May 2 2019
When I pull up to the garden these days I'm amazed how much happens in
the last half of April. Iris, maralroot, gooseberries and currants, rhubarb,
tulips. Iceland poppies white and yellow one of each, primula, grape hyacinth,
that early moss phlox, the dark red legs of paeony clumps. The mauve Iris
next to the steps has three buds.
7
Note from Sue, "vivid and quietly surprising". I liked quietly
surprising.
8
Hacking at Theory's practice or whatever it will be called puzzling
now about what to leave out. Is it ultimately about conditions of function.
What it took emotionally for a woman to be that clear and pointed and persistent
in theory was repeatedly having to mediate traumatized instinct and cultural
pressure.
16
Think about what it is about commas, why I have used so much too many
and others do too. It's a breaking-up. Why I took them for granted and don't
like them now.
19
It's a story about tackling patriarchy in person and in philosophy at
the same time.
Ways tackling patriarchy includes tackling the mother.
John Clare's journal. October 13, 1832. "I do not use that awkward
squad of pointings called commas colons semicolons etc."
- What kind of book do I want to write. A meditation on first philosophy.
I want to say: these are some of the difficulties we've had when we think
about mind. Here is how we can work around them. This is a demonstration
at the same time as it is an explanation. A beautiful transition is being
made, but it is being made by a series of overlapping shifts. It is a transition
in a manner of speaking. An old metaphor is being used to try to think
in the new way, and it is holding us up, but if we try to speak without
it we are misunderstood, and indeed we misunderstand ourselves too.
31
Yesterday late afternoon sitting on the sidewalk scooting along on my
bum to weed the fence edge. It's thick with feathery California poppy and
other wildflower seedlings all young and bright and I was liking to notice
how right the weed seedlings looked among them, goosefoot for instance,
young and bright too and of the right meadowy forms. [entrance path] [Festiva Maxima]
Happiness of light and warmth and invention and for this while nothing
hurting.
June 6
Yesterday morning a bit of dream that was as if seeing from our yard
at midsummer an earliest dawn, exactly the clear far long horizon with just
a smudge of pink. I woke thinking the dream gave me what I wouldn't be have
been able to imagine as well. A high pure dawn.
14
Paul asleep in his Mercedes camper at the front door.
15
Do I want to say anything about Paul. Just the pleasure of seeing him
lighter and clearer, kindly and prosperous and interested.
Scent of mock orange in the room. First canning, strawberries tucked
into the cupboard tonight.
19
Yesterday with Paul Pennask Lake Road up onto grassland so high and wide
we could see coast mountains. New grass, last of the flowers, horses.
21
The green sea came and went on its slow long shore. Frigate birds cruised
north exactly over the coastline and pelicans dropped like suddenly folded
umbrellas.
- Was going to post woman washing her hair this morning with photos
and needed a few more sentences. Wrote those and was glad I could.
27
Freya said like Kerouac accounts of a free and wandering life. I said
the free and wandering parts of a life.
30
This leg and its life of disgrace.
July 11
This morning early I posted the paragraph about Ed saying Would you still
want her. Crashing silence from my usual readers because they can't say
'like'. Jim Mann for most of the day was the only person who would admit
to having seen it ('sad'). Later on Karen Campbell said the same. What do
I think would have been the right response. Someone saying What an asshole.
Hard mornings, heart shaky, light-headed if I try to work, baffled and
scared. It gets better in the early afternoon.
12
Good day from the beginning. Wasn't feeble. Garden photos. Tremaine
graveled the paths, I canned raspberries and red currants. Surprised noticing
I'm stronger for instance getting up off the little bench in the garden
and the verandah couch.
August 1
Bemused. Yesterday I looked up the exam results day from 56 years ago
to see whether it could be one of my FB stories. Awkward, not good, but
I copied and pasted it. This morning I zipped through it clipping this and
that and posted it doubtfully. Then amazed that Janet said it was a gorgeous
piece of work that evokes a deep sense of time and place.
When I look at it now I can see it actually is a quite deft collaboration.
18's light spirit is the best of it and 74's judgment cleaned it up. "Lila
admired it. Ranje admired it. We sat in the row and ate cookies while we
admired it."
Yesterday my pussy musk story was surprisingly ignored. Don't any of
you people like to smell your crotch?
People like the story-stories that have a narrative twist. Feminist stories
sometimes liked and stories with photos. Most disappointing is only four
people for the Vi Thompson story. There are people who show up only for
something that's in their purview - cousin Violet in the story about Opa
and Oma.
4
August. Blank white sky. Crows, one flapping through, one on St Michael's
cross looking north. Sunday, isn't it. This is too slow. It can't tap the
mist of sad worry I am. Stoic hopelessness.
6
The little stories. Are what I do. Are all I do except for this and that
in the garden. - It has never been like this, that I don't want to talk
to myself. What would I have to talk about if I did.
- Being so ugly I don't want anyone I like to see me
- Killing time all day long because there's nothing I can or want to
do, shame at -
- Being utterly pissed off about the way I walk now
- The sloppy slobby look of Merritt people
- Pain
- Uncertainty about my heart, is there something I should be doing
- All my little social efforts here failing. Day after day speaking to
no one
- Conviction that none of this can change, can only get worse
13
Awake too early thinking of Tom, thinking that what it was about us was
that we are in life in the same way, alone and mortal venturing watchfully.
18
It's because of posting stories that I've lost heart for writing here
- isn't it - I'm judging my moments unworthy before they're written.
19
What do I like about it. Its tone. The calm warm even tone of self-pleasure.
Its naturalness of movement from topic to topic. It does what it says it's
going to, discovers what sort of moment it is.
It's better than most of the pieces but out of their range? Mostly my
readership likes when there is one scrap of something in a piece that they
know too - one scrap: a small ranch, Seventeen magazine, a kind of
tea. People always like the photos more. They don't notice the writing (Janet
notices a scrap of it, one phrase or 'a character' but in a conventional
way that embarrasses me). But Emilee does. Sue does and says why, "vivid
and quietly surprising", "startling tenderness", "quiet
way these stories unfold".
This morning everyone is ignoring panther presumably because of
"Think of a big panther dick up your panther pussy he says". Laughing
to think of it. (Emilee likes it though.) (But she doesn't ever say why.)
One of these days I'll post the one where I get into my pants on the bus
after Seattle. Aunt Lillian, you there?
Thinking just now that I've tried to send the little stories to the people
they are about but that has never worked - Luke, Rowen, Tom, Louie, David
- but even they feel them differently when they're public.
There are people-stories that seem to belong to regular writing - Buddy
Hardy, Ida Davies, Vi Thompson, Mike and Freckles, Hughie, Madge Herron,
Oma in the Tabor, Eric, Jane the nurse, Mrs Harris, the Jansens, Madame
Matter, Stephen Davis - what Janet called novels - and I've needed to tell
them because of the sharp thing I feel for them as lives - but I also think
they are not what I want noticed, which is to say what I want somehow to
notice myself. Is that it? (Sigh.) Meaning a stylistic thing.
23
Happy because of the color in the verandah - I wanted to make a beach house sunroom in
what was a grim space - Brad has spray-painted the dirty ceiling and the
grey stucco and tomorrow will paint the door and window frames and I've
added Cariboo Moss to the t&g under the windows - it's just right, I
keep wanting to see it again.
28
Yesterday there was a perfect soft warm breeze from the south that came
through the house from one door to the other. As I was reading on the verandah
couch I was feeling the summer had begun just now, I'd missed its earlier
months.
I have red roses, pink roses, orange nasturtiums, late sweetpeas, white
phlox, pink cosmos, purple salvia. Seeds collected. I have a wonderfully
clean house thanks to Kathy's four hours yesterday. I'm giving away carrots
and potatoes and tomatoes. I have cucumbers, a few. I have clean clothes
whenever I want. Here's my bed in this less closed-in longer room. I've
been strong enough to clean. Small birds are feasting on my sunflowers.
-
In the last few minutes of this morning's doze I was suddenly looking
down the stairs of 820A to a pile of packages and letters next to the last
step. It was the kind of instant clear vision I've sometimes taken as a
message but I didn't read it as a message until later. Then I thought -
it's where I'd see mail that had come through the slot - mail - is it saying
my PIN number has finally arrived. Went to Kekuli for breakfast still thinking
maybe - and to the post office after - and there it was.
- So now I'll ask: did you know it was there
yes
- Is that kind of vision always a message
yes
- Do you intend messages yes
There was a feeling with the image, of being pleased to see especially
a wrapped square parcel like a gift.
- The message itself was the gift wasn't it
yes
29
Brad the painter described me to his wife as a little old lady. I thought
about it overnight and then said he should call me Dr Epp. Which he did
quite gleefully.
September 1
6:03 oh baking sky. On the hill's rim small clouds like large animals
trekking north. Thank you quiet corner. Whitening now.
Why is it a well-being having my bed in this room. I've never liked the
back room's blindness and tightness. And this room feels finished now, more
complete, more interesting. I can lie in bed listening to music or books.
My nights have come into my work day.
Something had happened when I woke and went on happening all day.
4
- I'm really happy you're here now
- I so want to let you know how good it is
- And the light flooding in over past terror
Luke in Venezuela.
7
Saturday 6 in the morning, wonderful sky, clear, sheer, tinted orange
at the horizon behind the black trees - now rapidly brighter - flushed pink
to zenith - and now beyond, arcing over, kindling wisps, reaching south
- now gold behind the trees - now paling to almost white - not white, what
is it, blue that's gold that's no nameable color, livid - now brighter still,
zenith actual blue past its frail tissues of vapour.
8
I posted one of the dry pieces this morning and have liked it all day
especially above the delicate precision of Sharifa Asma. I thought
Emilee would like it - I think she's probably the only one who gets the
dry pieces - and she did but what she needed to say was more about her love
than about the piece, which makes me sorry.
[Generous Gardener] [Lark Ascending]
I'm listening to Ronin waiting for Row and Freya. The music and the frail
late light made me see how the lamp post stands between the linden and the
spruce showing their separated vertical togetherness. I wanted to photograph
it and got the window up and did though the photo doesn't say what I saw.
- There's Ronin winding up toward the end of Modul 36. Am a bit elated to
have discovered music. And my house when I'm imagining guests seeing it
looks lively now, clumps of nasturtiums on the plate rails and a pink vase
on the kitchen table, light on in the rich red room. My bed looks royal
backed against the wainscot and it completes the room, makes it as if more
about a full life than about the walls.
9
Something I'm seeing as I name paras - which involves sorting, moving
lines from one para to another, subdividing a sequence - is the way a number
of topics are suspended in any discussion. "There are such a lot of
ideas" Steven said. I'm seeing that it's because it's a web, a mesh,
so that at any point there are implications I'm feeling in many directions.
Pennask Lake Road this aft with Row and Freya.
10
Seeing it yearning to claim it, to come back many times, to know it foot
by foot. It could be my Black Canyon Road, I could have a loved road here
too. See it when it's blooming, when the aspens are yellow.
Rowen in the back seat said There's a bear. I said It's a stump. But
no, a black bear standing among bushes at the mouth of a coulee looking
toward us.
Hawks.
At its height of land the slopes fall away for a hundred miles to small
peaks on the horizon. Here, just here. Here's my house. Yesterday that sky
was dark slate-blue. The slopes were an even pale gold with small green-blue
clumps of sage, such an effect. In the north a huge boiling-up of white
cloud carved into caverns. Aspen bluffs snugged into the north side of hills.
A little slough with a lot of small ducks.
13
8:30 at night. These days I work. Hours in the morning and some later.
I can.
17
Sometimes when I've posted a piece I see that it's better than others
by a sort of looser coherence. Not accidental but loose. Yesterday I posted
wolf and saw it that way.
19
Lying awake too early I was thinking of Rowen's visit, that I didn't
write about it and should have and why didn't I. One thing was his hugs
- he'd put his arms around me and just hold me. The last time was when they
were going home. I was sitting on the footstool and he sat down on the other
end of it and put his arms around me so my head was on his shoulder and
his head bent against mine, a warm and quite soft fit. "I was thinking
you're the right size and shape for a hug." "I was thinking the
same thing about you."
He told this story: that on one of his shoots there was a woman he found
unaccountably beautiful. He kept looking at her and wondering why. She had
dark hair and dressed in jeans and men's shirts and sneakers. Then he realized
she looked like his mom.
I was telling them the story of getting rid of the enlisted for life
guy at Moonlight Beach by using male touchiness about their bubbles, saying
to Tom "I'm going to get rid of him," Tom alarmed "What are
you going to do?", I "Something subtle." Then described the
sensation of pressure coming from the side and the moment when I turned
the binocs just a titch. The story lit him up more than anything in the
visit. "It's like 'Number five in the corner pocket', you said what
you were going to do and how you were going to do it and then you did it.
He went away thinking that stupid woman didn't know what she was doing."
24
Part 1. A fifty year old woman is hit hard by desire for what she doesn't
actually want. She's living in disabling confusing self-contradiction, massively
in pain. She understands that emotional debts she has stayed ahead of have
come due. She's willing, she takes them on, she has faith in the work and
she has three kinds of help but it's long and painful. There are six months
in which it takes most of her time, then a second six months in which though
that work continues she is at the same time quite easily and as if almost
peripherally defining for herself and setting up a fundable PhD project
that consolidates her years of private study and that she has already got
herself into position to launch.
There's a hinge. She performs a commitment ritual.
Part 2. She begins her PhD, gets funding, drives to California to work
with the best department in her field. There she meets a man who is in some
ways her counterpart, who has been struggling in his own contradictions
and has come to his own form of commitment. They take each other on. Their
previous defenses and accommodations are massively challenged. This goes
on for years. There are many shocks and checks. They work through them again
and again. In the meantime her work also keeps breaking through. It keeps
getting harder but her project widens until it's a coherent new vision of
what humans are. She graduates and moves to be with her friend.
Part 3. She lives in California and has a teaching job. Shocks and checks
with her friend go on but she's lighter in them, she's more at home in the
world. Her teaching work draws on both her emotional work and her theoretical
work.
Part 4. She's getting old, alone again trying to tell the story of parts
1-3 before she dies.
Part 5? There's been something else from earlier and all along, a paradisal
vision in pictures and writing. She has gathered bits of it but goes on
not knowing what to do with them.
26
I read her love declarations and feel she's completely off her rocker,
and then I realize that everything she was declaring she wanted came to
her eighteen months later. It's as if my beam had found Tom in the distance
and my feeling was simply misaimed. Can that esoteric description be true?
It says yes.
28
Snow on the crests this morning. The linden's still full but half yellow.
Down here every morning wet streets.
29
It's almost 6pm and I've worked since 7. A Sunday. I could work that
long because I was working on the falling in love months with Tom.
October 8
It was raining last night and this morning there was wet snow on the
garden. The hills have gold touches amid their white.
11
Orion brilliant straight down the path before daylight. So cold. Everything
in the garden lying both wilted and stiff.
18
When I lay down last night my heart kept me awake again. This time it
was jumping around rather than thrumming. I lay there mystified and scared
feeling there's nothing I can do and no kind of help. Dozed off. Woke hard
a bit after midnight with a quite intense pressing sensation in the area
below the left shoulder's bump. Got up and checked my bp, drank some water.
Read until I faded. Woke at 7:30 to a bright day behind the venetians.
The sun is so horizontal now that it reaches to the laundry room's far
wall.
Am I now paying for the strenuousness of the work I did then? I could
feel that it was hard on my heart. - It says not. Or maybe it's the cost
of its long valiant effort to drive an asymmetrical body.
Working on the 110 days in 2000 at the same time as heart trouble now
- and the suspended worry about why Louie has given up on me - what is it
I'm feeling. That I was something then that was so rich and now have come
to such a dry scared end and what is the relation of this self and that
one.
- There's what I was learning about the means of aboutness and there's
what I was learning about how to talk to be able to think better and there's
what I was learning about how to work with my personal limiting structures
to be able to know and do more. Is the whole of Tom subsumed in that one?
He was that and something else too, my sample human. Theory's practice.
After that so were my students.
19
How this woman had to manage herself to complete a large work - what
she had to manage - resistances of remnant childishness and evolved female
imperatives.
- That's the right emphasis YES
- And don't leave out male resistance
yes
Which I didn't manage well at all - I kept not doing what it advised.
So it's not a story of overcoming all odds, it's a story of overcoming
some but not enough odds. - Now I'm thinking maybe the social odds really
do fall under remnant childishness and evolved female imperatives because
they are reasons I didn't deal with male refusal.
The juice in the story is the Tom love story but the love story should
actually be understood as secondary - I don't know what to do with that.
There's juice in time and place too and I suppose in voice but even I don't
like to read the technicalities. What was the most important achievement.
I want to say the outline, theoretical layout, which is the overview, the
framework. I kept refining it. It's a splendid achievement no one noticed.
But apart from the work do I NEED love to mend what's wrong with my heart.
Last night again the wrong feeling in my chest that's there still - thumping,
a dark pressure, a tremour that's like fear.
26
Best color in the garden now especially the Evans cherry and Gail's cherry
next door. Sun at a low angle deep into the kitchen in the afternoon.
27
Posted Mary from Wing in which I get my hand in my pants riding
through dark countryside in the back of a bus.
Pennask
Lake Road. Wide and silent. Wide, wide. Bright. Bare. Sometimes a hawk
circling. I took some photos though I knew I couldn't be all there yet.
31
Was in Here this morning looking for the small flames piece
and liked it so much, the photos and the paragraphs and the whole as a project.
I wanted it to be more known. I also saw that it was the beginning of what
I'm doing now, shaping and posting small stories.
November 1
Look how late daylight is now. It's 7:30 still dark on the ground though
the sky is flushing an exquisitely even pale orange brightest behind the
Russian olive's black lace. Column of squirming vapour behind the policeman's
house. When I went to put my bins on the curb I saw them and the jeep sparkling
with grains of frost.
8:23 sun rises over St Michaels' yard into the side of my eye.
2
Jeep broken into last night, ignition smashed.
5
Bad night the way they are maybe once a week. I've put my book on the
floor, am lying there in the dark. I feel into myself, is my heart alright.
I begin to feel it thumping too hard so then I know I won't be able to sleep.
I lie awake on and on. Turn over from one side to the other. And again.
At 2am I get up, turn on the heat, take my bp. It's alright. Try reading
for a while. All I have is Theroux's book of travel scraps. Turn off the
light, lie there some more.
What's my background worry. That my fine web-spinning in language is
all displaced and symptomatic. Other people just get married and have jobs,
who'd want to go into this labyrinth of self-scrutiny.
I've been unusual as a writer in two related ways. One is that I'm vowed
to write from rather than beside my actual life. The other is that even
in lyric or fantasy I've tried scrupulously to be accurate, reliable, true.
Those commitments made me develop slowly and have made me hold back from
publishing. They've meant I couldn't write well until I'd done deep work
on my own structure.
The little stories I'm posting every day meet those terms, are satisfying
to publish. Today it's a quite lovely small paragraph I had to earn with
long effort.
- That morning I looked up through the windshield where we were parked
in the Cineworks alley and saw an angel balanced in an angle, a 6' column
at the intersection of two white walls, plain plaster flushed below with
frail blue light and above with pale pink, a form that held out its wings
in an exquisite balance of sorted feelings, right left above below with
strong keel and undelimited expanse.
-
- Vancouver November 1993
10
Posted whores in okinawa. "We see you later reflecting on
an unpleasant, disappointing occurrence." Greg says. I'm disgusted
by how spineless and clueless that is.
- where in that story did you get "unpleasant, disappointing'?
- you didn't notice the relish in the account?
-
- i wasn't upset! i was interested.
- speaking as the writer not the woman.
- i can do that - speak as the writer.
- there's a pleasure of objectivity i don't think you are seeing.
-
- i can say critical things without taking them personally.
- i can cry without taking it seriously.
- and i *was* sleeping with him not just hoping to.
one of the reasons i was sleeping with him was that he was the sort
of person whose experience i could be interested in.
'Speaking as the writer not the woman'- is that colder than it should
be? It says no. I met Tom with curiosity both warm and cold. Cold was the
only way to survive him. Warm was the only way to survive him.
16
Brad has just knocked on the door offering to do damage to whoever wrecked
my jeep. "You might not like that." "No I would like it."
-
- I had a film grant and was living alone in a farmhouse about ten miles
from where I grew up. My neighbour up the road had been digging his pickup
out of a snowbank and had somehow run over himself and was in the hospital
in Grande Prairie. In the afternoon when it was just warm enough to get
the car started I drove to town to see him.
-
- In late December the sky that far north shuts down by about four so
it's already twilight when I leave for home. I decide to take the other
route, west up Richmond Hill and then north on the Wembley-La Glace road.
A blizzard had come up while I was in the hospital so by the time I get
to Richmond Hill there are trucks sliding into the ditch on all sides of
me. My old Studebaker isn't on good tires but I make it up the hill and
past it to the Wembley intersection.
-
- What I see when I turn north makes me stop short and consider. There
are no tracks. From one barbed wire fenceline to the other the whole road
allowance is one wide flat white sheet. There'll have to be a road under
that perfectly smooth sheet of snow but there's no way to see where it
is. And I'll be in bad trouble if I get into a ditch here; there are no
farmhouses on this stretch and it looks like no one else will be coming
through till morning. It'll be very cold overnight. But the new snow isn't
deep yet and if I steer straight up the middle of that white sheet I'll
have to be on the road.
-
- I plunge in. Sixteen miles of that, steering straight north following
my headlights through silently falling snow till I get to the plowed La
Glace-Valhalla road.
-
- December 1978
It's odd how when I've posted pieces I have to keep rereading them. I
can't tell whether they're well written. This one - it tells the story so
I think people can see it but is it graceless? It doesn't have the loose
grace journal writing can have. It's more slabbed down. I think. I like
"following my headlights through silently falling snow till I get to
the plowed" - the sequence of vertical l's and their nice sound. "
makes me stop short and consider. There are no tracks." That for the
way it stops short before it considers. "In late December the sky that
far north shuts down by about four" because late and far have an analogic
chime and so do December and north. Structurally Helmer's accident sets
up a little foreboding of the kind of trouble I could get into. I'm sorry
I didn't get down the slow fraught creeping up through Richmond Hill's fishtailing
confusion of red taillights and yellow headlights amid billowing exhaust
and spotlit falling snow, which I can still sort of see. (Jim said OMG;
thank you, a crit I liked.)
17
Going through Two women working in a room again I'm seeing that
when we were on the trip I couldn't take photos but I was writing. I didn't
know that.
My gamble has been keeping living and writing strictly parallel so the
writing can't be good unless the living also is.-
18
I posted the Mycenae piece this morning and the woman I don't know said
the voice is like home to her.
21
I'm discouraged today because last night for the second night in a row
I woke at 2am and couldn't fall asleep again and and because of heart sensation
haven't been able to sleep in the daytime to catch up and today have had
an uneasy heart all day with no relief. I go to bed scared these nights
and lie there monitoring my thoughts to cut off any anxious ones and when
I start to see a little image wake myself up noticing it and worrying that
I'm waking myself up noticing it. Then lying there in the dark on and on
or getting up and peeing and turning on the heat and boiling water to refill
the hot water bottle or reading many pages of The mayor of Casterbridge
which hasn't much of Hardy's best charm until I haven't the energy to read
more and just lie there again.
I'm seeing I should be writing here more even though it's not good and
I don't think can be good. I should be complaining more. I do it to myself
off and on all day a mutter of discouragement but I should back myself up
at least to the extent of being willing to say what I think. If not to the
extent of caring how I look when I go to the store.
23
I'd had a bad night but after a good morning cleaning with Kathy I lay
down reading and went peacefully to sleep. Woke suddenly to a burst of feeling
in the centre of my chest - one flash like light or electrical shock - and
then my heart thumping fast. It settled quickly and then was fine for the
rest of the afternoon and on into the evening so I fell asleep fast in the
old good way.
27
- pour out
- the drink due Earth
- and give the thirsty dead their sip
-
- There's no regaining
- what is gone, I understand that,
- but I act so that something better
- may happen in days to come.
Aeschylus 1981 Persians trans. Lembke and Herington
30
How has it happened that I'm now walking fast two blocks up the
alley and back?
December 1
7:30 on a Sunday morning. The street is pale grey except for the line
of Christmas lights I saw the new neighbour putting up yesterday.
How did it happen that I slept eight hours unbroken!
3
Yesterday I posted the story about Ros and Joe Slovo. The first para
is unusually snappy - I reread it feeling that I'd be a popular writer if
I always sounded like that. This morning I've posted the polio story. It's
not snappy but it's lucid. It stands firm: here I am, make what you can
of it.
12
I bought a rug! Red rug for under the desk.
And cut a tree. On Midday Valley Road yesterday graceful ponderosas frosted
all over. I had to keep rising to get to the firs. And here's my wide-winged
sacrificial tree.
17
Through the evening Freya was knitting mustard-yellow cable-stitch gloves
two at a time. I understood that she was doing it so her energy wouldn't
run us over, so Rowen and I could talk. Earlier we'd all been lying on my
bed, she knitting, Rowen with his head on her leg, I alongside Rowen with
my head next to his knee. I'd decided to tell him the bad thing I did to
Luke. He asked to know more about the people who'd shattered me.
Freya can surprise me with deft summaries. Rowen is beautiful colors.
I gave them a heater for their cold house. And cookbooks and jars of preserves.
And a folder of executor documents. We agreed I have to figure out intellectual
property law.
Yes Luke's birthday and the beginning of the Christmas week. He's been
insulting me so I'm not phoning him.
23
My new rug is thick and strong and red and handsome in a subtly contemporary
way and there it is under my bare feet when I'm at the work table.
25
A skin of white on the sidewalk this morning, no cars. I said and one
went by. Boiler growling - how many ways have I said that. I woke late,
eight o'clock. Tea. There's my wide-winged tree with its inner scatter of
lights. Dove on a wire above the policeman's driveway just sitting. Thick
red rug I thank myself for. WindanSea Christmas Day posted. Red room
to my left always pleasure, red white and green. Silver. Does the day feel
a little particular? Yes even though.
30
I keep feeling the story is massively relevant the way hardly any current
writing is. At the same time that the relevance won't be noticed.
31
Thrilled suddenly by two desert photos from Gabe who is driving a semi
on I-10 near the Salton Sea - lovely Gabe who was so undone by anxiety he
had to rush home from cherry picking - Facebook messaging from the road.
January 2 2020
All quiet. The excitable baby-talk lady has taken her $210 and gone home.
The mama has found the litter box and is asleep on my desk. The little one
is hiding as far under the bed as he can go.
3
I locked them in the back room together last night and now the little
one is coming out from under the bed. I don't understand her not letting
him near her. They both have such quiet little mieows. She seems tired or
depressed. Now the two of them asleep on my green blanket. Ah he's crept
closer and she's licking him.
4
They're happier though the mama is in heat. The baby is playing with
a bit of dried leaf and the mama sometimes will let him cuddle up being
licked. It's 6:45 Saturday morning. Is it rain or snow sifting down under
the streetlight. Specks of light on the window.
5
The mama lying under the tree twisting frantically, arching her back
to raise her little rump, and what to call the sound she makes, a grating
at the back of her throat. Her child - at that moment she jumped onto the
arm of the chair for the first time and was lying with her head pressed
against my arm. Her child followed her up and let me stroke him for the
first time. Now he's on the green blanket where he's eyeing the ficus.
9
I've been calling the little one Mouse. He has bear fur, thick and matte,
a very small pointed face with big yellow eyes. When awake is always needing
to find something to do: now chasing, now clawing, now licking himself,
now running to nuzzle his mother, distractable. Yesterday morning lay on
the rad with his head up watching snow fall. Now is curled next to my legs
on the hassock. His mom can't be more than a year old but she's kind of
a hard case? - whips her tail in a way that seems cynical to me - when she's
stroked, when he's cuddling, almost anytime - as if she's saying This is
all very well but I'd hoped for better. Mostly they're inscrutable. He'll
run across the room mieowing with his small voice and I have no sense of
what he's saying. She'll lick him kindly and then suddenly lunge showing
teeth or just get up and stroll away.
They'll discover something to attack and next day be done with it - first
the Christmas tree, then Mouse wrecked the mirror's plant in the laundry
room, yesterday they kept scrambling through the many-handed big plant on
the floor. Mouse yesterday discovered drinking from the toilet, balanced
perfectly on the rim. She resists strongly when I move her off table top
or my chair - I mean I feel such unlikely large strength in her small body.
The most touching moment was yesterday when Mouse was jumping up onto the
ficus pot and I roared from the bed. He got down. Immediately tried again.
I roared again. He got down. Tried again. I roared louder. He got down but
didn't run away, came up against the bed skirt and stared up at me - intense
little innocent face staring up as if in wonder at what I could possibly
be.
14
Patch and Mouse. Little Mouse for now.
I'm less grim? They move around me. Where are they now? What are they
doing? I see them lying together, he nursing, she with her forepaw holding
him still as she licks him, one of them purring. When I'm eating my three
breakfast sausages I hand-feed Little Mouse tiny bits. I'm wooing him. Last
night as I was watching The Durrells in Corfu he lay on the desk
in front of me allowing my forearm around him, asleep, his little belly
moving. He's made me laugh so loud I startle myself. They touch me.
Even when they are not purring they quiver subtly. I'm not done marveling
that apart from asking for food they'll have anything to do with the lumbering
giant I am but when I move to another room they'll get up from their cuddle
to see what I'm doing. I'm sorry for their boredom, they've already learned
everything they can reach. I've shut them in the cellar hoping it's more
like outside. Litter box is the worst thing about them and half the cellar
is dirt so maybe they'll ...?
17
So you know, I left a long shelfful of student
advising files at Sterling, and in every one was something of you. Same
with the dozens of client files now. You talked sense to me when I was nearly
owned by something frantic and despairing, and because of how you are and
what you said I calmed the clamor and found a way forward. You have no idea
how helpful you were. I try to live up to that. You were not like other
teachers. I'm not like other lawyers.
- I got Emilee a published book but she didn't go on with what I gave
her. But Jody did go on so there's that. "You talked sense to me."
20
I'm posting psychological stories - stories at a fine scale of personal
being - is that the way to say it - that I assume almost no one will be
interested in - today comfortable in the highest culture, which has
a dream and personal distress and from their point of view a sort of bragging
-
Near waking something about a way of using a mind - some few people
- who work with a fine grid - which I saw. I was trying to peer into the
little squares to see what it was they were looking at. A feeling when
I woke of the work I've done - the way it was finding space to work in,
that has not been used up - as if the space within the space we have
There. That was March 2000.
22
Wednesday morning after an unsleeping night I wake to a clear sky - look
at that, a clear sky! The Russian olive's fringes of fine twigs are standing
against a platinum sky slowly turning blue.
The mother cat bangs the bedroom door when she's determined to be let
out. I hear thumps from my bed. At the moment they're wrestling. She's stronger
and twice as big but he jumps her. They roll clamped together all eight
paws scrabbling, her tail whipping to both sides. She brings her teeth,
he squeals. He's under the bed. She's flattened watching him. He takes a
run. She meets him in mid-air. She pins him. He runs into the many-hands
plant where she doesn't bother to follow. She strolls away, lies down but
has her eye on him.
I admire his elegant little poses. He'll lift his midback so it's arched
twice his height, a little upside-down U. Sleeps laid flat on his side stretched
far toe to toe. They like to be on the table with me when I'm watching videos.
Last night she lay blinking under the lamp while he lay at 90 degrees nursing
and purring. I have pedophile feelings for him but he doesn't like me to
hold him, will get up pointedly and move just out of reach.
25
Bare-naked personal self, compressed technical theory. The first would
scandalize those who could read the second. The second would be rushed past
by those who could be interested in the first. The book's structural difficulty
is at the very point of the accomplishment I'm trying to demonstrate. If
I found ways to smooth the difference I'd cancel the point of the book.
The way other people do it is to describe the thing abstractly without demonstrating
it and that makes books as blank as the one I read yesterday.
28
I've posted the Luke piece. His years of controlling me with his dejection
are done. Controlling and punishing. He gets cranky. When he doesn't like
himself he blames me. He doesn't register my kindness to him, has held a
long grudge. That's the kind of man he is. I've liked his company more than
anyone's really, say that too.
30
I like to touch Little Mouse's velvet paws. And be touched by. I plot
to seduce him into letting me hold him though he doesn't like it. I feel
pedophile uneasiness when he briefly endures being held. Patch knows I don't
like her. She likes treat bits but she refuses to be managed by them or
by the bedtime bowl of wet food I use to lead them into the back room, sits
solid and heavy so I have to pick her up to move her. She's impassive. The
only thing that rouses her is wrestling with Mouse. The wrestling is new.
They have manic hours a couple of times a day. They sleep in their beautiful
shapes. At times they like to sleep near me. Little Mouse likes the green
blanket and will sleep at my feet when I'm reading in bed. Patch never does
that though she'll walk disdainfully over my chest. We got off to a bad
start when she was in heat for two weeks begging pathetically all day. She'll
run away when she can but I want him to have her for now. I love his bright
little spirit and want to raise him right.
End of January, one more month of this lifeless grey. There'll be robins
in March.
-
Look at them on the hassock next to my knee sleeping with their heads
together, his paws relaxed and his little belly pumping just at the haunch.
Did she feel me looking at her? She jumped over to the rad's window view.
Her tail twitches are so cynical they make me laugh.
February 3
Last night when I was lying on my back reading Little Mouse bounded onto
my chest and lay there purring hard. I was holding the book up into the
light with my right hand and bracing him with my left arm to keep him from
sliding off my ribs. It was the first time he'd done anything so blatantly
fond. I love his emotionality, his little cries, and the grace of his poses
and his fearlessness wrestling with his heavier mother - and his humor,
the all-which-way he danced playing with a shirt tail he found in the closet.
His curiosity, the way he invents things to play with all over the room,
a fold in the blanket, a crumpled supermarket receipt, the venetians' long
cord. His fantasy maybe, whatever it is he's imagining as he dashes back
and forth on my bed.
Here's Patch lying on the laptop table next to me. She's something like
morose and she never cuddles but she does that sometimes. Is turning her
head watching her kid stick-handle a crumpled receipt across the floor.
Kathy said she's been beaten, a way she pulls back her head when she's touched.
Winter morning, thin layer of fresh snow, yellow break in grey clouds.
5
Wednesday 8:30, white sky, thin snow already tracked to pavement by highschool
traffic.
When I wake I put the room a bit in order - stow the red quilt, raise
the blinds, start the Mac Pro, turn up the heat - and then I open the cellar
door. The two of them have heard me moving upstairs and are waiting on the
top step. Mieow says Mouse. I give them a couple of treat bits to say welcome.
If I don't space them enough Mouse dives for Patch's too. Patch is motherly
with him, stands back and lets him eat anything first.
- I feel odd using their names, why? At the same time I do feel them
as persons, Mouse at least, because he's so present and feeling. He's so
related: he will sleep against my hip and let me hold his little
paw but there comes a moment he's had enough, pulls it back sharply, turns
over.
9
I've tried to take photos of the cats but when I get up to
fetch the camera they move. When have I wanted to, when I see them in some
private state. This afternoon I was reading in bed and they were sleeping
at its foot. Patch was lying on her side facing me so I could see her small
pale nipples and the shaved patch of her belly with its line of four puckered
stitches. Mouse was full length with his head hooked loosely over one of
her hind legs. It would have been a visible story. Sometimes when they are
resting like lions on their folded forepaws it's simply their short remotely
humane profiles. His little triangular sleeping face turned backward on
his neck. Sometimes the improvised grace of his sleeping shapes. He's always
beautiful and so touchingly young in his brightness and the way he cries
when they're let back upstairs as if to say he'd been lonely. His little
paws are really velvet and so bonelessly soft.
I felt sorry for her yesterday. She wouldn't let me give her pain meds
and she looked frowsy, lay sleeping all day. Today she was wrestling again,
not a lot but enough so I can see she's getting better.
18
I opened the Still at home bin yesterday and have been chucking
paper. Lay awake in the dark this morning realizing I'd been distressed
by the pages I'd thrown away. Why was the handwriting is so awkward and
why did it take so long to smooth out? What was wrong with my nervous system
I mean. And the falsity of it, the way I expressed family and community
wrongness as boy-craziness. I was longing for something I called love but
what was it really. Or say it another way, what could I have longed for
if I'd known better. Realness. A community of people who could see each
other.
-
I found a snowdrop clump blooming under alyssum debris yesterday so this
aft I cleaned up dead stuff in the porch platform zone - found two more
snowdrop clumps, a grape hyacinth and what must be tulip nubs under the
apricot - don't know which. First garden work of the year. Trusting the
last half of February not to turn wicked.
Roofers on St Michaels today. Took Patch to have her stitches out. She
was leery when she saw the carrier, darted away, but since I brought her
back she has made small overtures - rubbed my leg, lay down to sleep next
to me. When I was flat in the bath warming my legs after working outside
she jumped onto the toilet tank, folded her paws and lay looking down at
me. I was feeling who is this, who is reincarnated as this subtle cautious
soul.
20
Yesterday I was slogging all day placing the fourteen year old's punctuation
and transcribing parts of SH2-2 I'd missed. I was finding her tediously
false but then I realized the word I wanted was camp. She's at the
age where she has to work up a gender style but she's playing with it. She
takes it over the top almost to drag but there's a kind of knowing irony
as if to say, they want me to be feminine and I might have to be to get
what I want but wow isn't it silly.
I saw another thing: the thirteen year old's account of meeting Gary
in Mesa is bare narrative and gush but when the fourteen year old remembers
it a year later there is sensory detail she'd registered but not written:
- I can see him as I saw him first, only a dark outline beside the fence
... It is a bit funny - y'see, when I saw him first I was hanging upside
down from a cross bar ... head down! I can see him standing shyly by the
swings looking @ me, neither of us with enough nerve to say anything ....
I see him walking over with Bobby, still shy but happy not to have to do
the talking himself ..... I see him hanging from the swing bar, a stretch
of elastic tummy showing ... I see him in a clean tee-shirt on Sunday morning
looking just a little different ... I see him on the swing beside me, with
those big brown eyes looking into the distance, with sun in them .... I
can see, feel, that smile and the way he always laughed with his eyebrows
raised
There's gushing gender performance but there's also the curiosity about
male lives that carried through all the way to Tom. The way I studied Al's
room:
- it was neater than any other room in the whole house ..... a bed, a
dresser, a really empty closet, bare windows, bare floors, a table ...
all pretty well spotless. There was every single piece of his grade 8 art
on the wall, and pictures of hunting, cowboys, and 'planes. His gun was
put up, together with track and fair ribbons. Everything was precise, except
for his boots, pants, and underwear lying where he stepped out of them.
23
Dear fourteen: I've held your pages for sixty years but I'm trashing
them now. Though after transcribing your silly ellipses faithfully.
I'm looking at the writing feeling why is it so bad but I should be asking
what work it's doing. What work other people don't need to do.
What I wrote for the contest after the Stratford trip was about the meetings
with smart kids. When the winner was published I was startled by how outclassed
I was. The girl from Quebec had written about the plays. "I have looked
on beauty bare." I hadn't cared about the plays.
What I've been wanting to see is that she's silly because she's living
in a backwoods - the Quebec girl probably had educated parents. But no it's
more that she's unattached in her family and constantly scanning for attachment
outside it.
She's starved for touch - no one has touched her since early childhood.
She has been disliked at school and has to fight to be seen as viable. Her
father has said she's undesirable and she's frantic to prove him wrong.
But it's deeper than any of that isn't it. That's what I haven't seen.
Now I could be sad for her, that she had to be off-centre in the ways
she was, posing and insisting.
28
I've been in a hurry to chuck the scribbled SH pages but this morning
I transcribed and interpolated letters home from the hospital because they
documented the hospital's time and place better, for instance the lively
lives of a 6th floor paralytic ward's six young men. Somewhere I need to
say that in those years the journal is tedious because I'm processing tensions
I couldn't talk to my family about. What I sent them about the hospital
is zingy and irreverent but factual, and the letters get better the longer
I'm there - less teen-impersonation - more coherent as if away from home
I'm more myself - much more. Their handwriting is better.
March 4
This night I lay awake all night aching all over, aching too much to
sleep. When I've been remembering I'll be 75 this week it seems old.
|