- 3
imagerie & other evocation
the feel of it around
form drag component of
fluid resistance
hang a little image in the frame
afterimage the eraser
to get into the diviner w/o losing memory
questioning if there's time to be - to
let myself be - pound
- stoned
- drunk -
scholarly ,
the doubted minds
is slightly, i mean faintly,
answered by the sense that that's what simultaneity means,
(it's 'i' but them), the sense of a generosity
- you write as tho you were underneath the letters
what
- you do
she feels out her words it's
behind thought or
- before
the creativity
i'm teary
shining in the dark, whore, persephone
we can identify her by her eyes
- it shined out among it a
different reach of
- wind
i noticed not
at first reversed
- breath current brume
a homestead never seen before,
- blue buildings blue on blue hill
slightly
- skied
inferred in the intervening
brightness distributed
- from at every blade
redbrown some bushes fine with
- blue the turned wind will
be ice sun's
size of
- moon
grey wall finefringed into
under it floated
- red getting small under the down arch of the open
color
- she fingers on his shoulders
only there
-
till she settles (held) sleeps on
his sternum
the way they hang they are each other's only planet
she's sweetcheeked like - someone
eve on the ceiling
- but i'll come out of this knowing no one
- neither they me
watching carefully last night at midnight
excitement in the house because i'd said
this is the only life you have to know me in: why would i want
to be in heaven with people who won't help me the
people who help me are the people i see struggling
she said maybe you don't see in what way people do struggle
well i do see him struggling with men, socially,
& publicly swatting, shouting at her, venting into
her, and at night
so she moves like a sewer
hands clutch
& other faces i liked to see; a very small church half removed;
houses needing work; three houses' deep excavations
into dirt
on the way thru the small streets looking for luke, pass the singers,
look closely at the fabric, & a woman's skin between her breasts
- it isnt so much that i want you to change as i want to know what's
what
- one moment hands over her eyes
her mouth has another look, it looks like mine,
is it thought
-
women have been writing important things & you wont read them!
-
i am working on other things -
-
A man has several basic needs, the greatest being his need for admiration.
some escape & thank their personal supervisor the heavenly father
others
are twenty years dying in camps, in mines
if there were no one who saw wd i see
the middle misery that won't say it wants help
what is it i know that ratio, thinking how to do it,
yes small courtesies for more efficient use
freedom, last night was high & lighthearted as if a freedom
had come, at the building site
it sang
embarrassed but see it thru i have de ci ded
to fo llow je sus no tur
ning back no tur ning
back
-
does that mean jesus is somewhere they don't know?
are people who don't hang onto being saved
in a way in some way
listening holding my breath, to that growl, it comes
a growl V DAUMTE SCHVEENERIE
ugly sound, still an ugly sound
i space back from it it's unchecked
it's the voice he reads the bible in
sheeting the roof later when it was cold, shingling liking
to work he & she fart
P/P/P/P/P/P/P/P/P/ i mock them with
my mouth
open the door
it's reporters worrying about beauty
- the rhumb wheels that's how
i think of
- - overhead view
what would it look like from here
-
looks like this the movie
then what's a movie
- it's a rectangle out of a
-
-
- to double the beginning
- you dim the lights
- then you have the rectangle & dim its light
- then a dark image begins
it emerges slowly out of
-
- if the light source is the camera
-
- & what's it an image ov the
field evaporating
-
- color floats
-
- the lake beating
in which is mostly white space
was a visible emptiness
lost his life root
so as to integrate, combat
- on the roof making the house efficient action,
the way we've done it
- helps him speak to direct, so it's possible to be one mind
& then his fury when she slows it but not able -
what - not seeing what she's
seeing
they're both not willing
& what i want most is not to be them
- a flame under the wood in front of the east porch
i shout for her to bring the water bucket
some animal is running in the land south of the house
- roaring
we don't know what but it is coming
closer i unlock the door
small boys & dogs running very late their fathers with a grain
truck to pick them up
they were hunting?
-
at a distance running northeast is it a bull
or a pig
no i see it's an elephant, another, &
more running with ears spread
-
- we go back into the house two women in saris,
with pans of food, are there already
-
- the corridor a corridor
is long, it's still this house tho looks nothing
- like it
in the washroom i say i like bathing like this with men in the same room,
the elephant gypsies
-
going upstairs
into this room, meet or seem to meet people i've known in other times,
there's dee underneath me
dee!
sitting next to one of the elephant men washing, a good heat in the part
of my back that's near him it's a goodness of sex, not
to be refused
he's bent over putting his finger slightly in my ass
-
- j later comes with a thin girl
i've been lying down with martha'
who's sitting with her arms around her knees,
j & i looking at her
'she has electric breasts'
this is the arrangement that will make it
possible for me & the elephant gypsy,
for both of us in this long corridor's encounters
-
- is it then we wake from the dream, knowing the dreamed house is still
there around us i'm walking
south there was a fire that destroyed
it, rebuilt to this one, with three of the original rooms
i'm wondering if we're in the future
-
-
-
-
who are you definite
how you look, the stories
you hardly love tho you desire
your body isn't deep under you
roof squares, chess
whereas yr fields are large
but that desire eros
was most like kin
- by the light of day they burned luces, while in other
- closed theatres they make use of the natural light
- transfluent
- Egypcyan ele phanos
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