10 September Borrego Springs
Pioneer species, climax species, creating a
stable ecosystem in decades or centuries
succession a series of species replacements
succession is slow and subtle in deserts
primary succession on open ground that has never
been vegetated before, for instance a new dune on the lee of a rock, or
debris that tumbles from a mountain slope
secondary succession begins with a soil denuded
by disturbance but still having nutrients and a seed bank
a century or more is required for creosote bush
and California barrel cactus to produce their original cover and abundance
perturbations that have no ancient history in
a particular ecosystem
pulse-reserve model - weak storms only allow
perennial plants to maintain themselves, strong storms activate carbohydrate
and mineral reserves previously stored in stems, roots, and seeds, triggering
a pulse of plant growth and reproduction as well as a pulse of storage
in most other terrestrial ecosystems biological
activity seldom rests with a single, over-riding environmental factor
a rain pulse in the desert
patch-mosaic model - a patch is a piece of earth
where a particular process is operating at a given moment in time - usually
repeats itself over a bajada or entire watershed - landscapes are composed
of dissimilar patches that form a regional mosaic
Through time, lupine patches in the same mosaic
disappear as the enriched soil becomes dominated by long-lived creosote
bush shrubs.
Animals often create patches - burrowing and
seed collecting species - ant colony patches like stepping stones across
the desert
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Mesozoic era of reptiles conifers and tropical
climates
Cenozoic era of mammals, flowering plants, less
predictable temperate and arctic climates - divided into Tertiary (65 to
2 million years) and Quaternary (last 2 million) - Tertiary progressive
climate changes, wide oscillations between frigid wet climates and hot dry
climates over the planet's mid- and high latitudes.
Many desert lineages arose during the Tertiary
and subsequently diversified, but desert ecosystems are somewhat younger
than their species - originating in the late Tertiary and developing their
modern form and operation during the Quaternary (includes Pleistocene and
then Holocene)
25 million years ago, prior to the rise of the
Cascade-Sierra-Peninsular chain western North America was a low, undulating
plain dominated by conifer/hardwood forests. The ancient Pacific Ocean lapped
a continental edge along the east side of what is now the Central Valley.
Rainfall was abundant, reliable, and evenly distributed across the continental
interior.
To the south, the influence of subtropical climates
created oak and palm forests, pine and juniper woodlands, and thorny shrublands
with exposure to seasonal drought and high temperatures in which ancestors
of modern pinyon pine, cacti, ocotillo, acacia, palo verde, grasses, sunflowers,
tortoise, small reptiles were establishing lineages
Crystalline batholith lifting and rupturing old
sedimentary layers - elevation accelerating sometime after 11 million years
began to block Pacific storms, summer drought intensified. Forests confined
to higher elevations or along rivers. Sonoran Desert plants derived from
the thorny shrublands, protodesert, probably spread north and west bringing
fan palms and iguanas.
Early Quaternary cooling, beginning of Pleistocene,
early ancestors of desert mammals, rabbit, sheep
at least four intervals of glacier building
and advance
transition to arid and hot Holocene, 11,000 to
now, extinction of large-bodied mammals - Pleistocene megafauna, giant ground
sloth, camel - and arrival of people.
geological remnants of the Pleistocene: U-shaped
mountain valleys, moraines below the mouths of canyons, ancient lakeshores
high on the slopes of now-dry basins.
Biological remnants: fossils, pollen deposits,
isolated live populations of plants and animals.
Late Pleistocene wetter and cooler. Large-bodied
mammals, lowland forests, woodlands and grasslands, extensive river and
lake systems, productive wetlands, prosperous indigenous human cultures.
From South America giant anteaters, ground sloths,
capybara when sea level was 400 feet lower. Camels, llamas, tapirs, horses,
sabre-toothed cats already here. from the north, mammoth, mastodon, hyena,
wolf, jaguar.
Packrat middens may be 20' tall, layers radiocarbon-dated
Into this cool wet Pleistocene landscape of
large mammals, rich woodlands, extensive lakes and productive wetands humans
first wandered. Their generations survived passage among continental ice
sheets and beneath mountain glaciers, over tundra and through boreal forests.
Rapidly spreading in all directions into the Great
Plains once the ice had passed, their 5" spearheads still imbedded
between the ribs of mammoths and other animals. In California artifacts
from 11,400 years ago.
Then the lush Pleistocene gave way to the sparse
Holocene and modern deserts.
Drought-tolerant plants that had been only on
south-facing shallow-soiled sites migrated and were eaten by still-existent
megafauna.
Technologies for grinding seeds and making baskets
had their desert origins around 10,000 years BP.
Climate change accelerated during the mid-Holocene.
8000-5500 years BP the antithermal, warmer and drier than now, dessicating
entire lake and river systems. Junipers retreated higher than we find them
today. Lakebeds were transformed into playas, as slurries of mud and evaporite
minerals hardened into thick, crystalline polygons. Vast quantities of fine
sand exposed, lofted. Reductions in human activity. Frequent movements among
ecosystems became the way of life. New tool technologies. Progression from
spearheads toward arrowheads marked shift to small swift prey.
Toward the south, shrubs we now associate with
the driest bajadas of the Mojave and Sonoran regions finally arrived in
abundance. These included the two most dominant and characteristic warm-desert
species of today, creosote bush and burrobush.
Extreme drought ended about 5,500 years BP, beginning
of late Holocene. Montane treelines descended, juniper woodlands expanded,
lakes refilled, marshes reestablished, grasses returned. After 2000 years
BP oscillation drier again.
Then Little Ice Age 350 years BP. Europeans arrived.
Garcés.
Groups foraged over vast areas, for pinyon, agave
root, mesquite beans, ricegrass seeds. Wide foraging brought contact and
trade, new basket and pottery technologies from the southwest. Irrigation
agriculture. Maize, beans, squash, melons, seeds from southern/Arizona tribes.
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Ancestral species arrived in the late Tertiary
and were exposed to unprecedented oscillations in climate and landscape.
carry forward a biased fraction of their genetic
inheritance. In this way, one evolutionary lineage became several, each
with a unique gene pool exposed to new, subtly different conditions during
natural selection.
Drought-tolerant plants such as creosote bush
expanded from lowland strongholds in Arizona and Mexico that were barely
affected by the glacial epoch.
Relicts: among the great mysteries of biology,
species that didn't go extinct when extreme changes occurred, or migrate,
"ancient, unyielding, and often the only remnant of an evolutionary
lineage or long-gone ecosystem to make it into the modern world".
Sum of biota product of diversification, extinction,
migration and persistence of relicts. Species richness number.
Many desert species are endemics, either evolved
here or were marooned as relicts.
evolutionary, structural, physiological or behavioral
response to a minimum and uncertain supply of water
measurable but biologically impotent rainfall
Drought-susceptible species, tissue dehydration:
- fan palms must be rooted in permanently wet soil,
are relicts of an ancient tropical past, found only where ground water is
forced to the surface by faults or an impermeable rock layer, often at the
base of hills or within a canyon or arroyo, it regulates temp by transpiration,
like sweating, shaded fronds quickly replaced by fully illuminated ones,
dead fronds protect the stem from ground fires
- mesquite sends a few roots deep into the water
table near arroyos or streambeds, up to 160-200', and many shallow roots
in the top three feet to get recent rain, fast growth in spring and early
summer - structure varies - where there is constant water a single trunk
and large leafy canopy, where less reliable water a highly branched shrub
form that devotes more resources to reproduction.
- pinyon jay must visit water nearly every day,
evaporation. Bighorn sheep in summer susceptible to heat stress, spend up
to 7 hours of the day resting in shade and relatively tethered to reliable
water. Have to be careful of terrain on account of coyotes and lions.
- Lummis: "The horrors of death by thirst
... hunger is in a way its own anaesthetic but thirst is torture - madness
- illusion - delirium." The Indians during the end of the Pleistocene
lived in relatively permanent villages on the edges of marsh systems with
shoots, waterfowl eggs, fish, summertime hunting in adjacent mountains.
Drought tolerators - cacti can remain green and
harvest light while completely shut off from soil and atmosphere to conserve
water. Maintain slow metabolic idle.
Drought avoiders - dormancy mechanisms adjust cells
to progressively lower levels of hydration.
Annuals with soft tissues need water when they
emerge from seeds during winter and early spring. Droughted soils bind water
too tightly for the roots to suck it up. Therefore strict control of germination
in long-lived, deeply dormant seeds. Chemicals inhibiting the embryo must
sometimes be leached from seed coats by successive percolating fronts of
soil water during a cool rainy season. Or thick waxy coat that resists taking
up scant water after summer or winter weak few storms. An inch or more of
rain between September and January makes the coat expand and rupture. Only
wind abrasion, microbe attack, or passage thru a gut weakens coats.
In years with barely sufficient rainfall a small
fraction of each species, perhaps the oldest, most worn down seeds, will
still germinate, grow to a small size, produce 2 or 3 flowers and a dozen
seeds instead of thousands. Consequently the seed bank is composed not only
of seeds of many species, but also of many generations of each species,
generations that experienced different environmental conditions during growth
and different mates during reproduction. A square yard of soil may hold
25,000 or more live seeds from 20 different species of annual herbs.
Summer annuals germinate when soils still hold
winter water (March) or are wetted by strong summer storms, and then grow
and flower from June-September.
Ocotillo goes dormant but uses even weak storms
of less than half an inch of rain, achieves high rates of photosynthesis.
Relict species from a relict family with subtropical origins during the
Miocene (24-5 million years BP). Seed germinates with summer rain. Seedlings
rarely survive drought, frost, jackrabbits etc. Spines are remnants of first
leaves. Younger bare stems can photosynthesize after leaves fall, usually
in short bursts morning and evening. Young roots as well as leaves are shed
to prevent water loss. With a bit of rain, old roots produce new shallow
roots, water uptake begins, new meristem points at the base of each spine,
short shoots that produce new green tissues within 3 or 4 days after rain.
Leaves are paper thin, soft and very leaky, without wax. They can remain
active only as long as water uptake continues. Cheap to produce and drop.
No expectation these soft root and leaf tissues will be used for more than
a few weeks. Then life recedes into the persistent woody skeleton.
Desert tortoises hibernate, emerge from burrows
in early spring - Feb to April/May grazes annuals, then dead leaves and
stems into summer, conserve water by staying in burrow except early morning
and evening. Burrows 20-30 degrees cooler and humidity 3-4 times higher.
In a harsh summer, summer hibernation.
11
- At midlatitudes earth spinning 900 mph
- Revolving around sun 66,000 mph
- Sun shooting toward Vega 12 m/sec
- Milky Way rotating 140 m/sec - 220 million years
to complete, two million trillion circuit
- Milky Way 50 m/sec toward Great Andromeda Galaxy
in Local Group
Luminous eastern sky when I opened the door at 6:30, really gold like
goldleaf on a painting. I think there were bells. The rooster in my northern
neighbour's Wirtschaft crowing still. That word turned up for the sort of
spread he has, backyard with various enterprises in it, tall cactus in pots,
outbuildings, orange trees.
Kate in San Fran. I have Goddard daughters. How many? [list]
-
The photo of Wittgenstein fades slowly in and out in the midst of something
-
Swansea 1947, he's 58, taken by Ben Richards.
Orphic Hymns - Athanassakis. They're evocations - formulae - begin with
family connections, go on to a list of responsibilities, end with request.
The past four months in San Francisco have been
wild! Full of surviving, failing, and thriving. The erotic element of relationship
is a thousand times better accepted and integrated into relationships within
the blues/fusion dance community here, as compared with the east coast.
I've been able to experiment freely with my sexuality and with various levels
of erotic expression in lots of friendships with dancers. I am learning
to 'switch' during dances. To switch is to exchange the role of leader/follower
throughout any given dance. I'm being taught by a friend who I've been sleeping
with, and the lesson is carrying over into sexuality. The switching across
both erotic spaces is a wild experience for me in re-structuring how I react
to male bodies on a daily basis. So cool!
Got a scholarship to spend a week in the woods
outside Sacramento at an event called Blues Recess. Over a hundred dancers
built an intentional community there and taught workshops and skill-shares
to one another. I met my swans at this camp! I met people whose eyes were
glowing with consciousness/pleasure - people who were making their living
at the intersection of theater/dance/nature connection. We played music
and danced inside a candlelit school bus. My inner gypsy was shaken and
inspired in a way that radically restructured how I think about the work/direction
I feel myself capable of. Consciousness and dialogue about gender issues
at Recess was 50 years ahead of dominant culture! I taught my first dance
workshop integrating fusion and breath awareness! People loved it. So hot.
I've been in classes for almost two weeks. I'm
one of the smartest! This is a first and feels amazing. You prepared me
extremely well.
I challenged my human development teacher about
the white-male-heavy syllabus and he showed up to the first day of class
with lots of resources to add about gender, race, and class. I'm growing
to like him a lot. My cohort is full of bright, compassionate, spunky spirits.
The faculty are mostly great, but their styles are not as articulate and
visionary as yours.
14
Bike basket, bedside filing cabinet. Bike ride at sunrise across vacant
land toward Di Giorgio Rd. Later went back and saw the pale scrappy golf
course in its oasis palms. Art Institute, good space full of junk. Crisp
note to Tom after awful long phone call yesterday. Have been proofing Again
[In America] volumes before Mesa Grande to maybe find my present
work, one vol a day, extracting not much, some, liking to read the skyshack
life now - like it as an existence, even, lots of grumbling but days and
nights and love for the place's times.
Yesterday torpid like a kangaroo rat in a burrow.
There was another down-scale trailer park on Di Giorgio. A lot of people
spread over a lot of space, always more clumps of habitation. "It's
not a town, it's a place" says someone online.
Gnats glom onto lights after dark. Pillowcase next to me because it's
reflecting.
16
Small butterflies whirling across the road like small dried leaves, on
an upper stretch of Montezuma Grade. When I stopped at that stretch of road
on the way back I saw them better. They didn't seem in a hurry. They'd light
on a rabbitbrush leaf or a pair would dance alongside for an instant.
There's a moment after the high dry incoherent Ranchita plain - 4000'
it says - where the road passes through two heaps of rock like massive gateposts.
The road crests exactly there and beyond it the extreme drop ahead shows
suddenly visible. So dramatic a road, such folds, such roadcuts, such wraps
and falls. What 4000' looks like, the tininess of everything in the flats
below, all the tiny messy human structures.
17
I'd told myself I'd stop and start to take photos of rocks on the way
home and eventually did, but aware the whole time that I had no grip and
was hardly trying, making random grabs. And then looking at them after,
clueless still, saving them all. I'll look again now and ask whether there's
anything to see. I want to sit with someone who knows rocks who'll tell
me what they see.
The rock seems old, far into decomposition, splintered, or is that word
too hard - crumbled, becoming crumb.
The complicated order of something crumbling in place. It's all in bits
but the bits keep standing together because they're stone, heavy. At any
point it's visible that what's there in bits used to be one mass.
- I like this one, complicated wall, a few scruffy plants and
their shadows. A wall like this with light moving through a day? Lo que
no es -
Does it balance? No, it squashes on the R.
2nd version, does it balance better? No.
high hawk - tried different frames, the best keeps the dark triangle
hole below connected by a line to the pointing agaves.
Odd outbreak of black and white marble. 3 versions.
- There I heard the chickens and went to look. Falcon on the wire, either
a merlin or a peregrine juvenile.
- I like the one with marble and plants best, why. Soil next to it on
the L, fine delicate lines of dry something. Balancing young rabbitbrush.
Teddybear-like face, well framed like a spirit being in the stone. There's
a line above it showing a boundary where marble has formed in a streaked
sheet under something else.
mountain
postcard. The gritty smoothness of the road. It's the right distance.
The curve is right. Not well enough framed. Is digital wrong for the detailed
granularity, it looks too digitized as if badly sharpened.
pale sandy wall closer, 2 versions. It's a sculpture. Fine shades
of similar color, color related to angle of cut as well as angle of light.
It's hard to see which is better. There are main masses with their edges
containing broken bits.
- Think about how the seeing is done?
18
disaggregation among crystal interfaces
All rocks that were once buried deep in the
earth's crust are cracked to some extent by the stresses imposed during
formation and deformation. The stresses imposed on rocks buried at great
depths in the earth strain the rock along intercrystalline boundaries.
A movie of lights making their way down the hill - find a vantage.
What to do. Can I dive into sincerity.
It's time to have work.
I've been through Again vols [second part of In America],
4 years. What did I notice. They're all over. I study but at random. I use
what I study for workshops, students, Here. Learned to be miscellaneous
at school, can do that, but don't like to see what a jumble it's been.
What do I want to do.
What's worth doing.
What do I have the means to do.
- What if I throw all of it up into the air.
- Inklings have been:
- something in Borrego
- something in moving image and sound, electronic comp
- something written
- whatever I need to do to like how I look
- something with rocks and light
-
- Necessities are:
- need to make some money, not a lot
- need to not be in pain
- need (some) friends, talk, play
- need my kids to be okay
- need to figure my next move
- need my work to be liked and used
- need to get rid of stuff
- need more work stamina
-
- Conditions are:
- little pressing ambition
- run out of energy too early in a day
- no framework of demands
- no framework of reception and response
- tight money
-
- What's been good:
- the PDF
- by the lotus.mov
- (private work with a few students)
- Emilee's book, Ant Bear so far
-
- Options:
- finish we made this
- notes in origin DVD
- in english
- mind and land hardcover
- Teaching letters vols 1 and 2 - Being bodies - Intense
and purposes
- extracts from journals
- a Here book - Back country: a year in Mesa Grande. Pseudonym,
male name.
- improve Here and put it on DVD
- orpheus / going under - movie/text
-
- Borrego specifically:
- how to show mountains
- study rocks
- study light
- study stars
- study plants
- sound design, electronic composition
- software and hardware
- imagining ineffable ground
- brief language
So they passed into a state of gingerly evaluation
- which he knew well and could only hope she did - full of small pleasant
surprises, half-sardonic signals, a welling-up of impudent hopes, and a
fateful sort of kindness.
- Munro in Carried away
21
Saturday early. There's world at the door, a small palm, a blue-powdered
mountain, an early chill, two lines of wires, a rooster's voice, a woman's,
a long slant of shadow on grit.
Ways this place is sterile.
There's no flower shop, no Chinese food, Vietnamese, Thai.
But two liquor stores and maybe 6 bars if you include the country clubs?
The desert land between lots has mostly only two kinds of plants, creosote
and that dry scratchy little silver brown thing.
When it's hot there's nothing to do but go to the store and the post
office and the library.
There's nothing to eat. I walk around the market not wanting anything
but the romaine lettuce and passionfruit juice. The fruit and vegetables
seem dead things. The good Mexican café has closed.
At the cool ends of the days I can bike but there are few roads with
not a lot to see.
Dry minimalism.
There's a lot of open time in a day and not enough mental strength to
fill it.
There are few birds.
Poor fiction at the library.
- I'm saying these things cheerfully enough.
Wonderful cactus garden at 3068 Broken Arrow.
At night when I'm sitting under a light moths flood in, scores of them,
little brown things, and bumble against my head.
When I put up mountain postcard on FB eleven people registered
noticing it but when I posted the text about earth's age in the universe
only three.
-
Sometimes wanting to write about my mom's life.
22
At 5:30 this Sunday morning I was outside in the dark about to go fetch
the blanket off the lamppost. Heard light footsteps, two people walking
west along the empty and dark street. They came past, an Indio Mexican couple,
small, he slender and white haired. We looked at each other.
-
She had the same name as Jesus' mother and she was the same age as the
Queen. She was nice-looking, a small, sturdy person with a pleasant face.
One Sunday afternoon when we had company, three other couples sitting around
in the living room with my parents, some of us kids were peeping around
the door comparing our mothers' breasts. We agreed that my mother's were
the nicest. I liked to see her strong round calves below the hem of her
housedress when she was standing at the stove and we at the dinner table
behind her.
She was a good person. People felt that about her immediately. "Your
mother is wonderful" my friends would say. She had a sympathetic interest
in anyone. It was native to her intelligence always to think what would
be good for the spirit of whoever she was with. She felt for children, any
children - would notice them when no one else was noticing them, and speak
to them, and make them feel her liking for them. She would never say anything
bad about anyone.
She was sane and judicious: she didn't speak lightly. She could seem
to lack a sense of humor; we kids would razz her for explaining jokes.
I always liked to see the handwriting in her letters. It seemed to me
to look like her: it was firm, compact, clear, and harmoniously round, it
looked feelingly but undemonstratively smart.
She was a good person who had a hard life.
It was bad luck to be the eldest in her large family. She was bright
and loved school but came into her teens when her parents hadn't yet established
themselves in their new country, as they soon would. Her younger brothers
and sisters went to high school, went to college, married wisely, made lives
that suited their gifts. She had to leave school at fourteen to help at
home. To escape that servitude she married before she had good sense and
paid for that mistake the rest of her life. She finished high school and
went to college at forty, and those years were the happiest and the most
important to her, but by that time it was in some ways too late. She didn't
escape, didn't leave her miserable husband or the strictures of her community,
didn't make a life among the sorts of people she had loved and been loved
by in her college years.
I remember a summer evening before she had learned to drive, when she
was determined to go to some event at church and our dad for some reason
was not going, seeing her set off walking sturdily down the dirt track wearing
her good grey suit in the long evening light. That sight impressed me because
it was one of the few moments I saw her in determined independence. Her
husband made the large decisions about where and how they would live and
she went along with them partly because he would rage if she didn't and
partly because it had always been like that - it had been like that at home,
it was like that in church, it was like that in all public life: men decided
and women did what they could to influence decisions without seeming to
do so.
In my dad's family the males were handsome and lively when they were
young but sank into untreated depression as they aged. His two brothers
became completely reclusive and my dad would have been that too if my mom
hadn't taken his brunt and kept him going. In his thirties, when he was
in financial trouble, he was tight, mean, contemptuous, malicious, angry.
He'd suddenly explode over nothing. She'd do what she could to make sure
it was at her rather than the kids.
He depended on my mother sexually and emotionally but he didn't honor
her, wasn't interested in her, didn't care about her well-being. He rarely
gave her a gift, and when he did it would be something he'd wanted for himself.
He'd make lascivious remarks about the looks of other women. He'd refuse
to reply to what she said as if it was worthless. He'd spend on what he
wanted - this and that, a quarter horse, a Stetson hat - but give her no
money for herself. He was spiteful with friends and neighbours, and when
they stayed out of his way as a consequence she was isolated too. She was
desperate in those years, at mid-day I'd find her on her knees in her bedroom
praying for strength to bear him. She said later that she had died then,
she had stopped crying because that was something she could refuse him.
Later on, when the kids were out of the house and she had some money
of her own so that he knew she could leave if she decided to, he was more
careful, but he still decided where and how they'd live. She went on the
trips he wanted. She lived in his choice of house. His decisions still didn't
consider her, she never had a nice place to live until after he'd died,
and then she didn't know how to enjoy it. She never felt free to spend money
on herself.
She was born January 28 1924 in a Mennonite village in Siberia. Her earliest
memories were of a prosperous household full of relatives and servants but
also uneasy under escalating threat of political violence. In the autumn
of 1929, when she was five, her parents and their young children left this
village as refugees. They arrived in northern Alberta in the spring of 1930
when she had turned six. Her father took homestead land and struggled to
keep his family fed and clothed. By 1935 her mother had ten children. There
was humiliating poverty and unending insecurity and sudden calamity when
her older sister died.
She married in 1943 when she was nineteen. She said later that her groom
had misrepresented his plans when he courted her; he had given her poems
of his own and she had believed he wanted to leave farming, but in the end
she was a farm wife until she retired. She was pregnant seven times; because
she was Rh negative three of her later pregnancies were miscarriages or
stillbirths.
She was lonely most of her life. Some of her photos catch her with a
cynical shut-down look as if she is feeling that it's no good to want anything
for herself because she will not get it, in any case, ever.
She was a good mother of young children. She was interested in us, took
pleasure in us as if she had kept a young child alive in herself to meet
us with. She was even-tempered, fair; she was on our side. She took good
physical care of us. She sewed beautiful little Sunday dresses for her two
daughters, and little Sunday suits for her two sons. She made beautiful
pies. Saskatoon pies, rhubarb pies. Her steadfast loving care then gave
us a platform that is still in us.
She wasn't a good mother of adult children though. Her neediness scared
us and she couldn't be interested in our doings anymore. They were too far
out of her own experience, so that she would dodge back into herself when
we tried to tell her about them. That was sad for her and for us too. She
lost us and we her.
She'd hoped to be more free when her husband died but there was more
bad luck to come. When she moved into assisted housing in her eighties she
could no longer manage sympathetic interest in other people and could no
longer make friends. Her hands trembled so she could no longer write letters.
She couldn't remember how to send email. She could read but she could no
longer recall what she'd read. She sank into anger and complaint. She was
done being strong and cheerful: she simply hated being old.
She had always liked to write. After she retired, and before she lost
her ability to type or hold a pen, she wrote down many of her lifetime's
stories and sent them to her children or to a sister who was a writer. Some
of these stories have been published as family records and in them there
she still is as she was at her best, a generous, faithful spirit giving
life her best though it did not at all give her its best in return.
- Is that all I have to say about Mary?
- Do you think it's accurate
- She's very neglected no
- She's just done
- Shouldn't there be stories about her at her best
I was her friend when I was still at home, I was thinking of her in my
valedictorian speech when I said there were a few people I admired enough
to want to be like them. And then what happened. I'd come home from college
and hate her marriage and be so afraid of her hunger that I'd just scold
her. It took me a long time to notice that she didn't like me anymore. Rightly,
because I couldn't stand her, although there was still always an immediate
shift into confident understanding when we spoke. By the time she visited
in London I had understood that it exhausted me to be with her. We had some
good times when I was living up north to make Notes in origin. I
had my own place and could make short visits out of my own adventure. She
was only in her mid-fifties and had some of her own money, had her own friends
and was less under Ed's thumb. We played then. I was probably still preaching
at her but we had other things in common, our mutual lives in that country,
days, weather, seasons, tasks.
I got out Anne's book to look for her year of birth and there is so much
detail from my childhood in her stories about northern Alberta and Clearbrook.
We overlapped, she was only twelve years older than I.
- Then the contrasting story of Greg's mom [Jean Morrison], who had it
in her to seize work and status for herself before there was any support
for that seizing, and who undermined Greg on its account - who did undermine
him, he looks so unfree in his child photos - the way I undermined my kids
too.
23
The other night I was sitting on the edge of the concrete at the front
of the house looking at stars. There was wind. A car came past on Weather
Vane, stopped, backed up, made a three-point turn just past my gate. Its
headlights caught the palm's broad crown from behind. For an instant its
many spikes were lit up blowing and dazzling in white light.
24
Letters from Zach, letter from Jody, yesterday from Lauren and Leslie.
[sketch of interior of 760 Weather Vane with measurements]
25
I waste time and then am ashamed.
I don't have anything to think or feel so I do something just to occupy
myself - read something I have no wish or reason to read, usually. Keep
checking email because I'm lonely. Look at news sites I'm not interested
in. As I do these things I feel an inward sagging.
San Diego 27
Starbucks in PB, 10 in the morning, forecourt. I have to wait all day
for the jeep to be smogged.
There's a beautiful boy - at that moment he came to my table to ask for
a pen - barefoot, with a Rasta band around his hair and a dog on a leash.
He's colored - I mean has mixed race beauty, hair a thick frizz but not
black, strong straight eyebrows. He has the best of broad-shouldered flat-chested
long-legged young male grace. He's writing with the pencil I gave him, pondering
with his hand on his forehead. Meantime at another table a woman in a tennis
visor and pink teeshirt studiously applying iridescent pink polish to her
nails, jiggling her feet.
Friday morning, Paul's birthday.
Smell of frying onions.
Moving truck having trouble with the corner.
The day's business. Firetruck panting at its bay across the intersection.
He's gotten up to smoke a few more puffs of the cigarette he pinched
out earlier. His pants are too long and the bottoms are ragged and dirty.
He has a broad white smile.
There are sparrows on the pavement looking for crumbs.
A man in a Bud Light cap speaking Quebec French.
Oh the odd parade.
Firefighter walking back to the station with grocery bags from Ralph's.
He has a phone - walking in circles talking.
A row of drying-out palms. Just a few live fans at their crests.
29
Sunday at Tom's house.
Coronado Beach yesterday.
30
- What are my complaints:
- That my letters are too hard for him
- That when I tell him stories he doesn't feel me in them, he's not fond
of me in them, he doesn't love them
- That he wants me to admire him for things I don't admire
- That I have to feel sorry for him because he doesn't have coffee
- That his place is so dirty - I went to find a lid for the pan and it
was thick-filmed with old slime
- That he keeps helplessly fiddling with To the buoy
-
- What's been dear about him:
- His handsome old head yesterday aft sitting here reading in his specs
- His kindness - he's been kind to me, trying
- His liking the piece I wrote about Mary
- His riffs
- His energy, his go
- His liking the Point Loma headland when we were sitting on Coronado
Beach through the aft
Things I hated this weekend:
Hauling myself through deep sand seeing myself a staggering cripple in
our shadow.
When we were talking about Paul, he saying that when he took Paul to
the coast walk above the Cove Paul was unimpressed and his daughter was
snooty too - I cringed imagining Tom at his blowhard worst and Paul thinking
I'm with that man - Paul who now has won fine company and a central place.
- Should I be getting ready to say goodbye
- Will Tom be okay on his own
- Will I
- Do you have anything you want to say be
subtle to win friendship with Tom
- To win his friendship
- I'm despairing
- Correctly
- We both feel unmet
- I feel there must be someone out there who'd meet me
better
- Does he feel the same thing
- And is there somebody out there who'd meet us better
- Any chance of finding them no
- Is something better than nothing NO
- Do you want to say more no
-
- Will it be better when I'm back in Canada
no
- Worse no
- Will we stay in touch no
October 2 Borrego Springs
Pravda. Tom wanted me to read it. The reasons he gave weren't
the real reasons, which are that it describes the confusion of a young man
whose mother dies, the self-speech of a liar who has to fuck, the guilt
of a married man who also needs to be with another woman, the shamed morass
of drug addiction, the compromised intelligence of someone who despises
common culture but makes his living at it, and more of what Tom has been
but hasn't written.
An hour with Louie on the phone yesterday morning, easy and natural,
laughing. Her accomplished level, Chopin played by a young woman she admired,
Francois' fourth novel he'd sent her.
Jupiter is in Gemini.
The butterflies in Culp Valley are California patch (1-2") and they
are brought out by the desert sunflower which is blooming with pink stalks
of it says amaranth. Fringe amaranth, amaranthus fimbriatus. Deserts after
summer rain.
3
Cinchweed, Chinchweed, foetid marigold pectis papposa, asteraceae. Flavoring,
perfume, smells like mountain marigold. Sand dweller, C-4 photosynthesis,
clone-colonization, sold in Mexico. Chewed flowers before dancing.
Thinking I should maybe do several tumblrs because Desert is austere
and I want something that can pull in daily writing and being more, because
it's a help to happiness.
[letter to Greg]
but isn't 'meaningless' as a concept itself a left-over from days when
there was an obsolete assumption about what 'meaning' meant. for instance
people who are used to the thought that a supreme Daddy brings one into
being and thus confers outsized importance will feel the loss of that assurance
as 'meaninglessness', a sad or difficult thing. but someone who has never
had that inflational thought won't necessarily feel any loss about the
fact that a split second either way wd've meant they wdn't have existed,
because then significance accrues to the fact that what did actually happen
was brought about not by some instantaneous external fiat but by its whole
unfathomably deep and complex causal history - which is what i meant when
i said destiny had to work hard to make you.
4
Butterflies at Culp - I'll try it this morning. Steak first.
-
Talking to Greg revisits those concepts from the '50s-'60s he still uses
and I have never taken up for reasons I never thought about.
[letter to Greg]
somehow i've never been interested in the notion of identity as it turns
up in sociology. it sort of repels me.
have sometimes wanted to talk about unstable identity, though. one of
the things that happens later on in the journal is a study of unstable
identity in other people, for instance especially my addict friends, roy
and tom, but also any of the friends i've watched closely. what i've meant
by unstable identity ... there was something akin to multiple personality:
the way someone's appearance, manner, interests, attitude to me, etc, could
change from one day to the next, and the way i could come to recognize
the changes over time.
i studied it in myself too, beginning with drug experience, in which
very basic qualities of perception and thinking can change from one moment
to the next. and then watching ordinary changes of handwriting and physical
appearance and carriage, and later sorting out the conflicting as-if personalities
in the experience of self-conflict, etc, more systematically.
i guess for me we just are the body we are at any given moment, and
that is identity, which thus becomes a physical concept not a psychological/sociological
one.
> The notion of 'settling' probably needs
some examination. .... Might one think of a 'negotiated settlement' with
one's neurotic tendencies?
what wd joyce have said about that.
she'd have said it's about relation but not relation to 'the neurosis'
- 'neurotic tendencies' still has the sound of a kind of distancing - there's
me and then there's them. they aren't me but i'll negotiate with
them.
she'd likely say inhabit them, set up a dialogue between the self judged
neurotic and the self that does the judging, the latter not taken as more
real than the former.
being interested in oneself in a friendly supportive way, yes.
I've spent since 1989 in conceptual revision, first in foundations and
then in the twelve years with students by meeting anything they brought
up in detail. It's useful work. It's what I understand philosophy to be,
conceptual trouble-shooting: you'll be able to think better if you say it
this way. Philosopher at large. Writers do that. Philosopher/writer/artist/teacher/psychologist/gardener.
I've wanted to sort, straighten out, clean up, make beautiful spaces. I've
worked harder than most people do - I see that when I see Greg satisfied
to think the thoughts he thought when he was 25 and anxiously complacent
in the limits he has settled for. He doesn't want to know there's a way
out. I did, I do. But say the rest. I've done the work but I haven't given
it. I haven't made it count.
being retired isn't as different for me as it was for you. i only worked
intermittently anyway, and at home. to me it's more like a chosen emergency:
now i have to step up thoroughly and work harder at what i've chosen to
do. i have no more reason not to, and if i don't life will get very empty
and sad.
5
The frame I found for butterflies is eye level with the asphalt because
that's where they were - one sharp plane of focus faded out before and behind
- they flap in and out of existence it seems - I'll have to match sound
- the camera quivers a bit - do I see heat waves - sound peaks of cars passing.
californiapatch.mov.
-
Friday morning. Look at my new venetians, their slenderness and whiteness.
Sweet soft dawn pink on the window frames at 7 o'clock.
I'm writing on the small laptop rather than in the journal for the first
time.
Smell of smoke. The white air I wondered about this morning is probably
from the Banning fire 60 miles away to the northwest.
7
Carlos has opened his café again. Camarones al ajo.
8
At sunrise it got colder.
There are quail roosting in the brushy palo verde behind the foundation
pad over across Frying Pan.
- Will you talk to me about living here fight,
power struggle, Ellie, completed work
- Lifework
- Fight for success
- Can I use more hours
- By having projects
- And forcing them YES
- More you want to say act slowly to get
an overview of responsibility
- Feel it out, don't push it
- But more than I'm doing now
- Am I still smart enough
- More? Luke is fighting you foolishly
- Is there anything I should do about it
no
9
During the night a wind that rattled the open windows and the screen
door and sounded as if it might be rain. I went out to close the jeep's
window and saw the sky black overhead with stars large and single, blazing
white. This morning dark grey coming over the ridge wall to the west, a
storm from Alaska says my weather reporter Tom.
10
Gordimer 1991, Lessing 2007, Munro 2013, 4 others in those years.
11
- hr of exercise
- hr of writing
- hr of tech study
- hr of film
- hr of sound
- hr of book design/publishing
- hr of photog
- 2 hrs of money once a week
Amazingly difficult to make editing decisions - I have set up the butterfly
piece with 8 tracks of audio clips that can look like sync - have to decide
- where to start it, which section to use
- how long to make it
- what sort of titles and where
- how to transition between tracks
Have had to relearn audio editing and text animation in Motion 4.
12
Higgs field.
E-books with sound.
1. hr exercise - yoga, bike, weights, walking
2. hr writing
3. hr tech study - cameras, FCP, STP, Motion, marantz
4. hr film - by the lotus, california patch, pale hill,
july rain, sea 1 and sea 2
5. hr of sound - tracks for those
6. hr of photog - houses and gardens, hills in NE
7. hr of books - In English, In English with sound, M&L
edit decisions, Favor
8. 2 hrs of fame and money - Ant Bear plan - wiki
I easily get overwhelmed, stuck, technical ignorance. For instance is
footage playing back in a jumpy way because of Mac Pro speed limits or did
I record it at too slow a shutter speed.
14
pale hill - what have I tried -
- Mono track > go back to stereo and fix R
- Quicktime to save rendering > still renders, but faster
- Stabilize > still quivers > stabilize again?
- Freeze frame front and back to fade in > okay > learn timing
parameters
- Title in Motn > give time? my name at end?
-
- Need to try color correction versions
- Boring stretches
- Still hiss in sound
- Perception of detail is still weak and doubtful
- Stamina not good
- Keep wanting to see it size of festival screen
-
What is this place called - Carlos' place [El Borrego] - pescado al ajo
- a splendid mesquite - long light branches raying from a center, like a
nosegay - leaf feathers that hang and drift like fringe - no, they're fine
like fringe but they hold themselves angled to the sun - those on the sun
side do, maybe. Meantime the mountain painted with pale oxblood veneer except
where there are landslide scars, grey.
Wind rippling the page.
Monday noon.
16
Fr. 1989: film of what will we know - sand sedimentation one shot
15 min - stretch - back.
17
Proofing AG10 and AG11 thinking maybe the whole journal should be called
General knowledge.
18
The moment of apricot intensity is short. Now maybe quarter past 6.
More traffic, more birds - a few more.
19
Saturday morning - Kendall's - anything?
Gary and Vickie, Gary a large-faced thick man who turned in his chair
at the next table and asked a question, and then asked more through a conversation
that lasted the breakfasts out. A pilot, bush pilot first, then commercial,
international Air America by the end, flying San Francisco - Tokyo the day
after 9/11 in a sky completely empty until half an hour off Japan, except
for two fighter jets patrolling above the Golden Gate Bridge. His wife competing
with long stories I didn't want to hear.
20
I was waiting for the moon. Had been there an hour, had recorded sound,
was set up. Didn't know exactly where it would appear. Kept looking east
to see whether there was a brightening in the sky somewhere. Then saw a
faint but definite orange glow around a little peak north of where I'd thought
to look, as if there were a fire behind it. The peak was like a little volcano.
I had turned on the camera and was watching the time counter. The orange
glow got stronger. A brilliant edge appeared, fire orange.
What is it about writing here, now. I never used to labor at it, doubting
my words. I don't wake with things I want to say.
About working here, I've thought I need to make sure I'm aware of what's
happening on every particular day: time of sunrise and sunset, time of St
Barnabas bells, angle of sunrise and sunset, wind conditions. I need to
have found vantages.
What else did I see last night, standing with the jeep on the creosote
plain. A hawk flew slowly west over my head. An airport tower flashed red
at the foot of Coyote Mountain, a lot of headlights on Di Georgio due east.
Through the headphones I heard cattle, dogs, bells faintly and quite long,
constant growl and rumble of motors like a thickness in the air, like dark
fibre.
What would I do if I knew I would be here, in this other life, for twelve
years. I mean this bare lone life in which so much will depend on my will,
because beneficent love doesn't swarm up against my windows the way it did
in MG.
I do like the heat, I like what I become in it, five pounds lighter and
velvet-skinned.
I like biking. I'm already stronger on the bike.
I haven't driven out from here yet.
I don't know the place, I'm aware of touching in weakly, ignorantly.
It's like that with photos. I can frame some part of mountains that I
dimly like but know my framing doesn't know what it's seeing.
In 12 years I'll be 80. Being here is emblematic of my own desertification.
Plants have to work hard to thrive here and I will have to work hard to
thrive in my gradual death. The light will stay, world will stay.
Reading is going - I have no patience with most novels. My reading eye
is hard to focus sometimes.
Memory is going. I forgot I'd worked with Sonja's draft in August, and
that was only two months ago. I am often lost for nouns, not just names.
Feeling is going. Proofing AG I marvel how much pain and pleasure there
were, how full a life.
Sex isn't all the way gone but I have so much written off my looks that
I don't hope for it anywhere.
I'm not saying any of this with sorrow, really. Is sorrow gone too?
Sunday morning at my table. Beyond the venetians the palm and that comical
thing standing in horizontal light. The southern mountains, which are like
dust piles, soft, are blue.
What is wrong with the D800's settings, that makes its images so ashen.
I have to figure that camera out. Someone online saying it took him a year
to understand the 80-400.
21
Teaching letters.
- What do I want from it.
- Want it to make money - book, clients
-
- Can it
-
- Want to promote best sources.
- Want to publish wider the good things I wrote.
- Want appreciation.
- To make money it will need to be charming as well as good.
- Will need to be marketed. Pre-publish chapters.
-
- Should I do it now
- Include workshops YES
- Can I finish it in a year
- Six months no
- Will students say yes
- Do I have to pay them no
Parts:
What the structure made possible - one-to-one, advising groups, low overhead
- Name Goddard? yes
What I brought to it - phil of mind, fem, art, place, writing, Joyce,
phil training
Working out embodiment studies - curric
Working with young women
Somatic process
Pedagogical philosophy - end of Being about
The writers - writing and self formation
Science and humanities
Place and env't, 'nature writing'
New Age and 'spirit,' cons studies
- Start with the website compendium
-
Ironwood, elephant tree, burrobush, indigo bush, cheesebush.
You find there's a common thread in a lot of
astronauts like that. A lot of them come from the farm.
22
At times like this, there is no one far enough
out to check with.
Beauty is the final discipline.
My topic is not art, it is beauty.
their technical intensity
[in zero G] when the pulse goes out you are
able to see the entire limb, all the way out through the elbow, the wrist
and fingers, extend.
night passes ... night viewings of the earth
in darkness, with the cabin lights turned out
low light phenomena ... you see this fire start
creeping and crawling over the spaceship. The ions are re-combining there
the way an aurora does.
There are so many stars you can barely find
your own constellations. I get through the sky by following the Milky Way,
which is just like a wall of light; I find out where in the Milky Way the
Scorpion is - that's looking toward the center of the galaxy.
This pink and this green mist starts moving
and it comes from nowhere; it doesn't have to get transported. It pops out
of the place like fog, like a wonderful mist. ... it does not have to move
the air, so it can occur at any speed.
the most spectacular lightning ... the purple-pink
lightning that goes horizontal for hundreds of miles
The meteorites come in between you and earth,
they're just streaking in.
... especially on a mission where you're flying
higher up into the magnetosphere. You have the cosmic rays piling through
the eyeball ... little white bursts of light. So when you get dark adapted
or when you close your eyes going off to sleep and you pass through the
South Atlantic Anomaly in the southern hemisphere where we pass through
intense radiation, it's going through the liquid part of your eye.
You're falling through the aurora, you're falling
through the stars, but not toward it and not away from it.
part 4
- in america volume 27: 2012-2013 november-june
- work & days: a lifetime journal project
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