- 14
- i like the idea of one person being the anchor & the rest trying
their wings
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- twelve wings
-
-
- sound recording technician
-
-
- watching into the body
-
-
- being the messenger
- bringing a part
-
- in 3 time to watch
-
-
- i was just playing around with the piano the other day & i found
something i never knew existed, the middle pedal
-
-
- (piano)
- that's swimming
- a very liddle fish
- hm?
- on the high platform when the sun came up
- i made a morning song trumpet
- solo heard you hear
-
- too sweet
-
-
- the way friends in work separate from far parts
-
-
- lying down in the high platform bed went easily into
- sleep woke to know how happy
i was sleeping & also
- thinking i was turned head north
re-placed the
- pillow & got into the north end of the tucked sheet
lying
- on my
-
- i got the piccolo trumpet tho
-
- side
sweetly upslope morning light woke me i pulled
- up the blind, fumbling
-
- you're going to play piano in his cloud chamber piece?
-
- to
tie a knot in the cord, to
- hook onto the small nail, thinking about something, partly
- in the presence of someplace was it england or somewhere
- else felt, when
i remembered it,
-
- get swept away by the listening experience, which is exactly right;
but for the composer
-
-
it was somewhere i don't
- know in this sequence. the black buildings had even-colored two
- sides light & dark
-
-
that was a beautiful canon
- he lets the firebird go, protected by the firebird's feather
-
- i thought the assignment was listening behind the music for what's
happening it was easy
-
- the mountain opens up like this & these
creatures
-
- the darkness is the low strings & the birds are brightnesses
-
- something is suspending this in the pitch organization
-
- i have a lot of words come up
- they're stage images
-
- gradual development has a lot to do with
-
- it
thinned out when i came back it
- was bright shadow lace on the pillow
standing up at the end of the
- bed black building has glare in front
of all of it down
below on
- the windowsill the fine-rib glass cone has fringeline shadows across two
small-leaf different-green plants in glass asphalt
street concrete sidewalk wire mesh fence shadows
comb across to 90 degrees with white parking lines
-
- 'it's like a morning in morocco or spain'
- stucco
orange wharf & deep blue
bamboo line shades
-
- got into the band of clever & cdn't get out
-
- a wide band thru the eyes & down to the solar plex stopped
there in a ridge & left a glow & a wired small twitchiness
in back of neck, thighs
- beware the color of her eyes
-
- what can be known when the other half is present
the seeing from out there
- it is a seeing, or, i know it for a seeing, by its charge in my own
-
- getting discouraged out of
-
- to like: moved in to like
-
-
after the surge thru the eyes i knew something, that the intense outline
on the diaphragm meant it was a
- barrier and i often use it
- are you there now?
-
no. are you?
- no. but verging on it.
- verging on it.
-
- i get lost in it, submerged
- do you come out of it without memory?
- memories of endurance and pain
-
- defending the unpopular instrument
-
- if the writing wants to if i want in writing
to confirm by echo i
have to know how far along it has to be to register as that
-
- turquoise crystal the left a stronger color along one edge of the iris
-
-
- isn't that the state everybody wants
- one other person said that
in california
- why don't you think so
- nobody seems to want to be there with me
- you could teach them
-
-
I COULD TEACH THEM!
. . . quite direct to the body
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