9 November 2014
Why am I depressed this morning. Note from Tom written at 7:13 from Starbucks
that was two lines of just business. Meeting with Paul K last night in which,
whenever I'd say anything, he'd change the subject back to himself. We used
to have such lively talk. Now it's as if he's encapsulated. He looks encapsulated,
he arrived in a long brown overcoat and a flat cap with a scarf tight around
his neck though it wasn't wet and hardly cold. His close thick beard encloses
him too, like a fitted shell. He's extending himself, I suppose in a sense
of kindness? Calls me, arranges these meetings, but doesn't want to see
me. I sit next to him wondering what's happened to him, or is it to me,
that I can't light him up into interest now.
And Tom, is he shutting me down because he has decided to, or is he just
shut down.
David is fond in his way but I don't take his fondness seriously, why,
because he floats in fondness with a couple of dozen women all over the
city.
Louie isn't gone, she can still listen and laugh, but she's busy and
not hungry. I'm outside her life of money and skill and ambitious popularity.
I'm starving to be seen and felt and in that starvation also not seeing
and feeling. That's the point isn't it.
Paul has a Japanese woman who lives with her very old parents in deep
country. They talk on the phone. "She's so sincere. And she's a good
storyteller." It's where he still has an edge into romance, a romance
of context, as I had with Tom. The relation won't bear dailiness, doesn't
bear dailiness when she visits him. He likes his routines better than he
likes his friends, now, he said.
When he was saying goodbye he pulled a chocolate bar out of his bag for
me. I was walking back up Abbott in the dark looking around for someone
to give it to. There was a very tall drunk waiting on the curb. I handed
it to him. He was too dazed to understand what was happening. "It's
a chocolate bar" he said slowly. He fell into step with me. "What
are you doing later." I said "No. No." His pickup line was
so odd in the circumstance, as if he didn't know he was a drunk giant next
to a small seventy-year-old stranger who had given him a chocolate bar at
random because she didn't want it.
- I'm still puzzled about Tom
- Does he think he's going to find somebody else
- Is that why he's shutting down no
- It's just his habit
- Should I let it go no
- Will he find somebody else
- And be happy no
- Go on missing me YES
- Stop thinking of him NO
- Do you think we should stay related
- Because there's no one else no
- Then why because you're children fighting
the decision to withdraw
- Did Leah get my message no
- So should I fight him for it YES
- Phone him
-
- Can I actually get to my work
- Do I have the will
- Is that the only answer
- We want the same thing, which is to stay alive emotionally
- But we haven't fought each other correctly
YES
-
- This is hard
- Strict poverty until I die no
- Is there anything I can realistically hope for
processing, triumph, coming through, crisis
- You'd call this crisis YES
- Coming through wd mean complete self sufficiency
no
- Ordeal
-
BP 200/110! 200/120!
- Am I going to be able to bring it down
- Shd I do meds no
In the drugstore 190/95.
After biking, conversation, supper, newspaper 175/108.
- Will biking and sitting do it
- Despite stress
Lowest in 2012 was 117/79.
Highest in 2013 154/100.
- So that's two emergencies.
-
I want all my loves back. All the loves I had to throttle.
- Did I have to no
- But I'd have been abused if - YES
-
- Is that the right thing to want
- Can I do it
- Without losing intelligence
I was slow-breathing and Tom came up. I thought, I could stop yearning
for more from him and just love him. He can't harm me. It's what I actually
want. It's the metta meditation I suppose. But I don't want the formula.
I want to do it personally.
-
soma that opens our minds to the vastness of
your sky
Soma is poppy, cannabis, ephedra. [BBC The story
of India]
-
Cold. Remembrance Day, streets closed around the war memorial in all
directions. Three cruisers parked across Hastings at Abbott. Walking to
Army Navy at noon colder than I have been in is it twelve years.
Save-On Meats is a long narrow diner now. I went in for breakfast. Three
young servers and a young manager. My waitress was a light-footed young
woman, black, carrying her head beautifully on a long neck. Red lipstick.
Her hair was interesting, close-shaved on the sides and grown out in a strip
of pelt from the forehead to the nape. It suited her, gave her a regal profile.
I was sitting at the counter. When she was handing my check across to me
I said "I love your hair." It startled me how she lit up at that
- such a beautiful person, isn't she used to it? Her pleasure was like a
long-held flash of light. I was a bit dazed by it.
Two mornings ago there was a bug crawling south across the room. I thought
to track it rather than catch it right away. It seemed uncertain, was moving
in one direction and then another, but then headed for the south wall. It
climbed onto the baseboard, moved along it behind the power bar. I had to
bend over to keep my eye on it. Suddenly it jumped across to the back of
the power bar and landed exactly next to one of the holes meant for a nail
or screw, a distance of six or eight of its body lengths.
-
Photo I took in the dark this morning. Man standing in front of the pharmacy
holding a Styrofoam cup that's a white spot at his chest. Behind
him is his supermarket cart full of all he owns. On the other side of the
frame a tree holding up its arms into the golden light of a streetlamp pointed
down.
-
I listened through all of Sons and lovers on audiobook. He likely
was unfair to Miriam and to Clara too, really, and there's all that Lawrence
hysteria in any of his adult relations, but at the same time such a presence
of countryside. He walks ten miles home. Fields, times of day, what is seen
from a window. It's another era, as if my mother's childhood and young adulthood
too. 1913.
15
Voted, city elections.
Bright cold Saturday afternoon.
3 months since I last saw Tom.
Richards Lives of short duration.
The coming of winter 1974, Blood ties 1976, Lives
1981. B.1950 Newcastle NB.
- If you find somebody to love in this world
- You better hang on tooth and nail
- The wolf is always at the door
Jerry saying, I think it may be too late for you to break up with Tom.
16
- Am I going to survive this ordeal
- Will it be better in a year no
- Two years
- Such hardship for two years YES
-
- Should I give up on working for now no
- Start looking for somewhere else to live
no
- Look for a job no
- Stop thinking of Tom
- Because there's no solution
- Hide his FB comments
- Really give up on Tom forever YES
-
- Are you still with me YES
- Will you lead me intimate, illusion, about
father, improvement
- That's what it's always been with Tom
- I can see that
- (Is this arm disease that no)
- So is there a solution in myself improve,
recover, by means of heartbreak and anger
- Not at Tom
- I need a therapist no
- Feel them in pure form apart from him
- Heartbreak of aloneness
What needs to be solved:
- 1. need a good home
- 2. need to bring bp down permanently
- 3. need a credible doctor
- 4. need at least $600 a month more
- 5. need some secure attachment somewhere
- 6. need to solve fiery arm disease
- 7. need country
- 8. need hope in work
- 9. need to feel good-looking
- 10. need to feel I am where I should be
- 11. need my kids to be okay
17
Saturday night there was a lot of street noise. I lay awake feeling my
blood pressure scarily high. Biked to Granville Market and then tried my
bp again. Still high, and stayed high all day and into the night. No bites,
though, and I was feeling I'd out-managed the bugs. Then yesterday as I
was lying on the bed reading, a vicious attack, something like thirteen
bites inside my shirt, up my neck, across my back. I stripped everything,
did the laundry, put blankets into the dryer, even the red cushion, which
needed a dryer of its own - $8 for all - got out the Pinesol and wiped down
all the baseboards, mopped the floor with it. But in the process of cleaning
something got up my pantleg and left another vicious trail from ankle to
above the knee. I didn't find either of these.
Knew my bed was clean though and slept confidently and woke with lower
bp, but as I was making my bed there was an adult bug on the quilt at the
head end. I don't know how it could have got there. I'm mystified by them.
- I've just now made this entry not realizing I was writing it onscreen
rather than in a journal book.
-
[Stanley Park sea wall] Stone wall constructed
around the shore perimeter to hold back erosion. Master stone mason - argued
that waves created by ships passing through First Narrows were eroding -
1920 workfare project for 2300 unemployed men. Stone sets from dismantled
electric railway system in the '50s.
18
What is it about this book.
It has a charm of randomness, it floats. Nothing is nailed down - things
happen, Lois lifts her left leg and kicks at the air. The world surrounding
people does the same sorts of unmotivated thing. "Under the bridge
the pleasant moving shadows of water." There are scents, more than
in most books. Who is smelling them? Four generations it took me some while
to sort. Neighbours I might not ever have got straight, times floating through
all muddled together, a watery dissolve altogether. [David Adams Richards
Lives of short duration]
Who are all these people. They know each other, as they would, but I
have no way to.
Some of his adjectives seem random too, "a few darkly ferreted things."
Usually-unnamed social facts, people looking at each other with sexual
interest, constant status concern, brand names.
Physical observations I don't believe are character's observations exactly,
though maybe they are meant to be?
[Notes trying to figure out why Richards believes in god.]
Tue, Nov 18 6:36am
Email to Greg:
- It's the quietest moment of the day. No one is yelling. Gentle swish
of cars and buses on Hastings a block away. It must be overcast, because
there's no dawn showing yet in the eastern sky. I'm sitting with my feet
on the desk - keyboard a bit sideways - in the sort of lamplight I like
in a room - three sources spread around - with a large tin cup of my sort
of elaborated tea - grated ginger and redbush brewed together for ten minutes,
then strained off, then the tea brought to boiling again, then a heaping
teaspoon and a half of a Lapsang Souchong / Irish Breakfast mix, and meantime,
warming in the cup, quite a bit of half-and-half, some agave syrup, some
fresh-ground black pepper and some grated nutmeg.
-
- The NASA site is spectacular this morning.
-
- There are a couple of cams I like to check through the day. One is
from home, a spot on the Alaska Highway maybe 15 miles from La Glace. Deep
in winter.
-
- I've been here too: [camzone in Del Mar.]
-
- It's good all day long. Just now it showed the moment when the sun's
angle was so horizontal that it caught only the foaming crest of its waves.
Deep in winter in its own way, which has to do with opalescent light.
-
- The horizon's showing now, slight touches of pink on the underside
of yes thick overcast. Flock of crows flapping west.
- Yesterday I took the bike around the Stanley Park sea wall, about ten
miles altogether. It's a quite beautiful feat of construction over 60-some
years, a stone embankment with steps into the water at intervals, some
of the stone taken up from an electric tramway when it was retired, some
of its building done by thousands as make-work during the '20s. It circles
a peninsula so it is indeed optimal for observing, since it gets around
to looking in every direction, first toward the Second Narrows Bridge and
the mountains east up the Fraser, then directly across to North Vancouver
and its heap of sulfur, then, after passing under Lions Gate Bridge, northwest
over a sheet of open sea with freighters, then across to the Kits beaches,
then toward the older apartment buildings of the West End, then flanking
Coal Harbour's fantastic silver towers to the south. Temperature changing
with sun exposure, the most shaded quadrant had falling ice. Quite a lot
of its inland edge is forest - cedar, hemlock, Doug fir, salal, salmonberry,
snowberry, thimbleberry, vine maple.
Thursday, November 20
- Belated happy birthday.
- That is some blog - I've read it many times.
- I couldn't reply when you wrote. I was in deep
grief, which now has mostly lifted.
- I have just retired. With misgivings. I drew
deep fulfillment from teaching, but I felt the need for a kind of freshness
before I die.
- I never read your Queens journal, and now I can't
find it. Is it available somewhere? Or is there more of what you sent me?
(I read all 8 pp.)
- I told one of my students about you recently.
If she is very lucky, she could become a little like you.
-
Thursday, November 20
- I'm glad you read the here2014 site. I post these things and no one
seems to want them.
- have sometimes thought that now we're so safely old we maybe could
be friends. do you think?
- do you have something you want to do in retirement?
- I do but I'm not doing it yet.
-
Note from Don sent at 2am this morning. I'd sent him Here2014's
birthday page last year and he said he'd read all of it many times. I loved
to hear that.
- Is this a good idea no
- Do you mean because he'll drop me no
- Because I'll be in false hope no
- Because he's lying no
- He's sincere YES
- Will you say why work woman, will defeat,
friendship, by aggression
- Bad idea to communicate with him
- I need a philosopher friend YES
- I feel I could talk to him YES
- I could work if I felt there was one person who -
- Work woman would ruin friendship by competition
YES
- Will something bad happen if I send this
no
- But it will come to nothing
-
- Fri, Nov 20 26' x 10' x 8'
-
- hello alex,
- this is a small house sketchup design I'd like someone to build for
me. it began as a housetruck design, but I've needed 26' to include what
I want in a house, and 26' is too long for an easily drivable truck.
- I like to live with a lot of light and a constant relation to the outdoors
so there can never be too many windows. am a filmmaker so the desk has
to take up a lot of space, and also like to work on my bed, which rules
out a ladder. - so it's a very personal design, but maybe there are others
(other women?) who share these likings?
Housetruck jpgs: [noon whole] [5:20am june 21 N side] [office end] [daytime sofa] [view from the couch] [bed made up] [view from bed] [doorway to machines] [bathroom
from above] [west end] [bathroom light]
November 21
David McAra's house on the London roof. I'm inventing it at the same
time as seeming to remember a real place and time I should describe faithfully.
I saw it only at night. Only the kitchen area near the door was lit. There
was an upright piano along the south wall at the far end of the room but
the rest of the long space was in the dark, so now when I'm filling in those
farther spaces I have been uncertain.
I want it for the moment when I haul myself up the many stairs
and come out onto the roof. It's late and raining. I've left my things at
the Y. It was a long flight. I'm jet-lagged and don't look good. I'd intended
to come and surprise him in the morning, but once on the ground in his neighbourhood
I just want to see him. The door onto his roof is a heavy warehouse door.
The curtains next to his bed are partly open. I stand in the rain looking
into his cave of light. He's there in a white shirt with sleeves rolled
up, suspenders and loose pants. Barefoot. He's wearing reading glasses,
looking down at something in a pool of lamplight. He feels me looking, starts
up, comes, not to the door but to the bedside window where I am. Opens it.
Stands looking at me with his face alight. We both just gaze. Then he puts
out his arm and pulls me inside. Takes my wet coat and puts it over a chair
by his fire. Rubs my hair with a towel. There is soup on the stove. He sets
out a bowl for me. I am sitting on a bench facing his table - I don't know
why it is a bench rather than a chair. He sits across from me and asks about
my journey. He says don't go back to the hotel, stay with me. He sends me
out to his sauna, lends me pyjamas. I get into his bed. Fall asleep as he
moves about the room. (Puts on some of his own music.) Sometime during the
night we half-wake together and he's into me without decision, home.
It's David McAra, rather than the California Mac, now, why, because he's
a computer musician and not rich and for the kindness of soup and a bed,
and for the age I was? Early forties. He lives on the roof of a business
building. Is it in Bloomsbury? Drives a green Landrover. Is handy, has devised
a winch strong enough to haul a piano up to the 7th floor. Slight Edinborough
accent, is it? Near the British Museum. He can see the river.
Alex published the housetruck on his site today. I sent it just yesterday.
New parts of DM's house are original mullioned windows and a sound-proofed
sound studio at the back.
[bed at noon] [desks] [evening
sky interior light]
The McAra: name comes from Gaelic word for son
of the young manly one. Ancient family seat in Perthshire some say well
before the Norman Conquest. Central Scotland. High mountains of the southern
Highlands, agricultural straths in the east. McAras a sept or subclass of
McGregors.
What tartan was the red blanket?
There are Irish McAras.
23
Publication - sudden lot of clicks into my sites - why - remembered it's
that my housetruck design was published - comments - lots of them.
"Delightful design!" - "I love everything about the design
except the shower" - "It's a lovely design" - "Would
love to find someone who could build this on the Big Island" - "I
love Ellie Epp's design. This is what I am looking for" - "This
is such an elegant design! I wouldn't change a thing, and that is saying
a lot! :-}" - "Superior design, love the use of light, storage
and especially the bed!" - "Nicely done!" - "I love
it! It's different from other tiny houses, love the roof!" - "Love
all the windows and lay out, as well as the looks, that makes this one absolutely
delightful" - "I really love this design with all the windows.
I could easily live in this. Great job!" - "This is perfect. All
to my liking. Love light! It has it all and still spacious with built ins.
The roof is so cool. Gives more open area and more light! Yea. It's perfect.
Wonderful design." - "Superb creation. When can we buy your plans?
Wonder if flexible solar panels placed on the roof would work for off-grid
solar power for the house? Thanks for the brilliant design!" - "Sweet
design. I'm not a woman but I really like your plan" - "Love the
10' width and all the windows also the curved roof" - "Outstanding.
Would like a separate shower but overall beautiful and liveable!" -
"This is one of the best tiny house designs I've seen I could easily
live in this space."
SIPs for construction, flexible solar panels.
Roof curve? Copper or rubber membrane "torched into place"
- induction burners from Walmart.
- By now it's Google page 4.
- Sunday, November 23
-
- Such a lovely response. Thank you.
- I would love to be friends.
- It will be challenging for me, because you have
never been 'safe' for me: not because, or just because, of your allure,
but more deeply because around you I always felt that I was 'choosing'
to be safe in my life, avoiding the summonses and adventures and risks
that you seemed to embrace. But I am trying now, like an aging and ugly
butterfly, to release from that safety.
- So I would like to meet you in this space.
- I will write again soon.
- d
-
- Sunday, November 23
-
- in the meantime here's this sharon olds poem somebody sent me:
-
- I Go Back to May 1937
-
- I see them standing at the formal gates of their
colleges,
- I see my father strolling out
- under the ochre sandstone arch, the
- red tiles glinting like bent
- plates of blood behind his head, I
- see my mother with a few light books at her hip
- standing at the pillar made of tiny bricks with
the
- wrought-iron gate still open behind her, its
- sword-tips black in the May air,
- they are about to graduate, they are about to
get married,
- they are kids, they are dumb, all they know is
they are
- innocent, they would never hurt anybody.
- I want to go up to them and say Stop,
- don't do it--she's the wrong woman,
- he's the wrong man, you are going to do things
- you cannot imagine you would ever do,
- you are going to do bad things to children,
- you are going to suffer in ways you never heard
of,
- you are going to want to die. I want to go
- up to them there in the late May sunlight and
say it,
- her hungry pretty blank face turning to me,
- her pitiful beautiful untouched body,
- his arrogant handsome blind face turning to me,
- his pitiful beautiful untouched body,
- but I don't do it. I want to live. I
- take them up like the male and female
- paper dolls and bang them together
- at the hips like chips of flint as if to
- strike sparks from them, I say
- Do what you are going to do, and I will tell
about it.
[from The gold cell)
- Sunday, November 23
-
- yes. oh yes; yes.
- cleaning out my office last spring (the same office for 44 years) ...
a small picture was on the floor -- it had fallen out of something ...
it was a picture from olivia's and my wedding, with the two of us and you
and greg ... and we looked so earnest (or I did) and young and -- above
all -- innocent. no. above all -- we looked beautiful.
-After I sent him the Sharon Olds poem.
I could copy it here for the fine semicolon. Beyond that what is it D
is that no one else I know is. When I feel it, is it myself I feel, or him.
It's as if a yawning gap in the chest, a dark vacuum affrighted in realization
of tragic facts. A kind of resolute fear? Not resolute but still, holding
still in it.
- Is that true?
- Do you like him
- More than any other men I know
- Because of it YES
- Do you think what he said about being safer is true
no
-
- Mon, Nov 24,
-
- I think of this photo of o that way. [O and Don about 1966]
- not being beautiful anymore.
- you said an ugly butterfly.
- I worry about how I look in photos now, solid like an old Indian chief,
worry about whether I've earned that look by evasions, or whether that's
what certain accomplishments have to look like, or whether none of that
is so, it's just family fate.
- am thinking about whether I actually earn being your unsafety conscience.
I think probably not. longer conversation for later.
24
Michelle Butler Hallet about Lives of short duration "This
one works in currents and layers, very like a big river."
Arches for the roof - several sheets of marine
grade ply laminated and cut to shape. Then marine ply fitted as skin and
covered with waterproof membrane, then roofing of her choosing.
November 27
[south side evening sun] [washhouse
arches] [bath water daylight]
[blue evening] [st pancras]
28
A boy from downstairs gave me many bunches of flowers.
He had them on the other side of the bed. I remember snapdragons. Anything
else? Something yellow.
Then dim sum with Louie at the Pink Pearl - picked up my cactus and peaked
cullet - made a photo I liked in blue dawn - rest of the day working on
the London roof - moonlight photos of it - Isaac Levitan - made Louie laugh
about putting bedbugs in a little jail.
-
John Luther Adams:
dark waves, become ocean
-
- Here's just the house [overhead view].
- The long room is about 20x40. The back room I haven't filled in is
a sound studio. Bath room, toilet room and sauna room are in the shed.
The big red contraption is for hauling stuff like pianos up from the alley.
-
- Figured out how to do moonlight in sketchup just now. [bathwater in
moonlight] [bookshelves in moonlight]
-
To Paul:
- Isaac Levitan's Russian paintings? Was looking for moonlight paintings
online and just about all of them I was attracted to were his. Some of
them remind me of where we come from. A relation to distance. 1860-1900.
[Levitan October] [Levitan muddy road]
November 29
[moonlight] [moonlight bed]
November 30
[stormy sky, sidelit north]
December 1
Chiffonier, chesterfield - those old words.
2
[looking north] [evening sky hoist
and plants] [looking toward hoist from the stairs]
To Paul:
- Tue, Dec 2
-
- I was thinking of you a lot yesterday because I was trying to sketchup
our old four room house. Four room and shed. I'd run up against things
I wasn't sure of - what colour was the floor in their bedroom? Was the
lino in the kitchen predominantly blue, or green? What colour was the blanket
on the kitchen couch, wasn't it grey? - lots more like that - that I thought
you might remember. And the exact dimensions. I was guessing 24' square
interior. Were all the interior doors hollow core?
- It's necessarily a crude thing, for instance where I do remember the
wall colours exactly I haven't been able to find them in paintable form.
To Greg:
- Tue, Dec 2
- Have spent a couple of days trying to model the little house I grew
up in. It's interesting trying to recover it. It's a way of thinking about
my dad too. What he was thinking when he designed it, reasons for decisions
I'd never noticed. Even the furniture becomes more interesting when I have
to draw it. I have to wonder where they got it. It's very miscellaneous
so there will be a story for each piece, too late to ask.
- Here's what I have so far [24x24].
3
Secretary hand, Chancery hand, Court hand, Text
hand. [Ackroyd The Lambs of London]
To G:
- Wed, Dec 3
-
- The model is also a way to show my friends where I come from. Which
is a way to tell you all how far I've come and why I so loved your family's
and Olivia's family's houses. And Ban Righ and Sunnyside and houses on
Kingston streets, and on. My Konrad grandparents' well built new house
in BC.
-
- I like to think of Paul and me in that tasteless house sitting with
encyclopedia volumes on our laps absorbed in learning taste. 15 volume
1950 Richards Topical Encyclopedia [Richards
covers] and its accompanying 7 volume geography set 1951 called Lands and Peoples [Lands covers]
bought from a traveling salesman when they couldn't have been able to afford
it. I don't remember a time when we didn't have it so it must have been
early on. The aspiration and hope in that decision still moves me. Paul
has kept the set, along with its plain wooden bookshelf box.
-
- But I've been realizing lately that my most important architectural
imprint was the Edmonton hospital where I stayed maybe 6 times between
3 and 14. Clean high-ceilinged rooms, high windows with deep sills, terrazzo
floors, heavy doors with brass hardware, space, light, good materials everywhere.
6 December 2014
To Paul:
- Epps' house about 1955 - interiors, 9 attachments: [gold bedspread
above] [their bedroom] [kitchen from
above] [kitchen with actual view] [living
room from above] [living room looking south] [girls'
bedroom looking west] [girls' room from above]
-
- A few details came back as I worked on it - the kitchen floor had a
browny-beige pattern. I seem to remember frame and panel on the girls'
room door and hollow core elsewhere? Remember nothing of your room except
the position of the bed. The northwest corner of my and Judy's room is
a blank. Not sure whether there were two chests of drawers in their room.
Remember various pieces of furniture being in different places - the red
armchair was in the kitchen for a while. The taller chest of drawers was
in the living room.
-
- I know the blue and green walls are not the right shades. The washing
machine was round not square. The stove was less elaborate. I did model
their bedroom suite myself because I had a photo. There may be furniture
I've completely forgotten.
- Thanks for the photo. [contemporary photo] The picket fence is so decrepit
by that time - it always struck me as a hopeful gesture going in, whose
decay marked a loss of care.
-
- Modeling the house I was often noticing the politics in its construction.
The furniture assembled miscellaneously, except for their bedroom suite,
which must have been bought new. The chrome kitchen set too, whose vinyl
cracked not long after. Ordered from Eatons?
-
Some details aren't accurate - actual lino patterns not found - not the
exact shades of blue and green - etc - trying to reconstruct what was background
in childhood - seeing different things in it now - my dad's family politics
in the way it was constructed - what was conventional and what was original
-
Showing it seems more intimately revealing than any language could be.
The awkwardness and backwardness we were, where we come from.
To G:
- [Paul's room about 1959] [floor plan]
[whole house]
-
- Paul was exiled to a built-on lean-to shed-porch when we began to have
boobs that might excite him. This image may be painful to Paul because
it makes my dad's family politics so visible. He never painted the drywall
in our bedroom - that was one step down in the hierarchy of importance
- but in Paul's room he never even clad the inside walls. 2x4 studs, no
insulation.
-
- The airtight heater was scary. There were chimney fires because Ed
didn't clean the pipes every fall. A terrifying roaring above in the attic
space, which I knew was full of loose shavings as insulation. I was scared
of nothing so much as of chimney fires that could happen when my parents
were away in town. I knew I'd have to get on the roof and dump salt down
the pipe, and try to set a pan over it to oxygen-starve the fire. Which
wd be hard to do because flames would stand a yard high above the top of
the tin pipe.
-
- I should model the outhouse too. A two-seater, one hole smaller for
us kids. Fascinating frozen cones of many colours of shit to be seen down
the holes in winter. Eatons catalogues for paper, which cannot have cleaned
very well, and we only bathed once a week, on Saturday nights, in a round
galvanized tub on the kitchen floor, all the kids in the same water.
-
- There were old boards laid down through the trees - an aspen poplar
grove - to keep our shoes dry when it rained or in spring melt. We'd try
to run them as fast as we could, the boards squelching when our feet hit.
-
- The aspen grove was a dank realm of mosquitoes, with, in spring, the
acrid smell of saskatoon flowers. In winter the run wouldn't be shoveled
- we'd have to stagger along in our dad's deep footprints, which were too
far apart for us - so we didn't go as far as the outhouse to pee. There'd
be a patch of yellowed snow not far from the house but around a corner.
I remember Judy and me squatted down competing to see who could squirt
farthest - little girls' tight little pee holes could do that. At night
a potty under the bed.
-
- It's interesting to me how intimate these sketches feel, as if they
give anyone much more personal information than language can. They are
who we were.
-
- I'd forgotten staggering through deep snow in Ed's footsteps till I
was telling you.
11
I don't write here, these days. I invent buildings, or draw buildings
I've known - I'm working on the lake house.
I post small creations on whatthereis.tumblr.com. They aren't important
but they please me.
I send things I make to someone - Louie, Greg, Paul Epp, Paul K, David,
Jerry, Tom.
I post on FB. My girl students sometimes write me there or elsewhere
- Kate, Sam, Jody, Emilee.
Luke sometimes shows up on FB message.
Rowen phoned last time Freya was away. We ate singing chicken together.
He shifts into a remote abstract tone to talk about a game he wants to develop,
that's like the hard remote tone Luke uses for business ideas.
I don't write these days because I'm ashamed of them.
The bedbugs are less, much less, and the street noise is less, but I
have hard nights. The burning skin / black arm pain is back. I feel it on
the surface of my eyes now, and on my arms and face. There's a hiss in my
left ear louder than often. I eat randomly and expensively, for a while
was wolfing carbs so five pounds of water blubber piled onto my waist. Am
spending $600 out of savings every month. Will have been here 3 months at
the end of the year and they want me to sign another 3 month lease. Have
no plan to be anywhere else or spend less.
Have not moved on Cheryl's book or mine or any other. Feel nothing will
come of them. Nothing will come of anything.
What is it that won't come.
When I imagine discovering I have a fatal disease I feel no fight. Let
it come, I seem to be done. I keep going on small pleasures and small contacts
and stupid distractions like the books I read these last two days. The library
has row on row of stupid books. I put on my jeans and walk out onto the
streets once a day, twice at most.
The computer is my drug.
It has been raining and will go on raining for another 4 months.
I look at the highway near Demmit, at the waves at Delmar, at a dry hillside
at Mesa Grande. I check gmail, FB, the weather page, the stats page.
I clean house once a day.
Waiting for someone to come for me. Joyce did. Tom sometimes did.
- There I think of Nyingma again and feel what it would be like to have
a plan. I'd have a reason to get things done out of the way.
Six months at Nyingma? Save $6000.
End of March? Next fall?
- Wd they have me?
- Wait till I have more money?
R visa validity 60 mo no fee, multiple applications.
R-1 temporary religious worker. Be a member for two years before. Organization
files a petition for you. B visitor visa for voluntary service. Petition
for nonimmigrant worker form 1-129. Unpaid volunteer - visa waiver 3 mo
max. J-1? Sponsor.
14
The moons of Jupiter - I used to think she only wrote about adultery
and that seemed so middle-class an entertainment. I'm more impressed now,
but should I be. She intimidates me sometimes with the specificity of her
observations of people in a moment but it's the kind of intimidation that
doubts: is that really what her character was feeling, that exact mix? Does
she see things I can't? Probably, but at the same time I suspect her of
impressive method. There's something too about her social insideness. She
has been pretty and successful and the people she writes about often are
those things too, women who dress well and wear makeup. I've had wilder
shores. At the same time she began where I did, rurally. She can write about
small town people, poor people, but - what is it I'm wanting to name - the
way she's stayed a conventional woman; she knows what conventional women
know, though she knows it with more depth and particularity. She has gone
into the minutia of what women know but she doesn't know world, she
stays among people.
Dreamed of Don last night; he was visiting with
an infant. I have a little yearn since he wrote. Naturally he isn't
replying.
Four or five days on the lake house, which mostly is done. I've rotated toward
a window and peered through it. There's the upstairs
space lined with unpainted wood, the chimney stack as I'd see it when
I was on the porch roof fitting glass. I've leaned a broom behind the screen
door on the kitchen porch.
It's a complex little form, with a lot of well-fitted parts.
My proportions aren't just right and yet there is the barrel heater
with Grandpa Epp's bench behind it, where I sat reading a book of Chinese
stories when it was 40 below and Jam was away in Hythe shopping and didn't
come home for days. Drawing the bench I remembered I had a green pillow
- it was an African fabric with a pattern in the weave and tie-dyed spots?
Beautiful dark green.
[kitchen bed] [kitchen door open]
[winter work table]
- Jam's pale pink silk quilt.
- Yellow plastic washbasin.
- Red Le Creuset pot with a wooden handle.
- A stone for the kitchen porch's step.
15
The carols I'm hearing on CBC are sung with so cynical a sound.
The Potsdam Gravity Potato - geoid - areas on the
earth's surface where gravity is stronger - gravity maps - high or low sub-surface
densities.
17
An awful 24 hours, burning skin that didn't stop. Lay in bed all day
hurting, coughing up yellow slime. Wouldn't want to get up. Shaking when
I did. Woke at 1am soaked - even the sheet was so wet I had to move it out
of the way for the rest of the night. Then second set of pyjamas soaked
too. Was cold for a while, so cold. My hands wouldn't warm up.
18
"Someone has said that a writer should have
as much trauma in childhood as he can bear without breaking." PD James
on Eleanor.
Escutchean - in medicine, distribution of pubic hair. Shield in
heraldry.
21
Taznahkt is Berber, High Atlas. Iraqui Kurdish embroidered carpet chain
stitch.
Was it 12 hours of sketchup today? Working on 824. When I'm working I
sometimes sneeze but don't feel sick and hardly blow my nose.
824 is the house of color. Sketchup doesn't show either the shabbiness
or the radiance for instance of the middle room's blue.
Such elaborate mouldings. Skirting boards, door and window frames, wainscoting.
Ridiculous balustrade and stair posts yet to come. I get away from
slog by making or finding furniture - the metal filing cabinet, the little crib, the blue chest, the ferry bench, the kitchen
table with holes cut for ma jong tile drawers. The old PC. The old typewriter.
Three mirrors - turquoise oval, green rectangle, fancy bathroom mirror -
still to make. The dial phone in the bathroom. Peter Epp's bench.
Layers of layout - I need to sort furniture position into 1. Dames
rocket and Luke, 2 Luke later, 3 Rowen baby, 4 thesis era.
Color detail I forgot and recovered. Objects - the ratty rug in the
bathroom. Where exactly were the doors into the closets? Have I got
the window sizes right? [kitchen stove] [looking from
the kitchen toward the hall]
I've learned a lot since I last tried 824. I'm not trying to modify a
whole existing house. I understand groups and layers. I know how to move,
place and rotate easily. I can find, import and apply textures. I know to
look for components like skirting boards ready-made. I'm handling the maddening
V-ray intrusions. I have quite a large bank of furniture, small objects
and textures and remember where to find them. I'm probably better at estimating
dimensions. I have amazing focus in that mix of invention and slog. I come
back knowing how to do things next day. I've found other and better color
palettes though colors are still lurid. I know how to rotate textures. I'm
fast at seeing how to modify existing stuff. I know to build different storeys
of a house, and porches, and roofs, separately and combine them later -
that's probably the most useful one. I've figured out how to do autospaced
intervening multiples and measured intervals. Know to hide things when they're
in the way. And apple-E for erasing lines. Squashed with apple-S and expanded
with apple-P to get better proportions. Worked out many dimensions before
I began, which was better. Am remembering numbers better? Some, I think.
When there's an intervening action I know to write a value down.
Still have to learn how to make volumes interact. Should have used it
for the lake house roof.
There maybe isn't a lot done in a day? And yet the rooms are more real-feeling
tonight, much more.
Other projects: skyshack, 3663 Georgia, Ban Righ, Sexsmith, Burghley
Rd, St Albans Rd.
Meantime my muscles are more friable from not eating much, maybe, or
sick lungs. Sore here and there, wrist, hip, shoulder.
22
When I couldn't sleep last night I was having Christmas with my imaginary
family. Thinking what present to get each, elaborating them as I thought.
Mig Nuñez is a horseman? High quality agricultural manager who likes
opera. I give him Four last songs, Te Kanewa. Lee Nuñez is
Navejo rather than Mexican; turns out she's Mac's cousin. 10 years younger
than Mig, who's 50. When her youngest leaves for college she wants to do
archeology. I give her earrings. Martín Nuñez, Mig's old dad,
the gardener, I give Clebsch on salvias. We'll do a collection. Jim? - son
- the astrophysics student - what did I give him - a book. Becc - Rebecca
the 16 year old - I find a collection of Double Take magazines. Mac
isn't easy. 3 pairs of those thick soft white socks. What else. Want something
he'll take when he travels, a really beautiful shirt.
- What they give me:
- Martín a little tree he grafted
- Becc a red amaryllis
- Jim an app
- Lee and Mig, a pink mohair blanket like Susan's
Mac showers me - a super-long lens, a long distance phone contract, a
soft long thick dark green cardigan, $400 pyjamas, silky cotton with stripes.
He gives Mig and Lee a trip to Cuba. Jim a big air travel credit so he can
go to conferences. Becc a computer and a length of sari silk from India.
My grad dress! she says. Martín a hat.
Christmas morning they come for light late breakfast, bacon and eggs
and fresh bread toast, orange juice and coffee laid out on the library table,
fire in the fireplace.
He has just come back from India the day before. Brought a tree. He and
Mig are at the kitchen's big table with their plates talking about the horses.
I'm at the counter making raspberry-cranberry dessert, listening in. The
kids and Lee are trimming the tree. I've done a garden circuit with Martín
earlier and he's still in the glasshouse doing things.
While the geese cook we'll gather in the library and Mac will show pictures
of where he was and what he was doing there. We'll watch some movie we all
like. Becc will keep sneaking looks into the Double Takes. Late afternoon
people scatter for a bit, take walks, nap, read, then dinner. Then presents
in the library. At dinner Martín raises his glass to say it was good
in this year that la senora joined them. Mig says something to Mac in Spanish.
Mac smiles. La senora entiende espaniol, my brother. Everyone tells
the events of their year. Plans for the next.
Becc wants to get into a best college. Our strategy is to get her a major
publication credit. She's writing a piece about her dad and horses.
There's a sprinkle of white on the mesa.
Long slow dessert in the library. Everyone goes home by 9. Mac says he
needs half an hour on the computer. I say shall we sleep outside? He says
yes, turn on the subfloor heat and add a big quilt from my closet. I put
on my new pyjamas and go lie in the outside bed with my nose sticking out,
looking at stars. After a bit more than half an hour he comes naked from
the washhouse and slides into bed. We talk about the day. He's happy, he
has a hard-on but he's holding out. He knows I know it's there.
27
Lavender and peach bands with island mountains below them in a blue row.
A wide short open tree with small lights spaced somehow evenly all through.
Low wide stone fireplace with a deep bed of large chunks glowing red.
April of 1989 - "a squad of vivid men" - "big dark brother
with juicy arms, warm straight energy ... curious" - "and a gawk"
- "the brothers have made themselves together, it's a powerful sight"
- "in the family bathroom mirror looking an exotic catch" - "the
mum who rules, is tall and impatient." [AG10-3]
1989 is going on 25 years.
The big dark juicy teenage brother - 19? - was least recognizable, a
swollen bear of a man, large, with a puffed-up face and large belly; the
one I called a gawk, who has hands like Rob, is a tall narrow trans - well,
equally unrecognizable - with long hair dyed beige, fingernails painted
maroon, thin long shanks and a high belly carried further forward than his
fake boobs. He babbled, as if that's how he thinks girls behave, I wondered,
or as if the specialness of his new status licensed him to feel every thought
interesting enough to share. "I feel naked without earrings."
He was wearing a thickly sequined stretch top, a filmy skirt and high suede
boots. I could not see him in the image he had invented, not at all, was
aware of having to take his claim on faith, but later when Geoff had turned
off all but the tree's lights and we were talking in the dark Cary was there
again in his natural family voice.
Rob - he came up the escalator into the sea bus foyer wearing a long
black greatcoat - wasn't a teenage boy anymore, his face has thickened some,
but he's not bulkier around the middle and he still has that family lightness
of play. His voice is as it was, quirky.
Pat was not tall and impatient but small and ill. Often she was sitting
silent in her rocking chair, breathing with difficulty, still drinking though.
In the bathroom mirror I was not an exotic catch but an old woman who
looked unwell.
A couple of paragraphs about a visit in July - 23rd - [AG10-4].
part 3
- time remaining volume 1: 2014-2015 september-april
- work & days: a lifetime journal project
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