San Diego 3rd January 2006
Tuesday morning, cold after the rain. The heater isn't keeping up.
Took him [Luke] to the train station this morning, watched him walking
away alongside the LA train. He was wearing jeans, his excellent boots,
his red-blue football jersey, black down vest. Carrying a big red and blue
duffle against his shoulder, and his dark day pack with its water bottle
sleeve. He looked restored: a tall brown-skinned man taking long steps.
4
Wednesday morning in the black. It's damp. I have such an ache in my
shoulders these days, shoulders and arms. All over really - had it intensely
in bed under the stars. An acid ache in the muscle.
Is that all I have to say?
Don't like to be awake at this hour but I wake at 3 and that's it.
A lot of slog ahead, ten evals, the magazine, the focusing lectures,
some embod planning I guess. Want to get Still at home up.
6
This morning I open the computer and there is what I am always dejectedly
looking for, someone saying Being about is major. It's Damion. "I'm
appreciating it a lot. I really see it as a magnum opus - in philosophy
and about existence. So now I've vowed to read your other chapters."
There was Sarah last week saying the letters on the philosophy of embodiment
are what she hungers for.
Where can I set up embodiment studies properly?
Where can I get students who can do the range - science and personal
processing, politics, a physical practice, skillful critique of existing
discourse.
[My college's] model of knowing-being-doing is correct. Who have I had
who's done part of it - Susan, Millie, Carolyn, Juliana, Anna, Layla, Jody.
I have the platform worked out. I know the parts. I have the sample lectures
showing the span. I have the mag showing student work. I have the web worksite
though it's a mess. I have stuff for an anthology. I have a couple of student
curricula.
I have
- Being about
- what will we know
- Leaving the land
- Brain and imagining
- letters on 'spirituality'
- Brain and metaphor
- Work and days
- the films
- the garden photos
The love woman / work woman letters! Yes!
7
Transcribing the last journal 2005 Aug-Dec because there were bookwork
notes I wanted to review, and because when I wake I can't bear to sit down
to student slog.
So I began to make a title page for Fading [ie this section].
Image - tried a couple - no good - then I realized shoulders.jpg is the one. Doubled,
out of focus, strong, subtle. Don't know whether I've earned that one but
now I'm eager to post current journals too. I will have to say they are
heavily edited but - . (Should I backdate to 2002? It says no.)
- Can I use student bits if I have permission?
- Where I don't have permission only use my bits
- All student names fictional
- Unless they ask
- Permission from Margo? no
- Should the letters be by date no
That way I can have the earlier ones too.
Letters by topic - 'spirituality', writing, love woman/work woman, embodiment
studies, processing
- Edit out dull parts
There I wrote intro text and felt what I've wanted to feel - creation.
-
Smallville. Story about someone who can steal identities and powers
- here's fear close to - what if I have sold myself to an evil power and
been jumped - why would I think so - because of Being about - it's
implausible that someone who began as I did wd get there - here is the other
side - why I hang back - isn't it? I'm afraid I'm an evil supplanter.
If I were, when would it have happened? Evidence: the way I'm not connected
to my family. Evidence: the way my dad cried when he looked at me.
So how far back does it go?
How far back does success go? No, not that.
School was mine, Trapline was, what will we know was, the
slides were, the garden was, analog/digital was, and so the doc was, but
- ?
- Do you understand this fear
- It's distance from base
- It's connection YES
9th
Monday.
Visible happiness somehow. At the farmer's market yesterday morning there
were pleased faces looking, and after I dropped Tom at the tent and stopped
at Walter Anderson's people were wanting to speak to me. A man in the shrub
rows said, "Do you work here?" "No I just look as if I do."
"You look as if you like plants." "When I look at plants
I feel happy." "Me too."
Tom says it's because I was with Luke.
He came at 10 and we sat talking. He is reading, listening to NPR. He
woke hearing sentences being formed in his head. He was startled. They were
different than anything he had read. He loves the vet tent. The food is
good, there are no rules, it's like a holding company, he says. People leave
good books in the book pile. Affliction by Russell Banks. He's going
to talk to psychologists about ADD and think about a pension. He can go
on an army pension and then switch to social security later. "I'm living
the life of the mind" he says cautiously.
All of this is to my taste though I know the next time he shows up unshaven
and cranky I'll dislike him again. For the record, though, crashing to the
level of the army tent seems to have been a good idea. Maybe his unseen
guide does know what it's doing.
I have more or less finished transcribing the last journal and today
sat down and hacked through 3 and a half evals. Six to go. Ten days. Going
to work at Scott's now, need the money.
When we were sitting together yest I showed Tom the front page for [this
new section] and then read him the story of our afternoon at the military
cemetery. We both had tears in our eyes after.
10
What I got done today - phoned Canada Revenue and copied docs for them,
transcribed San Felipe, worked on both mag and [in America] design,
organized many pages of focusing lecture sheets, sent 3 evals.
11
Working on a lot of things - transcribing the rest of the Gendlin notes
this morning so that vol is done, more work in focusing lectures, working
on [this section's] index page, patching pages for Logan, Michael. Evals
for Richard and David. Set up Carol's and Becci's. And now fixing up volume
front pages for Still at home. I love designing pages. The white
space. Happy working on SH.
12
Wish I had an east window. There's sun but it's chill and dim in here.
Exactly a week before I fly.
Gardens - clothes shopping and shoes - 4 more evals - focusing notes
so they're done - SH up.
Carol's eval says brilliant insights, brutal honesty. "The key to
my successful relationship with Ellie was my deep trust in her. She consistently
provided a safe space for me to write about difficult topics. Her empathy
combined with strong teaching skills and a swift kick in the pants when
I needed it kept me motivated and believing in myself. I'm forever grateful
to her."
What I like about this is that my toughness made her trust me. She's
working class.
Lisa was solid. She's happy with her semester. She wrote her book. She
liked me. I saw her and trusted her.
Cynthia - oh Cynthia - she got everything. She got everything she wanted.
I got her there, she got her there, she did massive work.
Anna - she got to the bottom of it, she saw where her lines converged.
She's ready to start.
Layla - she got to real creative writing. She got all the way there.
snow and fire is good at least in its childhood parts. She's another
one whose tone went when she was writing a long paper. Conclusion - have
them organize better and write chapters like individual papers.
Altogether: here's my semester self-eval: I didn't get to write anything
interesting to anyone - well, Cynthia, some - so that was a wasted semester
creatively. In terms of effect, I did it for Gwen, Lisa. Layla's theoretical
platform comes from me, Anna's too. Cynthia arrived because of earlier semesters
with me. AND arriving at [this section] makes me happy because it saves
these 4 years' writing. It also sums up as if teaching is done.
I did invent embodiment studies as I went along. In the three years here
I invented an academic field. It is mind and land sort of. If I wanted to
go gangbusters on it I could. I'd need a crew. I'd need a marketer. Do I
have more important things to do?
- Do you want me to go gangbusters in embod studies
no
- Is there something else
(5p)
- I'm hugely creative
- Am I finished inventing embod studies
- Do you want me to write it as a book
- Will M give me a semester to do that YES
- Write the book and leave it at that
- I could do that YES
- Practical version of Being about
- Can I use the work with Millie
- Do it but not gangbusters in a tempered way
- Do something else too
- Do you mean the journal project no
- Is [this college] the right place for it no
- Needs to be an institute YES
- Naropa? no
- CIIS
- They're too flaky no
13
It's 4:30 in the aft and I've been working on Still at home since
about 5 this morning. What did I do. Vol 1 is ready - linked and edited
for typos. Vol 2 has 6 parts, is distributed and linked but not edited.
Photos for vol 3 are set up on pages. Organized vol summaries properly,
including vol 2. Seems not a lot but it was full concentration almost without
breaks. I was laughing with pleasure reading myself at 14, laughing at my
candor.
14
I can't read this book but I'll read the bits Tom marked because they
were about him.
There is a kind of willed conservatism that
helps a remnant people cope with having been abandoned by several generations
of the most talented and attractive of its children. Left behind, the remnant
feels inadequate, insufficient, foolish and inept - everyone with brains and ambition, it seems, everyone with
the ability to live in the larger world, has gone away. So that with the
family, with the community as a whole, no longer able to unify and organize
a people and provide them with a worthy identity, the half-forgotten misremembered
ceremonies of ancient days affirm a people's existence, but falsely. And
it is this very falsity that most offends those of us who have left.
Wade was locked into an old familiar sequence:
his thoughts and feelings were accelerating at a pace that threw him into
a kind of overdrive, a steady high-speed flow that he could not control
and that he knew often led to disastrous consequences. But he did not care.
It was only additional evidence that he was in this particular sequence
again.
Most people saw him as tense, quick, unpredictable
and hot tempered, and indeed he was all those things too. But since childhood,
he seemed, when he was alone or imagined that he was alone, sometimes almost
to let go of consciousness and float on waves of thought and feeling of
his own making. They were not fantasies, exactly, for they had no narrative
and little structure, and not memories or wishes, but warm streams of dumb
contentment that flowed steadily through his mind and remained nonetheless
safely outside of time, as if they had no source and no end.
Everything the other people said and did was
half a beat off the rhythm of everything he said and did, so that the others
seemed almost to be members of a different species than he, as if their
species had a slightly different metabolism than his.
Without Lillian, without her recognition and
protection, Wade would have been forced to regard himself as no different
from the boys and men who surrounded him, boys his age - deliberately roughened
and coarse, cultivating their violence for one another to admire and shrink
from, growing up with a defensive willed stupidity and then encouraging
their sons to follow. Without Lillian's recognition and protection, Wade,
who was very good at being male in this world, a hearty bluff athletic sort
of guy with a mean streak, would have been unable to resist the influence
of the males who surrounded him. The loneliness would have been too much
to bear. 301
Lillian's love had kept the young thing in him
alive long after it had died in everyone else he knew.
He had started to drink heavily and had grown
confused and angry. And he quickly lost his connection to that lovely young
thing, the fragile humorous affection for the world that he had nurtured
and kept alive all through adolescence, and he grew increasingly angry at
the loss and began to blame Lillian for it. The more he blamed her, the
further he flew from it, until, indeed, he was
like the men who surrounded him, and one night he lashed out at her with
his fists and afterwards wept in her lap, begging forgiveness.
He had tried to break through the pain and confusion
of his life to something like clarity and control, and it had come to this
- this dumb helplessness, this woeful thickened shameful inadequacy. At
bottom, he knew there was love in his heart, love for women
- but try as he might, he could not arrange his life so that he could act
on that love. There were all these other dark hateful feelings that kept
getting in the way, his rage and his fear and his feelings of pure distress.
It was something else, something that had always
been there, in her eyes, even when she was a girl and Wade had first fallen
in love with her - and suddenly he realized it was why
he had fallen in love with her in the first place and why he had been so
obsessed with her in all these years: he had looked into her eyes way back
then, when they were both high school kids, and he had seen her intelligence,
the wonderful complexity of her awareness, and he had seen his own smart
eyes looking back at him, and for a while he had felt intelligent too. Then,
after a few years, because he no longer saw his own eyes looking back at
him from hers, he had lost that belief in his own intelligence, and from
then on, all he felt when he looked at her was stupid. 321
Then she closed the inner door, and Wade was
looking at his reflection. It was Pop he saw looking back, twenty or thirty
years ago, haunted and angry, kept outside the family of man, compelled
to stand in the rain and cold and darkness alone, while the others sat around
a fire inside; and because he was not there with them, they were unafraid
and slung their arms over each other's shoulders and sang songs or whispered
sweet secrets to one another, men and women and children full of good intentions
and competence, people who were able to love one another cleanly. He, like
his father before him, and like that man's father too, Wade's and my grandfather
and our unknown great-grandfather as well, stood outside, hands buried in
pockets, scowling furiously at the frozen ground, while everyone else stayed
warm and loved one another.
All those solitary dumb angry men had once been
boys with intelligent eyes and brightly innocent mouths, unafraid and loving,
creatures eager to please and be pleased . Were they all beaten by their
fathers, was it really as simple as that?
Russell Banks 1989 Affliction Harper and Row
Res shopping. I bought 2 things that are good - they're both tightish
zip jackets, one in purple microchenille, soft. Red waffle hoodie - poppy
red, orange-red. So what do I have to wear (list). Pants are the problem.
Tried on so many. Terrible designs. I love my cargos but they're so faded
and shabby now. What else. Black linen if I fix them. 2 pr of those lightweight
green, they're not great. That's it. More pants.
16
SH, 3 of 5 parts mostly done, pressed from 6 to noon. Yoga for an hour.
Then 8 hrs straight working on the magazine.
17
SH5 is done. Leaves 3-6 in SH4. I'm driven in this.
And then there's email from Montreal, a forum in Montreal about body
and technology. I look up the invited speakers, a Portuguese guy called
one of the 25 greatest living thinkers (Nussbaum is the only woman unless
one of the non-English names is too) and said to be "the philosopher
of the body", and another guy teaching in a film department in Australia
who is writing about cognitive models. I'd like to speak in Montreal but
then I go into Murchie's culture studies context and I think, no, these
people would find me too simple and not understand me.
Murchie alludes to a couple of my points but he's talking about them
from within the old language and he hasn't worked them out.
Reading this stuff I feel again how simple I need to be in my language,
to be able to think.
Wittgenstein and Gendlin are too.
Murchie's language so betrays competitive anxiety.
Without those signals of mastery I wouldn't be taken seriously.
I'm not interested in questions about modernity or fracture.
It's all men, a club of men who play the mystification game.
I have so much selected my own models and no one else has selected the
same, so there may never be a way I stand in front of people as a philosopher.
Artists but not artists in art schools.
Who IS my audience?
Just remembered a dream. I woke at night and said I should remember the image of a tree with a dense black fog held close to
it, just within the outer tips of its branches and around its trunk. Then
later the sight of a human body with that sort of black fog around/within
it too. Furry, as if. Finely fibrous.
- Is there a reason it's black
- Absorbent no
- Charged
- Dense
- Some physical fact no
- Electrical structure
- Is there any more I need to know about this no
For the record - when I got an email from Miz S I felt my hair standing
up in its follicles.
"Being the most powerful person on earth, it's a rush." Commander
in chief.
19
Trying to post Still at home, will there be room?
-
Yes. It's up. It's beautiful, with its big bright photos. Me, Al, hospital,
grass, Frank, Sexsmith.
Ah, makes me happy, makes that young person happy, that her earnest playful
self is speaking to all the world. What more does it need - vol 4 part 3
or 4 has a lot of bad letters I shd weed down.
Maybe more images than it needs. Some intros to be written. Maybe more
vol index quotes. Vol 3 - is it? - has some indications for links I haven't
made.
My blurred black and whites are surprisingly beautiful. Scan of Judy's
carriage.
Really like the design, its clarity, the white space, the red
links. The lined edges and cream-colored pages with typewriter font.
-
From Becci:
Ellie I had a rare silent moment in a coffee
shop and have been reading your livejournal project. It is beautiful simple
and astounding. Thanks for having the bravery to share. So few allow others
to read this sort of thing.
Feel as if I got a lot done today - Still at home - went to Scott's
at the right moment to pull out his rosemary and pick up $150 - got the
magazine proof up - mailed 3 evals - got the money into the bank - watered
downstairs - letter from Rowen saying he liked the Mabinogian this
time.
I want to do just one tiny strand of blue [hair].
- Would it work
- You have something against it
- Can you tell me with one card illusion
- That it would make me look contemporary no
- Sentence? honesty, crisis, liberation, slow growth
- Would it misrepresent me no
- Too much fun YES
- Just don't do it YES
- More you want to say no
- Can you tell me why I want to do it to make people
generous
- That's bad? no
- Do it the hard way
- With presence
- Okay
20
Six in the morning, traveling today.
-
Northwest flight to Detroit. The front of the plane being packed in.
I'm dressed up for it. My new Goth cargos, black - that I had to cut a lot
of straps off - shortened by six inches - gather at the ankle - take in
at the waist. Red hoodie, tight black velvet singlet so I don't have to
wear a bra all day. Docs.
Behind me are two men who are bonding in the virtual community of football.
"They just hired a new guy." "Sooner or later he's gonna
say one of two things, I'm gonna sell, or I'm gonna move." "The
Packers will be back," said in a tone I can't describe, uncertain complacency.
"He may give it one more shot he's right on the cusp."
It's taking half an hour to board - 48x6 = 288 people with a lot of bags
and coats.
Those guys are going to drink and they're going to talk sports all the
way. They're laughing, they're getting into it. When I was 16 I'd already
have been all excited about the man next to me.
Plainfield 21st
Both people in my row were poking on their laptops and I was wriggling
and it would be hours still so I unfolded my Mac and finished Carol's eval
and thought now what, and opened the Orpheus file. And there I became someone
I used to be, open-mouthed in beauty. Who am I being instead of this. Could
I make a living and be this. Nothing is more important than this, this is
the touchstone. I'm being something now that's connected to what I was when
I was succeeding, and it's what I am in ease, and this other thing is what
I had to find in my uttermost and maybe I have to keep being the successful
one to support something else, but now I should somehow transcribe Dames
rocket? (No apostrophe, have I decided?) It will need a different format?
It's all whichway not narrative. There is the writing, the slides! But the
journals are floods of notes. It was about being - I can say that. I was
a solid young person. I turned to air. The beautiful work is air.
23rd
It's snowing, I see against the pines.
Miz Susan arrived at the next table while I was talking to two new students.
I concentrated on not looking at her and it had the effect of stiffening
my conversation completely. And then S came to give me a hug. She was wearing
something pale blue over what look like new dungarees, and she wasn't her
most radiant self. She holds a long hug that I don't feel except as firmness,
but a good hug. So what are you going to do this semester? That needs a
conversation and we have to find a spot. There she is. Live. I relax. She
says in her parenthetical way that I like fighting with her. I say I do.
When I think of her, even, I feel the roots of my hair stand up. That's
pitta, she says. Energy. Oh definitely. (I sigh.) She's cold, can we go
somewhere warm? My old office in Studies. She takes the dishes away, I get
some tea.
She comes into the room and shuts the door. I sit on the floor and leave
a space next to me for her. She sits down across the room. We laugh.
So why do I want her to write, she says. There I pause and go in. I tell
her the story of the row of laptops before Detroit and the moment gaping
into beauty. I say it's an airy person, and her paced writing is that, and
I want to write in that way and I want her to be able to write that way.
When I say that I have tears in my eyes.
I say I can't read that work aloud and don't think it's voiced. She says
yes, voicing brings in too much ego. I've said ego is the solid dwarf. The
book says don't do that beautiful work because it's evasion. So why isn't
it evasion if she does it? Because she does it differently. She says she
sees flame. I say yes, flaring, like gas wells. In me it's paradisal. Something
transcendent uses the dwarf to teach, in me.
There we both are in [our college] the land of social workers. She needs
the best. She said she could see rhythms appearing in thieves that
come out of childhood. I say there are people who would be interested in
that. Dead people, Duncan and Creeley. She should be doing poetics somewhere.
What else I said was that if I could fund it I'd want to do that kind of
writing with film. She said, You've never said that before.
-
Grizzly man. What about it. Alaska people. The bush pilot, the
coroner, his friends. The filmmaker's interest in Treadwell's footage, use
of his footage. Comments on his footage. Treadwell's childishness, his madness,
believing himself a saviour, dying for the bears. His parents in Florida,
stiff split people with animal figures on their lawn. Depression and booze,
and then his mission. Herzog at the end looking into the blank button eyes
of the brown grizzly who may have killed Treadwell and saying "I see
only indifference and an interest in food," that Treadwell imagined
a relation. He was in early love - he was deep in early love - he did know
a terrain, he knew enough about bears to stay alive for 11 summers. He succeeded
in being the child self very nakedly. He seemed gay and said he wasn't.
Very gay.
After the scene in which Herzog is listening to the tape of Treadwell
being eaten, Herzog shows a fight between male bears who when they are on
their hind legs look so much like people in bear suits. Sergeant Brown and
Mickey. Fur flying. Teeth in each other's necks. Bloody big jaws.
The scene where Treadwell shows himself patting fresh scat. "It's
still warm. I'm touching her poop, that was inside her." He wanted
to be a saint and be martyred. Took a blond girl with him.
And what was Herzog interested in, and what did he know. He was interested
in the chances of early love lived out? Not realizing that early love if
lived correctly does not stay young. It's still dissociated in him, only
he has moved into the other side? I think.
Werner Herzog 2005 Grizzly man Discovery Docs
25
Joe Fendler and Tom Fendler both in my mail box. Joe says is Tom still
in San Diego. I write him back and give him Tom's email address. He sends
Tom an email saying he's going to be in SD tomorrow, cc's to me, I write
him back with Tom's cell number and phone Tom and leave a message.
Meantime.
I like to see Susan across the room in the cafeteria, her boyish toed-in
walk, little square shoulders and little loose hips. Woman nearly fifty
who clumps along so lightly, it's very pretty. She isn't this time the flushed
goddess of the upper air. She isn't in goddess state, and she isn't trailing
naked showing her underpants and she isn't coming on to me and I am not
imprinted but a little sad - a little. Jim told her the first thing they
should do this semester is send out her work. She said (to me across the
table), "He said it was extraordinary, and I hadn't been seductive."
Guinevere in my office last night. I was seeing another person, the cost,
the person who bears the cost. We were talking about beauty and staring.
I was saying I want to stare at beauty and am ashamed to be seen doing that.
I say beauty is something in early love, loving beauty is a kind of body
loyalty.
And there I'm thinking on - is this a topic for next res? I have never
written about beauty. "Something twisted about beauty." Mirror
cells. Wanting to be and wanting to avert.
Jim is liking me more and Ralph is disliking me intensely. I described
the experiment with Betsy and gesture in advising group. Hold the coffee
cup with your right hand and gesture with your left. She was at first frozen
but then continued to talk in her former controlled academic way, but with
magnificent elegant gestures of the left hand. So large-minded a being.
(Ralph said did I have human subjects permission, I said I had thought everything
we do with students is human subjects. We clashed swords.) But the experiment
is the interesting thing.
27
What happened yesterday. Susan. I brought her upstairs and she sat in
the chair across the room and I told her what it was last time and saw her
feel it. And relaxed and saw her speed when she was describing Amanda talking,
describing the way her hands move and as if her comic timing. And was intimidated
by it. And hugging her, the fine-grained whiteness of her neck against my
face. The way a conversation with her can include a motion. She will notice
what I do with my hand. "Yes, like that."
When I was talking to Susan my body came on, I could feel a faint light
in my sex.
The moments in the workshop when the faces around the table were absorbed
- such lifted softened absorbed faces. Margo across the room looking at
them beaming.
Anything else?
28
Tom and Joe sat two and a half hours in a café. "We never
dropped eye contact" Tom said. He has large wide-set eyes. Tom could
see Uncle Joe in him. "He's a beautiful man. He's intelligent."
He was loving. He said "All of that is in the past." It was Dorianne
who pushed him to make the call. "The women in our lives are our angels"
Tom said.
The woman yesterday who said to me, You have a lot of light in your eyes.
It stopped me. I had tears. I couldn't go on, for a moment. I was looking
at her letting her see her hit. Nancy Mellon.
I'm feeling the way both these things became nothing when I told them
to Susan. She isn't interested in the journal. She won't reply to anything
about it. She wants to think we're intimate but she speeds along being hot
shit and these amazing things aren't told.
- Did you like the wraith
Another thing it was useless to talk to her about was Al.
- What is needed with Al overview, subtle intelligence,
shared, writing
How to show intelligence in writing.
29th
What else am I angry at. That I was there at the dance in the mirror,
thick and grey and dancing badly. That is making me cry.
Larry and Cynthia were jiving. She was wearing high heels and he was
wearing blue jeans and his shirt collar up.
Sean's slides at the end. Astro, Sally, Caroline, Juliana, Jessica. Anna
was beside me crying.
Dave, Sean and Glenn drumming. I was beside myself. Our new pretty belly
dancer rolling her white hips.
I'm lonely. I'm sad. There's a drip off the roof, warm snow thick earlier.
I don't want to be here anymore.
I'm dropping here.
- Only Ben liked what will we know.
- Was it really only Ben who liked the Gendlin too?
- Chris was looking at me likingly.
- Alex, I think.
- Becci put me in her poem: "I worship at the altar of Ellie."
- I liked Al's little white face and that he showed me the drawing of
him and Ryan with his hand searching through the fog to Ryan's.
- Their child Little Monkey.
There she was knocking again, this time sharply. Fuck off.
That second workshop didn't really work.
I'm tired?
I'm lonely. I don't have anyone of my own.
Monday 30th
Love woman's handwriting.
I crashed when Margo pried about Betsy, is what happened. And then she
didn't deal with it. She just said she'd write a note because she's teary
these days. So fuckin' cry already.
I liked that I thought to tell about the light in Anna's eye at graduation.
"Anna is very lucid." A blue crystal.
Becci drunk last night saying I'm the most beautiful woman she has seen.
Later saying the same thing to Anna: "It's like you're transparent."
Is it goodbye sadness?
The way I don't get frightened when I stand up to speak at graduation.
I speak looking at individual people in the audience. My eye wanders unselfconsciously.
Oh the drumming. Sean and Dave smiling into each other's eyes as they
built it.
The conversation at the round supper table Saturday night, Becci, Lisa,
Anna, Amanda, Alexandra, couple more people. Layla. Becci was talking about
her poem about wanting to fuck everybody. I said I was like that about my
family. We went on from there. I got up and showed them my Goth pants, we
talked about whether I should dye my hair blue.
31st
My night with Susan.
If I think of it as play it was good. She wasn't seductive in the wrong
way, she wasn't trying to hook me in the true love forever way. She was
fond.
First thing: she persisted. I was in bed, hiding. I heard her bootstep,
she knocked. Silence both sides of the door. I didn't move. Her footsteps
going away. Coming back. She didn't go far. I lie still. Don't move my legs.
I don't hear her leave. I'm trying not to swallow. I'll easily wait her
out because she's standing and I'm lying down. I hear nothing. I go on not
moving but when I have to swallow I can't do it noiselessly. I'm listening
on and on. Have heard nothing. It's been half an hour? She must have sneaked
away. I pick up my book, start turning pages when I need to. She's gone.
I relax. Then her little voice from near the floor. Ellie let me talk to
you. I open the door. She's lying across the threshold with her knees up
and her head on a pillow she fetched from up the hall. I laugh. "You
outlasted me."
Will I hold out? She's here. She went to some trouble to be. I said I
felt it's no point talking to her because she isn't going to cop. She says
she'll agree to anything. I say that's not it. Etc. (Now not having the
patience to say it all.)
Further in - she did cop. I said she's compelled to capture everyone
and especially advisors, and it's excellent but also I'm not sure she knows
what she's doing. There's something young. She turned her head away - we
were lying together on the floor with our heads on pillows and our shins
up on the bed - and cried. I stroked the hair off her forehead. Fine silver
hair dark at the roots. Black eyebrows, pink skin. Translucent white teeth.
Such colors. Mouth. Soft mouth hard nose.
When we were standing off - earlier - I'd said what I had to say but
she was thinking she should be waiting for more. I got into bed and turned
my face toward the pillow and had a nap. She was lying at the foot of the
bed watching snow melt off the roof. When I woke I was ready. We were together
from two in the aft 'til 10 in the morning? She wanted to give me her beautiful
earrings, that were exquisite on her, pale sapphire rectangles in silver.
No. They're right on her.
I have to patch this together. Haven't the energy to write it straight
through.
Lying against her back with my hand on her bicep, joking that it was
like a boob. "More than a mouthful is a waste" she said. Laughed.
We laughed. Lying against her was making a field with a texture like flan,
I said, very fine-grained.
- Here is the most unusual thing. Was it in that passage during the night,
I think, when we had been sleeping and woke and were murmuring. She said
she was seeing waves of color, and then after a moment I saw one after another
a band of very pale yellow light sinking down the dark field of my closed
eyes. Their pace was slow and regular, slow count of 4 maybe. I had never
seen anything like that. Watching it didn't affect it. When I said it had
stopped she said hers had too, because she had spoken too much.
She said earlier I had been poking into her third eye.
Liked showing her the photo of Judy in the pond,
Frank on the trampoline. Did I like that best, probably. Was there something
she liked best. I'd guess having Margo leave a note outside the door so
we knew she knew we'd been in a bed together through the night. She'd captured
the cutest and smartest and most reserved of the fac. I didn't mind, either,
showing up down the corridor in white pyjama pants, orange singlet, hair
tumbled and a sapphire stud in one ear, having been heard laughing in my
bedroom with the cutest and smartest of the students.
-
Nancy Mellon: "I'm having a fabulous time reading your Being
about and discovering through your work more of the beloved community
of the question."
Tomás: "OK, I went ahead and did it, started reading your
diaries. Felt a bit odd. Off and on, kept reading, while drifting back to
life outside [the college]. Until I came to Doug and 1 Cor.14.18.
And laughed and laughed. Cos that's my all time favorite verse from the
Bible!"
Subject line was tam multa genera linguarum sunt.
Rowen: "I'm sorry I am so late responding. I met the most wonderful
girl and have been distracted. Geos and Methis are really the same person
in the end, just with the memories of both to guide his thoughts."
Miz S: "looked unexpectedly trashy beautiful
when i stopped at the rest area think you petted me into a fine polish just
sleeping with your arms around me and will miss terribly your heat at my
back your lovely breath in my hair may i tell you my bicep is lording it
over my poor little breasts having got their squeeze and even their admiration
from you.
remembering knock-out sexy you camera in hand leaning
by the closet laughing and studying the mechanism looking smart and adorable
at the same time."
1 February
Now I'm frightened. My heart is banging.
This small thing is very large.
If he's lying about small things he's lying about large. He drove to
Carol's to get money. He drove to his meeting with Joe. He has let shame
and bluffing spoil our best moment of winning through. It means I have let
my desire to seem successful as a woman twist my relation with students.
-
Evening. I don't have more to say about my night with Susan. It was fun
but it didn't go deep. Should I say - now I'm aware of readers - we fell
asleep in my narrow bed and woke and murmured and didn't make serious moves
on each other. When she was flirtatious I understood that she was playing.
I said if my eyes went I couldn't work. She said she'd read to me. I said,
Like Mr Rochester. "Reader, I married him." That didn't scare
me, I knew I was safe.
She said, You love Tom. Yes I love Tom. The scare this morning went very
deep.
We told stories about our loves.
We got all our complaining done.
She will drop me again and I likely will be ignorantly savage again but
we have both seen how it works.
2nd
- Candlemas.
- Here I stop and list projects at the end of this book.
- It's Thursday.
- Cold in the room.
Yesterday while I was doing my laundry at Midway and Rosekrans Tom and
I were eating outside at Baja Fresh while he told me more about how it was
with Joe, who wanted to explain why he believes in government. He's working
for the Legislative Assembly. A slight man in a camel sports jacket, blue
oxford shirt, striped tie, dockers, tasseled loafers. He's very high up,
effective, wants to do good. Tom listened. He had learned to listen. A great
grief has been lifted. Ah. I'd like to tell Joyce, Joyce would be proud
of me. I'm proud of Joe, that he wanted to save his father and went into
government to be able to do that.
I'm feeling time. "A life is so long." Yes.
When Tom said "Would a hug be in order?" he said "Certainly"
and standing next to the bar they held each other very tight for long enough
to feel it.
part 2
- in america volume 10: 2006 january-june
- work & days: a lifetime journal project
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