to be responsible for when to break it off, I say. If
you call him and he doesn't cop, it's over. It's simple.
- And then one day he'll call you on something and you'll be terrified.
He'll have learned to do it.
- Tricksy Louie's on the road.
Wednesday's Susan's day. I'm going to send her mail.
- Is Luke going to be okay
- Has he got what he needs from me
- All of it
- So now he doesn't need me any more no
- Will he see me out
- Will he live to old age
- Will he find his work now
- Will he stay with Indra no
- Will he marry
- Within the next 3 years no
- Will he have kids
- More than one
- A girl
- A boy no
- When he's 50 no
- When he's 45
2015
- I'll be 70
- Will he make lots of money no
- Do what he loves
- Will he want me to stay in touch
- Once a month no
- Once every couple
- Will I visit him in England
- Once a year YES
- Will he come to see me no
- Will he ever see Mary again no
- Will we ever go camping again no
- I didn't use my time with him well enough no
- If I had stayed in Vancouver would he have stayed
no
- London's more home
- Will he go to school
- Do you have anything to say recover from conflict
and withdrawal
- He will yes
- I'm sorry it took me so long
- Recover fully
- Do you want to say more no
- Will he marry the right person
- Will you say something about my relation to him
turn for the better, missing, success, recovery
- Is that a list
- My heart is real in relation to him now
- It's a deep sore loss
- Am I feeling earlier losses no this one
- Do you want to lead me through it no
- Because it's now
- He's leaving me behind
- As he should
- I'm grateful for the realness of the loss
-
- You have helped me make it up to Rowen YES
- Thank you so much YES
- You have helped me make it up to Luke YES
- Thank you YES
-
- Could I feel this for Mary no
- Because she's not real
- Are you sure she's not real
- Is she unreal to me because I'm evil no
- Is that whiteness true goodness no
- Has my work with [the college] people been penance
YES
- Have I done enough no
- But I've done what I can for my kids
- Mary became unreal when she chose to stop loving Ed
YES
- Did I become unreal when I chose to stop loving Mary
no
- Does Mary care about my spirit NO
- Does she think she does YES
- I've told Luke my family is a write-off yes
- Do you want to say more young subtle spirit illusion
of feeling
- Do you mean me YES
- When I was young, subtle illusions of feeling
YES
- Do you mean my question about 1975
- That's what's wrong with me YES
- One in particular no
- Have I corrected them
- [In those days] I'm a tissue of falsity
-
- Am I going to successfully make a DVD of the films
- Will there be a place to archive
- And a DVD of notes in origin
- Could I get a Canada Council grant for that
- Is it okay to go ahead and spend the money YES
- DVD of my diss
- Of student letters YES
-
- Contact Susan on the 5th
- Will she reply no
- Send it like a card
- Email
- Kripalu
- Phone
- Did you like Laiwan YES
- Would she write about her transformation YES
-
- Is there anything you want to talk about no
4
Dorothy and David were at their dining table with big bowls of soup in
front of them. I'd come with the bike on skytrain, stood balancing while
I could see south from the high rail to the ocean at White Rock, two arms
of a bay with silver between them and the spires of the bridge marking the
direct road toward it. I so like the way skytrain lets me see the breadth
of the valley floor green to the mountains on all sides, the way we glide
in a curve over the complete map.
I'd biked to the Calabria, then to Broadway Station.
Dorothy was in her best state, eager and pretty.
She was dressed in a sort of flowered coat, with a pale orange silk neckerchief
on. She was listening so eagerly that I spilled eagerly, about Rowen and
Luke and then the student stories. We laugh. I was feeling, when have I
had so much fun with people and been so natural, their playful attention,
both of them. I'd love to look at her face and want to pat her shoulder,
touch her hand. It was so much what I'd want from my mother, to be celebrated
eagerly, to have her delight in my adventures and admire my skill.
We were on the porch looking at the rainy garden, single leaves falling
in the mighty tulip tree. Dorothy turned my story about coaching Emilee
through the two chairs exercise by asking what my two chairs are and had
me on the bench in front of her telling what are the things I need to live
better and have more fun. I said 1. I need to have access to country, 2.
I need people I can talk to, I need more fun with people, and 3. I need
a project I can go all-out in.
And then she tackled the question quite persistently. We were tracking.
David said mind and land. I said there's a place I'm drawn to. (She'd said, What is fun
for you. I said bossing people is the best fun for me. She didn't like that
way of saying it, naturally. "Leadership.") Then I started being
excited about Santa Ysabel and Mesa Grande. (David had got out a book about
eco-communities. I'd said I could imagine ways to get one of my three but
not all three together - that's where we started tracking.) She said Indians
aren't gardeners. I said oh but they were, they gardened the whole landscape.
And so on, we got as far as my saying I should go there and investigate,
I should go in the spirit of saying there's something I need, not there's
something they need, whoever they might turn out to be.
Stone buildings. Have been seeing that for some reason.
-
On edge today, heart sore under distraction. Luke leaving. Two and a
half more days waiting.
Then back in what's still going to be lonely and dull, slogging over
my poor 8, Margo pressing service hours on the [the college] site. Transcribing
dull bad DR volumes on and on. Homelessness.
Since he came: my Luke. The hard rational sound he had when he came.
Do I want to do this. I don't know what to do with myself in the wait. A
bereft feeling.
5
- Last dentist appointment. $1055 total.
- Wednesday afternoon. Nothing to do. Nothing to read.
- Sent Susan an email this aft.
part 6
- in america volume 13: 2007 may-september
- work & days: a lifetime journal project
|