23 July 2019
Monday early, sprinkler faucet grinding. Left venetian in lit bars, hollyhock
towers swaying lightly white and rose. Sun at the horizon feeling into the
top of the silver tree, pale sky over all.
I don't know how to work. I don't know how to work.
25
5:55 white sky palest orange north of the linden. Whole sky absolutely
clean. Heating. 6:04 a first drop of fire on the roof ridge. Shadow appears
on the wall beside me.
The air was still. White hollyhock next to the window, only that one,
moved just a quarter inch at the tip. As the sun rose they all stirred.
Swayed. Now they're quieter again.
28
This early morning I don't know what it's good for. This is what happens
with writing. I know what to do, I set out, I imagine success, I like the
work, I have good days with it, then I feel no, it's nothing, and I drop
it.
August 2
These weeks of best weather, 95 degrees by mid-afternoon,
vast evening skies. After sunrise I close the doors and lower blinds, after
sunset open front and back doors so cool air rushes through for the night.
Step down into the garden with my blue colander and fill it with lettuce,
spinach, carrots, peas, onions, turnips, cucumber, garlic, marrow, purslane,
herbs. Pick a bowl of raspberries, gooseberries, currants, or choose sweetpeas,
nasturtiums, lilies, roses, sunflowers, dill, dames rocket, matthiola, oregano,
clematis
for the day's vases. Not hungry, not sore, walking easily, waist bands loose.
Working. Then I count ahead: August, September, October. Half the good months
are gone and it takes till July to recover from the hard ones.
6
At nine I step outside to turn off the water. The street is dark but
the sky to the west as on many of these evenings is vast deep even luminous
pale gold. I'm leaning against the side of the jeep with my head turned
gazing into it thinking the twilights up north were the beginning of being
the way I am about tinted sky. In this lifetime there's been that.
14
My real pleasure in life is to make notes no
one will read
- Olga Rudge in her eighties.
20
The tall night felt keen and sweet on his face.
[Neal Gunn The Serpent]
21
the far air
This beautiful small book a 1958 edition, Faber & Faber.
Whose last page made me cry. The philosopher had climbed a mountain,
lain down in heather next to a little river he liked, and died. I suppose
I cried for the outcast philosopher I've been. I haven't said that these
days knowing my blood pressure is what it is has made me feel I could die
any moment. I came home from the funeral chapel yesterday with a price list;
had made the woman in the office laugh saying their transportation cost
is so high I just should go to the crematorium steps and lie down.
25
nous, mind, of the sea crystalline and enduring,
of the bright as it were molten glass that envelops us, full of light
Pick the right phrase out of its wrong context. Discern.
Crystalline sea of the brain, crystalline sea of the air, crystalline
sea of cosmic foundation. Think of all of it as 'mind'.
As if the snow should hesitate
- And murmur in the wind,
- and half turn back:
I erased the second line and then put it back. Wind doesn't murmur but
he wanted that line for its motion, the little eddy of murmur's two syllables
and then the oontinuing sweep after it and then the turn after the comma.
- Thou hooded opal, thou eternal pearl
- (O thou dark secret with a shimmering floor,
- Through all thy various mood I know thee mine
-
- There canst thou find me, O thou anxious thou)
He didn't mean a clit but I did.
- She passed and left no quiver in the veins, who
now
- Moving among the trees, and clinging
- in the air she severed,
- Fanning the grass she walked on then, endures:
- Grey olive leaves beneath a rain-cold sky.
27
The north-west was very remote now, the molten
silver of its horizon line like a shore . Upon it legendary craft had set
out - to find the essence that philosophers called the divine Ground
29
Image as radiant node or cluster is connectionist, "what I can call
a vortex, from which, and through which, and into which ...."
late style has the power to render disenchantment
and pleasure without resolving the contradictions between them ... artist's
mature subjectivity unashamed either of its fallibility or of the modest
assurance it has gained as a result of age and exile
a psychological prime that triggers the body to mend itself
I had a moment thinking of the furthest work I could do, feeling that
if I were doing it I wd never again need to say anything bad about anyone,
I would live beyond everything I've needed to defend myself against.
foundation work on a new piece, which is the
most difficult and most critical time ... a fear of not working
September 6
[September work chair]
15
There was sun for a while in the late morning. I was transplanting sitting
on the warm sidewalk. The soil under my hands was like warm velvet. When
I looked sideways colors and shapes along the path seemed as if Japanese,
so subtle and elegant in their autumnal seediness, paeony stalks going crisp
pink-orange, oregano in almost-spent flower arcing wide and full of honey
bees, hyssop's dry brown flower spikes mixed with remaining dark blue, mauve-flowering
catmint stalks drying yellow-green, cooking sage in a convulsive heap throwing
out chartreuse seed husks a few tipped maroon, thyme in small pink leaf
pressed flat to the cement, savory's delicate purple stalks reaching forward
alone.
Sweet pea scent next to me in the chair. Its tangle on the carrot flower
pile still manages a small vase every day. Et moi. There was a moment after
patting iris divisions into the lattice bed where I couldn't get up, felt
a slip out of possibility for a moment, a strange sensation, startling.
19
At four in the afternoon sun blasts through the west windows in kitchen
and middle room making radiant patches of heat on the stove and green dresser.
A fine moment in the laundry room, which I gaze at from my chair across
the room: I made it: look how beautiful.
22
And then because I saw my hair was a better shape than usual I took my
picture. Then posted it knowing it improves me falsely.
while she moved quietly about the bathroom his
whole body, flung down upon the bed, of itself made ready for her; she saw
when she came in. And so he entered again the fierce pleasure that was in
her, while the bats from the fig pierced pinholes of sound in the thickness
of dark.
A guest of honour 1970. She's loyal to sex, more than anyone I've
read, and attuned to bodies in a way I love. I don't remember much of this
book but recognize sentences describing Margot Wentz's draped upper arms
and black men's delicate hands. There are a lot of didactic conversations
about conflict between trade union and development priorities that I skipped
when they went on too long but I kept admiring her steeltrap grasp. But
is anyone as intelligently aware of shades of insincerity as her characters
are? I'm not, so I'm impressed and doubtful at the same time.
25
Look, an open sky. I'm working but stop a moment: see how lacey, how
finely cut the Russian olive's bitty black against pale open space - can
it be said at all - the sky not white, very pale blue shading to ivory further
down, all with a faint warm tissue in it and all alit, translucent like
an alabaster lamp.
27
As I sit reading or typing in this chair today the linden's leaves have
been shuddering down, letting go in surprising numbers as if the tree is
scattering them with intent.
October 4
'I thought of you as an athlete. The way you used a shovel.' Louie said.
Yesterday's couple of hours left me so heavy I struggled to walk as far
as the onions.
5
I think of dying all the time. When I lie down for a nap I start to feel
there's something wrong with my heart and it scares me so I get up to go
away from the fear.
I'm at a stop with work. I can't see what to make of it.
I'm not sure I can keep up with all the little ways I need to be responsible
for myself.
16
I was on the porch in the sun stripping seedpods from dried sweetpea
vines. Kathy Bara came up the walk. I said I hadn't had time to prep. She
walked in anyway so here is my house once again just right all over and
my bed beautifully made. I started to strip it and she took over. We put
the sheets in the washer and when I'd taken her home to her trailer with
woodsmoke rising from a stovepipe and Lee standing at the open door I pressed
two buttons that lit up with blue light and the machine's enchanting little
voice sang ding ding ding ding and then it washed the sheets and pillow
cases in 23 minutes and the other machine dried them in 20 and I folded
them and put them away on the cupboard shelf directly above the dryer and
oh the satisfaction of that pretty, magically efficient room I thought out
and then made. Afternoon sun was slanting in through the long window and
the mirror above the dresser was reflecting it in a white sheet onto the
white bathroom door. I sat there peaceful on the dressing table bench I'd
painted and re-covered looking out onto lilac bushes turning yellow and
an even panel of blue haze concealing the whole of the hill.
21
This is the paradox that underwrites every single
sentence of the Search. ... how he took
his private, thoroughly idiosyncratic world and made us feel at home in
it
Extracting is the easy work. Recognition. Then it gets complicated because
it has to think about other people. Unpack but not too much. Orient but
not too much.
Yesterday thought of The golden notebook, how this would be different
because it's philosophy too. The range. Who else does that. Motorcycle
maintenance some.
Who to write for baffles me at every corner.
22
That shouldn't happen to my fearless, inquisitive
explorer, my Rabbit, my black-eyed, raven-haired little Indian.
You were such a darling, so interesting a companion.
You didn't need to fear the cows - no, they
were to fear you so you could walk where you wished. Your two-year old self
had that clearly determined.
When she was 23 my mother liked me. And look how she could write before
she couldn't. 1986 when she was 62.
25
6 in the dark, Thursday morning at the end of October. Not cold, light
overcast showing a bit of moon. I woke at 3:30 and have been sitting in
bed rereading Assembling California feeling sorrow of exile. That
was the real place and I was there and now am not. I took to it. I learned
it. It docked against my earlier coasts and overran them carrying a mélange
of sand cliffs and manzanita and Engelmann oaks and strong small Mexican
men and camarones al ajillo and the LA Times and the Biltmore Hotel
and Leslie's salvias and Louise's Cherokee rose and the far-traveling scent
of pittosporum undulatum in late January and the old San Diego library and
that mysterious small road winding among black rocks somewhere on the western
slope of the Coast Range was it; the man who liked places as much as I did
and every day still walks through the lobby of the Golden West Hotel.
November 1
Heart trouble. I lay down in my workroom bed two nights ago and couldn't
get sleepy in spite of two aspirin and though I read on and on. And then
when I turned out the light I couldn't lie on my front because I felt my
heart knocking against my chest. My pulse was skipping beats. I slept better
last night but even now my chest doesn't feel right. I had Genevieve lined
up for this morning on account of my knee and she jumped to order blood
tests and an EKG for this noon, prescribed a diuretic which now I'm scared
enough to agree to.
13
I've walked in without an appointment and sat myself down on an old wicker
loveseat next to the heater while they work. She says come into my office
for a minute and we can make an appointment. I say let me just lay it out
fast and see whether we actually need one. She's looking at my copy of the
will. London, I say. Yes she says. NW5. Highgate. Her school was down from
the top of the hill. Toward Highgate Cemetery I say. Yes it backed onto
the cemetery, the swimming pool and tennis courts were across the road.
Then she sorts me out rapidly and completely and walks around assembling
a handful of pamphlets to give me. I'm out the door wondering can I make
friends with this creature maybe.
18
My heart has gone wobbly again. A bad night. I've been scared to close
my eyes these last three nights because then I feel it struggle and am frightened
and can't sleep.
Photo yesterday morning of a frosted raspberry leaf against
the sky.
20
Since I lay down and closed my eyes last night - it's noon - heart too
wobbly to feel easy or really sleep. Am I going to have to live afraid of
my own heartbeat from now on?
December 7
At my feet on a muddy road something half-buried
that I pick up. It's a golden circlet of many twisted strands.
Still pressing through the last vols of AG. When I come to anything about
Ken I skip ahead in distaste, it's an astonishing madness - I went into
an astonishing madness in my late forties - I was more alive and smarter
than I could ever be again and at the same time wildly wildly wrong.
- Skill is built in the conflict.
- A tension endlessly fruitful.
- I saw the beauty of the structure and sighed.
Should I say something about heart trouble. I haven't wanted to. It's
a new phase. I'm unsafe from inside. I watch my chest and take my pulse.
I'm on meds like other old people. I can't turn onto my pillows trustfully
at night because I don't know whether I'll feel my heart bumping against
my chest. Genevieve said it isn't really skipping beats but beating unevenly
so some beats aren't felt distally and some are felt too strong. The Holter
monitor showed something atrial that is rare and not an emergency but might
turn into a-fib later, a-fib meaning death.
8
Are the little stories a way of edging into the larger work. I do now
understand that the work I should be doing is the largest furthest and not
anything before that and that the two stories, Tom and the thesis, need
to be laid down in together, a woman making her strength by daring to engage
her weakness. It's a story too complicated for the market and yet it's a
needed story. She takes on the patriarchs in two ways at once, the cultural
and the personal.
12
Disgraced by old age.
January 1 2019
I sorted 2018 onto two files and then carved each to nothing but writing.
There another home, another self. I marvel at its dryness, its aloneness.
I marvel in it, I am marvel in it. I marvel that what I love to be no one
can want.
I'd worked foolishly, helplessly for years. One September alone in an
old house I came to it, I came true.
it's the flight and droop of the sentence, where
the accent falls, the full stop. ... when one feels something remote, separate
... I think almost the only permanent quality, the one that survives, that
satisfies
She called it style and I'd call it voice or state.
It's about working and a bit about kinds of day. When I find the minimal
phrase it's anyone working, anyone's kinds of day.
In paradise as in hades the dead are the only company there is. but I
talk to them.
January 1 2019
I sorted 2018 onto two files and then carved each to nothing but writing.
There another home, another self. I marvel at its dryness, its aloneness.
I marvel in it, I am marvel in it. I marvel that what I love to be no one
can want.
I'd worked foolishly, helplessly for years. One September alone in an
old house I came to it, I came true.
it's the flight and droop of the sentence, where
the accent falls, the full stop. ... when one feels something remote, separate
... I think almost the only permanent quality, the one that survives, that
satisfies
She called it style and I'd call it voice or state.
It's about working and a bit about kinds of day. When I find the minimal
phrase it's anyone working, anyone's kinds of day.
In paradise as in hades the dead are the only company there is. but
I talk to them.
8
Have thought of my mom, is this what it was like for her, did she feel
her social self going wrong, going confusingly out of control, the shame
and worry of that.
It's six in the dark. Black glass next to me, three bright but meaningless
lights burning blankly in the street.Have thought of my mom, is this what
it was like for her, did she feel her social self going wrong, going confusingly
out of control, the shame and worry of that.
It's six in the dark. Black glass next to me, three bright but meaningless
lights burning blankly in the street.
9
Are the small stories a form I can use for more. Tom stories. Vancouver
stories. Writing stories? Up north photo stories. Saturna stories. Philosophy
stories? Garden stories? Love woman stories. Student stories. Joyce stories.
How would that be. It's doable. I like the list of titles there is already
- the titles. I come at the stories a bit at a time, find some little thing
to fix, and know when they're done. They're sophisticated sort of sideways,
the simple-complex thing I naturally do. I can do it every day and like
to do it.
10
Shreds and little stories are different forms. Do I need to choose one
or the other. No. Wondering this morning whether I can search my shred collection
to use for times before their times.
Reading through 2018 work work this morning I'm feeling a particular
mind as if a black space with a sharp quality
It is as if the space of writing as I've honed it teaches me.
16
Wednesday morning under a blank grey sky.
'He says he can write beautiful sentences.' If I wrote the story of Tom
it could start with that. That makes it a story of writing, which it is.
What kind of job would it be. A selecting job, a presenting job. 1995 to
2014, that many years already written. I'd want it to be as close to the
liveliness of life as I have been at my best. It's a love story, it has
that primal drive, but what makes it a large story. Riveting precision,
only that. Not only that: there's the book and there's my other work.
Part 1 the Golden West
Last part leaving. It ends in the desert, the stone heart, the tall man
standing with his back to me.
A love story but what is love when it's far from simple.
17
My mother holding a radiant photo of me when I
was maybe 30 saying that was when I was as I should be. I roar at her. I
yell that I can do things now I couldn't do then, that I can help people,
that she doesn't know anything, that she is a cowering mouse. Wake with
my arms aching with tension.
A love story wrapped around a philosophy story. A philosophy story enlarging
a love story.
18
Then it's next morning and I'm on the 17" and open another kind
of file and dilate into marvel and want to be that other kind of person
instead.
- a lit a little
I don't know how to think of this.
They're formed alternatives. They both depend on notes. They're wells,
abandoned selves. There are others too. Though they're formed they're all
imaginary in the sense that they haven't succeeded. I don't have time to
accomplish them all. Or maybe any.
-
- mediterranean gods
- of garden and warm sea
-
- a gardener and a surfer
- who naturally commit themselves
- by means of stones
She's a gardener, he's a man of the sea. I still want to tell that story.
We entered a cold ocean together. I secretly chose a stone and carried
it home with me. He brought me a stone from his mountain. I set my stone
into a northern creek. I was on a bare hillside above the sea and chose
a stone to say I was alone now. He found a heart shaped stone and we buried
it in the desert together.
23
Something had happened when I woke and went on happening all day. Snow
was slathered over roofs and shrubs, stuck thick on every wire and twig.
Street and sidewalk under the corner's lamp were a bright blank single sheet.
The mountain ash was solid red and white. When it was light I went out to
shovel and found eight saturated inches, heavy as wet concrete and setting
in unshovable heaps that had to be lifted after a foot. It was going to
be a long job. Gail was out in her red jacket finishing the church's half
block. The RCMP officer's snow blower was spitting slush. A woman from what
she called the beige house came by and stood telling a story about Flora
Gerard putting saucers under a tree because her dead parents were coming
for tea; as she spoke she kept peering into my yard looking for a tree that
used to be there. The high school girl I like to see came by late for school
after shoveling her own street. Her name is Chloe.
When the liquor store had opened single men began to come up the alley
from that direction. One of them, a quite nice-looking Native man with thin
dirty hair and three pegs of teeth, stood with me by the garage for a time.
Ernest something, the youngest of ten children. He said he knew my country
because although he was from Manitoba he'd lived in High Prairie. While
we were talking a grader whizzed past and shot a lumpy ridge of snow across
my driveway. Its operator smiled to say sorry, lifted his hands in a what-can-you-do
wave. I cleaned it up but as I was going in it happened again, so I had
to go back, and then just as I'd finished a young man jumped out of a big
black pickup and asked if he could help shovel my driveway.
The sun came out and melted what was left on the sidewalks. White mist
floated above the hills. Cars sloshed past through deep inches of sand-colored
sherbet. I knew I should go out again before dark to scrape any slush left
over on my porch and path or it would be ice tomorrow.
- What I started out wanting to say was that I did all of today's heavy
work as if I were a young person and tonight hardly anything is worse.
24
Sorting, sorting. After In America comes Time remaining.
In a sheet called working that has current bits I see that I'm
better now - I didn't know that. And that recognizing intuition of cortical
structure is as philosophically radical as recognizing prebirth intuition.
The seeing-through talent found another task. Slow work both.
When I look at the bits gathered from earlier years I see that I'm more
in the clear now, not tethered to other people's language as much. Balanced
not looking for balance.
My brain loses common words but threw up 'curvett' though I'd never in
my life used it before.
February 2
Candlemass. Jasmine next to me. Live wreath I bought when Luke was conceived,
scent of. Had never seen before and seldom since, bought at Vickie's new
shop that had a rabbit's-foot fern too. And I drew a Greek house.
Yesterday took photos from Naxos for backgrounds and last night had it on
this computer to set shadows. In an instant the place came real. I marvel
to see a clean bed with midsummer dawn thrown across it, noon through an open door. The light seems Mediterranean. But
once again a doubt, here is a house but now a house isn't enough. What is
someone doing in this house?
[desk and mountains] [kitchen and village]
[two cats and a view]
It's a bit after seven, open sky.
3
This morning it's snowing a few wandering bits and is so cold the white
on the street has been swept into thin streaks.
9
6 in black dark with dry snow coursing down the road twenty feet high.
A north wind. All night sometimes a strange loud noise I was lying in bed
trying to describe. Not a groan, not a squeal, a gigantic scraping? This
morning lying in the dark laughing because really it was like a huge black
fart.
Those of us who move from the provinces pay
a toll at the city's gate, a toll that is doubled in the years that follow
as we try to find a balance between what was so briskly discarded and what
was so carefully, hesitantly, slyly put in its place.
Raymond Williams. - Not slyly; more like shyly, diffidently.
The 1998-99 San Diego months laboring at two lines of work that can seem
distinct and overlap in unknown ways by popping like fireworks in the same
skull-enclosed sky. This extraordinary work of penetration, originality,
longing, persistence, honesty, bravery and eloquence, this self-created
capability so staggeringly far from origin. I read it understanding no one
else will ever recognize it.
When I think of how those two tasks interacted I also feel the story
is unfathomably more interesting than any of the ways it can be told. There's
the larger whole of what Tom was, which then and now I could see no more
of than a corner of fabric whisking out of sight - I don't know why that's
what I'm seeing, my first image was of a dark space roiling with unseen
energies. For the other thing, for instance, there's the question of whether
the bolts of hope and fear and pain I let myself in for with Tom were fuel
I needed for the completely private work whose difficulty he never glimpsed.
How any of it actually worked in all the unknown layers of what a human
is.
11
Working with the 1998-1999 months feeling how much better they are then
Knausgaard and at the same time how inviable they are because I'm not an
intense-looking younger man and, worse probably, because of how they range
around for instance between true true romance and academic neuroscience.
13
There was fresh snow when I opened the door and again that thing I always
like to see, a cat's little prints investigating on my path, patrolling,
circling to the foundation are there mice perhaps no but so pleased to have
this place to myself.
21
Janet asked if I'm writing a memoir. I'm not but in what sense isn't
it that. It's a different relation to time. A memoir recollects at some
particular later age. I want the past's actual voices and the present's
actual voice considering it.
23
I'm wondering about the way the journal's style is so random. I write
things down as they occur to me. Sometimes it works, it has cognitive veracity,
but can it work that way for anyone else.
26
7:40. Sun came up from behind the church's shoulder. I've lowered the
right venetian.
Crystalline pale blue. Great piles of steam this morning leaning southwest.
Dove on the streetlamp's overhanging arm. Was. Lumberyard Tom red-faced
pushing a puff of cloud.
Winter has been dragging dragging and I have to foresee that every year
will have these deathly many months.
27
Your piece about Frank is the most intelligent
and lovely thing I have ever read! I've finished After and I'm on the second
part of Journal Summer 1961. The way it touches me ... you include all the
levels and parts somehow that need to be included for the knowing to crystallize
for me as a reader. You're writing about things I've been trying to be able
to know but haven't been able to on my own. It's better than Doris Lessing's
writing. Will you publish it in a physical book? Online is just as important,
but printed on paper would seem to keep it safe over time better.
Kate said. I read After afterwards and no it is not better than
The golden notebook.
28
6:30 Thursday morning. Pale blue twilight with wafting snow.
Yesterday from my bed I saw reflected on the verandah's screen door glass
a crow landing amid a lacework of rowan twigs, wobbling forward almost upside
down to gobble berries.
Waxwings leafing and instantaneously unleafing the linden, vanishing
into the spruce. Then a thousand of them - surely a thousand! - explode
from its dark arms.
7 March
Yesterday Jim said Have a very happy birthday reflecting on an amazing
life!!, and I thought why am I not thinking of a birth day as being
about the whole span rather than the barren day it will be this year.
I'm in a bad mood. Nothing seems worth saying.
8
Still in a bad mood. Horrible dinner party last night (except the steak
was good). Horrible because of 1. their friends, 2. their dogs, 3. their
house, 4. everyone's sheer primitive social incompetence. Leave it at that.
-
Hughie MacKenzie's event at the Lower Nic band hall. Parking lot and
roadsides full of muddy vehicles. All those people at three long tables
eating together, rez people, AA people. A copper colored man with braids
put on a beaded headband to drum and chant. Then Hugh's older brother Robin
a thin bent man with a good face hobbled part of the way into the crowd.
"I'm Robin. I'm an alcoholic." "Hello Robin" in chorus.
Told good stories in a hesitant voice so quiet the audience went completely
still. After a while he was describing his mother in a housedress suddenly
running across the yard and vaulting a fence with one arm. He couldn't go
on. A young woman with long hair came to stand next to him, touched his
arm. He was silent a long time. She went and got a bottle of water and offered
it to him. He said "I'm not sad because of what happened, I'm sad because
of what's happening today, saying goodbye to my brother." Hugh had
32 years of sobriety, "good sobriety mostly," and Robin had followed
him into the program two years later. Hugh had always been getting people
to meetings, finding them sponsors.
When I came through the door into the hall a man sitting at the nearest
table gave me a sharp look and I gave him a sharp though brief look back
because he seemed so unusually coherent. Is that the word. Manly and as
if there was nothing wrong with him. Large middle-aged Native with a ponytail,
a baseball cap, and a look of natural authority I suppose, which another
man next to him did not have at all though if I've got it right he's the
one who ran for chief last election. Some of the Native boss-men, who are
physically large, have weak petulant faces.
Gloria Moses was there and when I touched her shoulder on the steps she
knew me. I said the rhubarb would soon be coming up and she said never mind
the rhubarb, she'd just come for a visit.
22
It has been warm enough so I can strip dead stuff and fluff dirt in the
east fence beds. It's light work but I'm stressed by it, have to stop and
walk around, quit before I've done much.
Instead of taking my pulse these days I turn my wrist and watch it beating
in a little bubble near the base of the palm. I seem to see it hesitate
at being watched.
29
Late yesterday I was putting together the story of the truck driver that
I've called enceinte de cing mois and it was seeming to me that the
relationship stories are worth nothing and what I do hold to are the stories
of going into the world on my own.
31
I like the extracts but the passages they're from are such an airless
press of raw observation. Have been thinking all the while of Ben reading
these years in 2010. "Deep and authentic, dark and repetitive, generous
and beautiful." At the time I thought, ... Repetitive? But oh my.
Receptive young person not realizing how much sheer work she was having
to do to balance in overwhelming newness.
April 1
Looking morosely at the garden work I'd be doing if I weren't so feeble
that half a row of weeding makes my chest feel scared.
4
Most of it badly written. Qualifiers I don't need, foolishly too many
commas, clumsy explanation, gushes indicating girlness. I thought an occasional
good word and an ear for conversation were good writing. Where there's a
good story though it's sometimes easy to sharpen because observation is
there. The Boots diary bits are better because they're too brief and swift
for poses.
8
Peter's Vipassana story. Intense white pain from his mid-back through
to the front of his chest. After days of it a sensation as if people were
standing around him, legs at the level of his shoulder, "One of them
might have been you". Whoosh the pain left.
He had a roommate the rules said he shouldn't speak to or look at. To
know who he was he had to notice things like how he opened a door.
"I had such a crush on you. You were beautiful, you were intelligent.
There was no one else I could talk to." The way I was living in that
house and the house itself. "You didn't care what anybody thought."
"I missed you so much after you left." Almost sixty and loyal
to those months; so fortunate, so beautiful - color in his face, long legs
and young man's triangle of shoulder and hip. I made him lunch. He drank
a lot of coffee. We sat for hours at the kitchen table. My dispiritedness
had fallen away.
9
Was it rain woke me at 1, first rain in this dry spring. Snow on Hamilton
this morning.
14
What shd I think about these little stories. There are more and more.
Janet asked am I writing a memoir. I said not exactly but I like the thought
of a memoir made in bits of actual presence not like Lise's dull summaries.
I work on them over time. One day I'll change a comma to a connective,
I'll see to delete a word, move a phrase; then leave it.
It should have other people's passages too, dated to when I found them,
here Sidney Cockerell's lovely paragraphs on Charlotte Mew.
It 's elegaic. What's it called. Where I was?
- The old soldier at Euston standing to guard me from rush hour legs
said "There you are my darling, you can write your novel in peace."
-
- City eyes. Instant when an airplane's shadow crosses a window.
There are pieces I like just for their particular factuality, exactly
remembered speech - story of the drunk and the bobby - but do they they
need something more.
Miss Tugwell sitting on the stairs telling me about the rockets circling
before they dropped, airplanes nudging them back to Germany.
When I come to Mari as with Michael I feel helpless to register the gallant
pathos of these lives.
- became an elegy later
- as so much does
16
Worked hard in the old way yesterday. Tackled the porch platform edge,
pried up large dead roots, shook off their dirt, made space around the iris.
Then did what I should do: took an aspirin, lay in hot water, had a nap
sore all over; later went out and hoed the inside edge of the east fence
bed; and at night did not hurt. This morning two pounds lighter.
22
I've been making garden notes every day but not writing here, as if the
garden is the only thing I have to say. I step outside and look at color,
dark pink paeony stubs, yellow tulips, yellow primula, white arabis, blue
grape hyacinth, and already quite a lot of young green - iris, chives, garlic
chives, Iceland poppy, little tufts on currant bushes and rugosas. Strong
tufts of maralroot earliest. Rhubarb. The long rectangle of cut grass looks
good between its two definite edges. The Anjou has buds all over and looks
as if it's about to break though there aren't bees yet. Leaf break on the
Cox and the little peach. Evans dotted on all its dishevelled twigs. First
of the moss phloxes showing bits of blue. Johnny-jump-ups blooming anywhere
I let them stay especially along the little ridge next to the tap where
their white faces on thin stalks jerk all together in the wind. They all
descend from the six I bought in the Ashcroft goodwill before I had anywhere
to plant them. They descend in another way too because the first I knew
were those I dug up outside the Wiens's abandoned cabin to plant outside
the lake house. The Wiens cabin before that went back to a Sunday afternoon
visit when I was a child.
Is there anything to say about being dispirited. Dark sky and cold wind
today. I had an appointment to have the jeep's rattle diagnosed but it wasn't
till late afternoon and there was grim nothing nothing nothing to do. Did
liven up to take it through the carwash and vacuum it first so the mechanics
wouldn't despise me. That was something done. Then remembered the headlamp
out. They fixed that but the rattle is the cat not the muffler and that'll
be $600. I don't mind the money, there seems to be enough. It's the idleness
and vacancy and the feeling of being of no interest.
27
Snowing when I woke. [apple blossom] [gooseberry flowers]
[tulips]
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