edged out 1 part 1 - 1981 july-august  work & days: a lifetime journal project

July 18 1981 Vancouver

"We tell each other." "My Chinese friend" said my Chinese friend. "Like a dying man I'm seeing flashes from our time," crying beside my ear. Mei-lin. Some removed, but being thrilled that our leaving had coincided. "It is the same as my Chinese given name." "I think I can see in her face the different people she's been with." Pleasure that she'll open where I couldn't know her. "I guess I made a decision." Clamouring in gladness of doing it right. But there's revenge and protection in it, I'm smart to have found a way so this doesn't hurt me, oh what a good thing I don't have to feel that.

We walked through the big leaves to a new place.

Didn't see, there was the transaction and then love.

I sound happy when I talk about him and want the fantasy free and can't know I'll ever -

Whether feeling is real or not, is the urgency.

Already he's gone through to her. She's looking for Blake and read my Rilke. It was the Four Zoas she wanted. Blue beads.

It's a quiet voice.
"The other voice that hurt me because it was false."

July 19

We were interestedly speaking but the way her voice was stiff with fear reading the story and she looked up strangely over it. Do I want to work at understanding that. No.

"If he has never had that maybe he doesn't know how to recognize it."
"I thought that."
 
We're getting ready to go to our separate homes.
Already? Isn't it too soon? Will we have anything to do when we get there?

Interior ritually cleaned by taking out householding stuff.

The post of the world

Will, concentration and assertion: commands to x, deliver commands in the spirit

Making a way through the appalling in the unconscious - is what

Seer traveler singer and curer

When he sees he usually travels

"We crossed paths at the airport. She started to cry and excused herself."

[I take a minimum wage job as an attendent at Hastings Steam Bath which is around the corner from my house on Pender St]

At the steam bath several times a slight waver, is it me I'm in, and going home through the streets, is this my place? Alleged. (Bush and Valhalla weren't unreal.)

-

9 nights

critics of the given body
any qualification of self-making

-

Realizing the existences of animals. I'm thrilled realizing I've felt their existences. They're all around the barn, including birds. I could make a film about animals sleeping! That could be my work. I'm in a state of excited vision feeling the implications of what I just saw.

There's a stir beyond the calf pen I'm in, a large animal has stepped out of a stall, a horse I think, but I know it's the bull. He'll come for me. There's a gate I can hold over the door from inside, it will be only my weight holding him. I do hold the gate when he comes but only for a second. I just lay it open and stand beside it. I'm going to face a real contest, I may die, I'm thrilled. He grasps my left wrist. I see only his big wrist. Then he grasps my right. I'm going to be led out of the stall and it seems to me, laid down.

I wake in the dark. I'm sorry I woke, I wanted to be able to go through it. My womb is thrilled but I'm not wet. I realize after a while, when I've been considering the dream, that my body's very hot under the quilt.

-

She is drinking at night excited at work lower face swelled to a fish. I'm aware of holding the indifference but know I didn't decide to hold it: watch her try for me with what would have hurt me, and actually float away somewhere else. Indignant swelled pain: it doesn't touch me. But I don't tell the story of fasting 30 days when he was 17 because I don't believe it.

"It's under the sign of Orpheus."

Last night imagining, 'having a sense of' the steam bath and its figures as mythology, acid like.

I'm in the barn for the night. It's dim and not cold. The remembered barn I think this one is, I see in a brown light. My view of this barn is wide, from slightly above my eye level. Animals are sleeping all around.

I'm in the barn for the night. The door shut behind me faces north. I'm just right of it looking into a deep dim space. I have a sense of the complete rectangle, animals are sleeping in every part. Looking for a match, a small box on the surface of a cook stove in the calf pen.

I'm thrilled in comprehension. I've realized, I've felt, the existences of these sleeping animals! That could be my work.

There's a stir from the stalls beyond the calf pen along the south wall. A large animal has stepped out of its stall into the centre of the floor. I can only see a large dark body. I think, a horse, but I know it's the bull.

There is a gate I can hold across the door of the calf pen from inside, but it will be only my weight against the bull. I am holding up the gate and the bull is standing on the other side of it, without pressing, but suddenly I set it down. I'm in a thrill of fear and excitement, I'm realizing what I've done, I'm going to accept life and death combat. It's likely I'll die.

He has grasped my left wrist. I can see only his large right wrist. He grasps my right. I am going to be led out of the calf pen and it seems to me, laid down. I wake in the dark disappointed I didn't go through with it. My belly is thrilled.

I realize after a while that I'm giving off a lot of heat.

-

White shirt jeans bare feet brown arms movement in the house. I like the colors of your clothes and skin and hair and care not for anything you have to say. I kissed the tongue he wanted to bury.

But should I see what occurs: I hold the seal and don't struggle in the exchange, waiting for it to stop.

Sometimes I'm so hungry to see myself: was it.

orphos     orthos dionys     dionysus orthos

through passages dark and steep, in silence

Orpheus chose to become a swan (in Plato)
Dionysus - vegetative bull snake lion fawn and kid
ecstatic women (raw meat)
Orph torn to pieces by them
Mysteries of Orpheus were vegetative and virt [?]

A kid I am fallen in milk.

-

the pair of rocks, which open and close

kyanos     darkblue inlaid     (lapis)
with shadows bright as glass
gold     white     dark blue

Helena was dendrites

        - a fertility goddess

a ride on a black horse

July 24

Fracas in the bank. "I'm not going to give it back. I have to have it." The hundred dollars and spoiled check. They shooed me out. These last days repeated stops about money.

Then at the library 4 books, 10 dollars owing on them. The girl said "Today's the 24th." I said hem, pointed to 24 JUN. She said "Today's the 24th, go 'way." Thank you! I had only twenty until ?

That was after getting film back on Robson, sitting on the sidewalk, downtown full of naked people, in white shirt blue beads, looking into boxes of slides from Valhalla. They're dead. From Slave Lake and that one from Edson. They're full of colors instinctively framed, brilliant and have my loves in them. Robert's face again. Graham, Bunny, Jabez, Jean, Gene. Wanting to show Robert to J: isn't he beautiful do you see what I mean.

Kathleen Raine's story of taking a vision as a sign and then refusing after that to see anything, because what she wanted most was the value of magic vision. After quite a long time I remembered myself wailing with Roy because his betrayals were making the initial miracle untrue.

Waiting to find out why I have this time easily left J. Wondering what dreadful regret I might be in for and yet it's firm.

25 July

We go to SF to see Sheila.

The placenta; dendrites; the experiences of protodeath being what must be memories of being born - if that's so it leaves actual death open which is what I'd like. And if the powerful symbols have to do with memory, that also leaves it clear in front.

emblematic visionary events, mathematical symmetries, clairvoyance, metamorphoses, biological racial recall

Stevens myth of imagination has more openings out

based on a few simple magical formulas intuited

the ancient power of fright or lust

October was the season of the Bassarids of Dionysus

New, white of birth and growth; full, red of love and battle; black, old, death and divination.

the immaculate / Cauldron, talking and crackling

Graves cauldron of inspiration (moon)
White goddess: lady of the nine heights

Concentrate on something for a while, give it to a speaker, put it away until -

Mind keep moving

An art that could be received only in vision

To open the worlds!

The nets of female religion, allied to death images

Mutual in one another's love and wrath all renewing

When I thought of the attentiveness of the spectators at the wedding, whose heads turn with the entrance of the procession
Register is signed in one of the ovaries

Its finest breathings

The physical melting of the will

Her attractiveness has crept into his limbs - her fright also: he may not

It was imprinted by the two wheels of gravity
9 circles
 
Under the branches of the birch known as 'the grey dancer'
According to the rites of the goddess of the old
Mother of fire and crops
 
Festival of the nine nights
Blue white and silver     protection
Black white and silver     psychic work

Ceridwen cauldron of inspiration, keeper

Love deep rose, orange, green

Marian Miriam Mariamne Mari
The O of goddess in faery
 
Surrender to the given makes an outside autonomy
Spectral modes of creation that draw on memory
Experience a sensation
 
Scarce beholding the great light conversing with the void

That its desire and its organization run counter

Casting a circle

It can be correct even when consciousness is fooled
The Younger and the Talking, the High who listens

I am in a state to perceive them when I am close to the death of the body.

Symbolic action

A love rite with her representative after taking a cauldron bath

Miria the wonderful

[undated letter - appears here but don't know when it's from]

On the slope I was telling you - now it's evening - I don't think it's possible to write - somebody woke us at 4 - I'd been awake 'til 2 - on the mountain before 6, it looked like bright sky above the mist - but it rained - wrong boots, soaked - crossing through swamp foot slipping in - tired, stumbling, falling over - right foot aching with cold - they're all planting better, I fall behind and can't see their treeline, look around bewildered - right foot aching in the cold - all day - protecting injured right elbow and left shin makes it twice as slow crawling over logs - not carrying many trees but they overbalance me backwards - it is 10 AM and we're supposed to work 'til 6, I want to stop now - huddle under the tarp cold all over hands and feet wrists sting - like that all day - swamp - burnt logs - rains more - rains less - colder warmer - can find the line, easier - harder - huddle in the truck - feet sting - what you can't imagine is knowing it will be 6 hours before you can go home and get warm, stop struggling over branches - and back home not one friend who isn't an enemy - no thoughts observations nothing new some memory - you struggling at Fox Creek not looking like struggling and not seeming to mind being the hopeless planter - I do mind - hate the stumbling and awkward crossings over logs - hate myself stumbling - voice answering is not mine - it's mine but wrong - sometimes in desperation something said makes me suddenly laugh more than I understand - they're all like that saying anything and the other laughs - unbearable - miss the old companions though it was always like this

The male principle is first seen as a nearly androgynous figure, the child, the flute-playing blue god of love

Connected with High Self

The horned god, hunter, hunted
"ever seeks the goddess"

in summer, when light is longest, they meet

as crone she is the dark face which demands death and sacrifice

the Star Son Lord of the Waxing Year
vs twin Serpent

Oral teaching of the Faery tradition

It generates a rath form, an energy swirl

Powerful is to draw energy into the group

Power must be grounded every time it is raised

Relaxation concentration visualization and projection
Training mind to relaxed alert

To send out energy

The energy of the raith, Younger Self

To the central cauldron

Lady of the outer darkness, black bull of midnight, north star, stone, fertile field

[these are Starhawk The spiral dance]

The person waiting in front of me at the Murchies window - look down the street - Gene in shining skin - green vest threaded gold.

a straight line intersecting a given curve

certain functions of an angle or arc

Second sound     a vibratory motion resembling that of sound waves associated with a superfluid

What a superfluid, from being cooled to within a degree of absolute zero, can do: exceptional heat conductivity, ready permeation of very dense substances, and the ability to flow upward against gravity.

It's a fluid that wouldn't solidify, can creep between molecules, pass on changed, vibrate without holding it and flow up. It's almost nothing but a fluid

sectile smoothly

the one following
cut off the water     sec     unda

sweet processor

so strong or well-made as to render loss, escape or failure unlikely

secure
(ensure)
 
placenta     an island     the island with me
plax     plakos     plateia

the type of placenta or manner of its structure

know the history and mythic value of every word he used
Wales Ireland and the Highlands

the weird, or rival, tall, lean, darkfaced

necessarily an invocation of the white goddess
ancient power of fright and lust

the distant barking of dogs

placed himself in a region where nothing mattered but -

Flying on an air mattress. I'm hanging on too far on the right edge. If I grab it perilously pull over. Get onto the centre. Can direct it where I want down low over white water above a falls or maelstrom. It seemed I was flying behind her.

At a counter of a laundry? I see it's him next to me. Dirty red shirt, unshaven. Speak easily to invite him to visit.

"If it wasn't for how my body is, being a woman would be no problem to me at all."

In both sexes, the spirit a boy. Mercurious.
Spontaneous movement, production of images, it controls these.
"Possibility of spiritual effort."

[to do list getting ready for Luke]

The guardian is: sexual angry vulnerable guilty powerful self-interested.
Squats in the doorway between Younger and Talking.

-

Best contact from a negative, less with prints.

Objects. Reservoirs of discrete intelligence.
No analogy in any of the known dynamics associated with matter or energy.
'emanation'
aetheric structure between object owner and reader

with the idea of getting an image or density upon it

They didn't see what they'd never seen before

then at the bright shadow

Shut off the sense of vibration

I lay on the couch testing the vibrations

Again came the turning in air, the dive into the tunnel

the B personality I recognized as belonging to my body

from what source I do not know, but which I found myself calling my mentor

great interpreters assume the complexes

He must have the ability of doubling

These mental controls constitute an art private to each

telestic or ritual madness
Dionysus

terpenes     juniper

the archangel of the abyss whose name in Greek is Appollyon prophetic

the close linkage between the memory function and the essence of mind

'without support'

Sound, touch, body sense. Have alpha in alert.
Thinking doesn't block if it's in this mode, does if it's in pictures.

Suddenly she was viewing the damage from the inside, coming to understand it, then stimulating healing. I couldn't find words to describe how she did it. I could see. I could understand. I could even show someone else mentally. I began wondering if I could do it.

My image of her shrank in proportion to the amount of strength I took

other latents to transition by reading them

16 August

Luke came. On the bus, Victoria to Marine Drive, Midway Connector. The heat at the bus stop.

New red shoes. The red canvas strap shoes. Red across the lines of fine toe tendons. Sitting on the rail, crowd pressed up near it extending into most of the room, the children peering between the doors in their sun clothes, crowds in costume, Sunday afternoon festival bodies and clothes. Everyone coming through the door into the focus.

He came in his striped colored teeshirt, I jumped off the rail, skipped, leapt, lifted him off the ground. Did the steward say My handing over the flight bag. We sat on the sidewalk against the airport city wall looking across to town, haze, waiting for the bus. Riding in.

19

Disheartened.
Envy.
 
"I'm finding everything interesting these days and you're not."
 
some are attracted to stones
as yet in simple darkness
 
in other countries such places have ruins
foundlings hatched
 
salted away in a mother
the crystallined o
where light never is
 
unwilling, the new one refuses
waits
while she turns to stone around it
at last the right element

[began here]

Anne's box, green clothes, windbreaker, pants with small waists, she's going to make a speech, dressed wildly compared to my green kneesocks and pumps, it's someone else with her name, a vast skating rink beside the corridor. She sees a pair skating, she skates in the corridor, strides and little exercises, the pair at the edge of the rink almost flat [sketch].

A coach stops, two babies get out run to the ice, run back around for a kiss.

We'd gone from the lecture room for kleenex I'd offered to find her to a women's meeting when I'd first arrived in London. Tears had made welts grow up in their track one on each side eye to chin. I was dressed wrong in a very short dress.

Something that happened when I first come to London.

School exercise, ranks of children meant to chorus out what they read, they read it wrong, a boy puts hand on shoulders of boys next to him, leaps up and swings, the high school boys are finding it brilliant, somewhere in the far corner there's disorder. Luke: I thought it was glorious when -

-

September 1

Cheryl's [birthday party] - rises from a straight chair in the corner - the tall girl with straight brows, wearing a shirt that when she was turned toward the light showed her breasts. She strode, sat on the chair, pushed her hair straight back eager and coltish. In the early party, hash, happy in seeing how they all were and having my own thoughts too, thinking that was the two souls, socially contented, but cold, feet and hands huddling, Don's tone and instructiveness, Zoe looking, Zoe's color, face, clear eyes, C's description of elves and plants, Saturna, hello black beauty, etherial traveler, I like to be you jeans, strap shoes.

-

When the mother - I lay down and dreamed her in dark and purple clothes, the ritual of being passed from one to another, all the men -

With some people past where the car can go, it's a long walk around a mountain, map shows spiral up it, I've left my things in the car, will have to go back and then carry them, a cougar on the grass, dogs? Hangars, realize I don't have to make the trip, carry my things, it's their home (distance as Seattle) not mine.

Evicted from a rotting house?

Foot through porch yesterday, Carole watching.

Luke crying. Bee foot. "You made me walk too fast!" I hollered, that was familiar. Capably soaking the foot.

'the body and its subconscious substructure'

younger / talking / high or god past time space and matter
 
images emotions sensations dreams visions symptoms
 
the blue god
Neshamah, shmh, she who listens, the two guardians
 
the power of symbolic action
to touch and exhilarate centers of life -
 
The smiles on faces that flashed in and out of sight began to resemble the secret smiles of archaic Greek statues
 
on waves that become spheres
 
desire, which pulls against the centrifugal force of projection
 
energy held polarized, becomes the conductor of forces exerted in opposite directions
 
trust will have to be offered to feminine nature
brevity of alkaline

taken into Assyrian captivity and believed never to have returned

Motet, Thomas Tallis, 40-voice, Clerks of Oxenford EMI [Spem in Allium heard for the first time on CBC]
 
Drone, separate voices come out sounding like someone in particular, in curves.
A high voice usually trumpet at the breaking pitch, a broad braided surface with bright lines above and briefly among.

an androgenized clitoris

6 September

On the grass with the new bike.

Yelling bringing myself and him to the beginning of tears.

"Do you want to just be in that family? Are you sure?"

Feeling: oh, I didn't know it would have to be me too, to be angry and hurt.

The market and the blue bicycle, this peacetime Sunday, Mark Kinsella, white dog Ezra, Chinese bunshop, noticing I was seeing differently, the little house and Strathcona schoolyard, broad pitch poplar path grass beside gravel through the fence, walking into fishscale shadow lines.

Hymn in the broadside church, Josie on Diana's porch, the little girls [Lara Gilbert and Anna de Courcey] in what Carole calls, I successfully named, the philosopher's garden, the little spruce, balsam poplars calmly turning their big leaves, blankets, making the house, Anna's white underpants, "'tend we got shoes for Christmas and we don't wear them very much."

forming/unforming
the fluteplaying blue god of love, the high self, androgyne
the green god, who grows
the horned god seeks the goddess
 
sacrifice is at any time to be willing to let go
 
it becomes an entity with a raith form
 
a powerful person is one who draws energy into the group, depends on personal integrity, courage, wholeness, keeps commitments, faces own limits and fears, one person's doesn't diminish another's, sensitive timing

-

First day of school inner schoolyard.

[poet visiting from Ontario] Pale eyes without light, dull pale eyes, eyelids held tight back in soft thick skin, a blanched face, mouth repeatedly barred. Gazing to see, what's the true form of this face, what does her authority look like.

I can't see, the barred teeth are unpleasant, make me reluctant to speak, topics I am current in too, but why do I think she'll be able to tell me nothing (in Morocco a bull torn on a hillside by male maenads) and the reflection's unpleasant, I must be falsely inhabited by that mythology, a lip cyst, a bleached little redhead girl, tall permeable Celt, does she look shocked, is it the unfamiliarity of her body, I don't know what a body like this is like, a good tall frame, but who took the light, was it ever there, receptive to the great year, but if you are, what's wrong with it.

Paleolithic - Laussel, Angles-sur-Anglin, Cogul, La Magdaleine, Malta, Sardinia, Crete
Neolithic - Catal Hüyük
 
aelf aleph     elephos     elphame
aelfreda             elfland is where they worked
aelfraedan
aelfraedar
 
Jane "this spirit jumps me"
"Eros came into the right side of my body."
 
"How do you invoke, do you have a way you call these things into you?"
"I don't do anything." Then there's a frightened look that's real but when I ask she doesn't say anything frightens her. "I am ... too ...."

Jane. Yes she's really somewhere, how she looks complete as though what she does with anyone isn't already wrong.

Quietly talking about bewilderment.
Charm of sensing her creation of a fine sensitive voice for any ordinary person, a sane voice in different simple persons.

Came in white Indian cotton shirt, the deep fruitflesh under it.

Lying on the sidewalk grass verge looking up at the paper wasp, maple tree, muscled heart, bullet hole. They whiz in and out direct to and from the door.

'we are naturally bonded to the world'
    by the little jumping sparks
'by events in the far reaches of the universe'
    a marshy edge     marasmos
    stems in a glitter     flut, zirr
    's blue     oh ma mur
    os     so's
 
a clear, deepening quality
the subtle level of this feeling opens
 
we can generate an inner sun
 
the unbalanced side that acts against us
 
not a physical machine but an embodiment of values and responsiveness
 
I liked the way your belly was fluttering. It was
a sheet in a breath of air. Complex.
 
"Like Gertrude Stein said, it's peaceful and exiding."
She was talking about     pairus.

A way of being submerged in the whole, so your voice and what it said would come to me (not singly) surrounded by a full sphere.

Rickets - calcium and D, softening of bones     rachis spine

When a judgment rises use it as a signal to go deeper. You do not need to ask questions or report back to yourself.

where you feel reluctant and are holding back

She and I are embarrassed by our enterprise, then speaking rights it, then it is into the private thought and experience of touching each other inside a project. The distinct pucker at the eyebrow, and how powerfully her pressure radiated back into the cranium. I was seeing dotted rays ===== for the magnetic sensation - up neck skull over to the temples. Trapezium, the muscle coming up, the one wrapping around to the front. They look like clothing (her leather coat).
Watching the sense of what to do.
Doing it, or not, waiting instead.
You're perfumy.

Luke in his bed reading from the Junior Voices - that the book has been waiting years (that it was completed down the line). William Morris. Reading it in a higher voice perfectly in measure perfectly inflected as I would, in little turns and edges, lightly - naked on bed, leg crossed over at the knee, reading Walt Whitman Excelsior.

Jane the hint of intelligence, in the sense that it's possibly constructed.

"You absorb yourself in people."

Morning was clouded, later when Luke had gone to school, blue reflected on the skin of the side of her face, under her eye. From the dreams, I said, a remaining sense, what was it of, it made me remember, autumn at the Olson house, the clear sky, small colors, a yellow willow leaf, the stretch of rubbled smooth grey fields on the way to Grande Prairie, the house, green sweater, being in it looking at the family's things.

Now: I'm trying to recall the slight deep soft memory and signification, slight, excited, a story, without its own detail, exactly how did Nordhagen speak.

Walking to the bus, two middleaged women who see themselves and each other as young, one in neat black jacket, the other in long black nightdress and red Chinese shoes, walk laughing through the park-like streets to the bus stop, with the white curly old pup. Three boy women pass them on the sidewalk. One stares, it was she made me see this picture. ll September, Luke gone to school.

"You describe with detail but when you want to swing out, you're in the habit of thinking you can't."
"I'm afraid of saying something that isn't true."
 
"They talked to me a lot before.
That's why I didn't say anything to you."
What's it like in the bad leg. Had connections lost. It's shrunk and cold, it isn't right, the heat doesn't reach it, it's starved, it can't act it travels along stiffly where the rest goes easily except for it. It is alive but stagnant. Small veins, everything there is unused (is it the normal number of cells). (There was.) Undernourished, unrequired. Not much is asked of it, minimal function.
It's dim and cold, disregarded.
 
Curric vita. A nub on the body, cells dividing.
Fluid lucent sea-cells washed laved
Active busy red grainy watery they build to instruction, grow, take another character, extend, form, it is a nub and articulates
It's a mass, it hardens some, it's muscle, bone, in juice, in skin, it moves from the first
Attachments, elastic, small foot small kick, wraps up around the side, sweet perfect, and there's another like it
 
Nub gets more articulated, has its time playing in the air
Is set down presses jumps strength
Big heaviness of the body, when it is disconnected it's disconnected from its experience, it's an old infant foot
It doesn't know how to walk, it knows nothing
The child doesn't scream I can't walk in implication, it says informationally, I can't walk. Ich kann nicht gehen
Little plaid skirt a Sunday morning south window in the shack
 
As soon as it begins to move, its experience begins to register in the limbic
Coordinates
It meets the ground and what it becomes in its experience is what it's learned of ground
It ran down the road
A winter a summer a winter a summer
And then in that winter, January
The next summer was the one in Edmonton
 
It has skilled movements, many parts are precisely adjusted
It's doing what it is shaped to do, and which it has to learn
It's hit by the blackout, it can't do what it is shaped to do, it is out of circulation, it doesn't grow, it is partly abandoned by the body
 
Herd turns away and simultaneously donates

-

After 4 weeks, library, make xeroxes, look up anatomy, arrives at my table directly (morning walk around park, crow dewy grass Ezra rolls on, women sit on the swings, on her haunches in front of them with two little children, Luke's toast and eggs. After five we get on a bus, carrying small baskets of small tomatoes.
Cherry tree, supper, photographs, Ferron.
Luke finds the playground, Broadway, young guys at the door, pool table, taking off jackets, the impotent sips, watching it rolling straight into a pocket. Luke missed every near hit until suddenly he made it and we cried it up, and then began getting them. Zoe's horizontal level strokes. Goodbye! from the bus shelter.

-

Wake, she's woken first, Ezra, maybe barked, thin crying, it's Luke, she jumps up, I jump after her, "I'll get it," Ezra she and I arrive in Luke's room, head under the cover, thin crying, a baby's wail, I lie down next to him, "What is it Luke," rubbing his belly through the sleeping bag, hard thin belly, "What was it." "A gypsy lady put a curse on me." "What was the curse." "It made evil spirits come." "How did you know they were here." "I felt one touch my toe." "It wasn't Ezra?" "No." "How did it feel." "It was sharp and hot, they came out of there, where the friendly ghost comes out."

I was lying marveling thinking this is one of the moments when the extraordinary is here.

"I called and called for you but you didn't come." "I didn't hear you because the door was closed. I closed it because I thought it would make the house warmer for you."

"Was the gypsy old or young."
"She was young."
"How did she look."
"She looked a bit like a nun."
"You mean she had on something like a hood?"
"Yes."
"Why did she curse you."
"Because I worked for a company that had banished her parents."
"What did her parents do."
"I don't know what you mean."
"Did the company make things, or what was their work."
"They manufactured things like --- and motors, all sorts of things."

"She got used to it, she went to work to buy a caravan." The sound of the word caravan.

-

What's absent, I've been wanting to locate and say it, is the sense of fight for, integrity, urgency about the right way, is that sort of death slow, the opposite voices say you've lost the sense of fight because you've won it, you've lost it some while back but the decay doesn't show obviously right away, you've become ordinary.

The devil of course isn't a person either, what is it, it would be the force of lapsing. Robert was an image of someone still in the beauty of separatedness.

The falling angels     feallan     lapsus slip, labi to glide

In dope the way I find thoughts not connecting.

"I closed the book because I didn't want my body to see it."

Is it being satisfied with the exchange, J, having Luke here, the times of tensile work and not being in pain and fright.

What is it like for the spirit to be that one.

-

'... built by the extremely delicate decisions of conscience'     woke with it
Intense pain, being caused intense pain, by absences, physical refusal
Dream woke in pain at 7, complex, like a chain, of his contempt, moon high in the northwest
Somewhat waning like night before last

and get an image of what life within those walls or within that plant is

that's in our language, which in an out-of-body thing doesn't exist

the moment I realized I was going at the speed of light horizontally, I switched and made a right-angle turn, rounded a big hill and went up. and then I started to experiment

I was in total, absolute, completest silence

I felt like a beaming source of light, I felt like a source of light that could illuminate the darkest corner of the world

It started as my belly wall vibrating, and then everywhere I looked in the room everything started to vibrate into a million molecules. And in front of me was a form like a vagina. As I focused on it, it turned into a lotus-flower bud

beautiful colors and smells and sounds in the room. It opened into a lotus flower, and behind it was like a sunrise, the brightest light you can imagine without hurting your eyes.

at that moment the flower

the light was full and open, the vibrations stopped, and the million molecules, including me - fell into one piece

The next morning I was in love with every leaf, every tree, every bird, even the pebbles. I know I didn't walk on the pebbles but a little above them.

always spontaneously when I least expect them

but Shanti Nilaya means the home of peace

Age regression hypnosis and reexperienced her birth.

-

1. the blue pages
2. the La Glace tapes
3. something with photographs
4. magazine

Rupert Sheldrake A new science of life

will go whichever way the wind is blowing
morphic resonance

A substance synthesized for the first time can be made to crystallize only with difficulty.

That surface sublimes, or vaporizes, outward, producing an immediate cloud of ions and gases that prevent the radiation from continuing down to the next surface

glow discharge chambers

wind ships

language

language ethics

a little German girl Mama wo bist du

your body would change too

-

is there a lost girl
who do I miss     who am I missing
the knowing     what is it     what are you
yoga
'I am my mother'     needing her to see

"I said, Fight me! don't let me do that to you!"

"The pact I made with my younger self, that I would keep love alive."
I saw the satisfaction of staking the shape of her life on that wish.

the pact not to lose clear conscience

the one who ventures
the one who is missing

-

Friday - since Sunday slightly starving, milk and fruit, stealing 50 cents from the steambath, risking the welfare cheque to pay telephone and rent, J is away offended and though I send you respectful love I'm not going to call you, M on the phone, Luke said he wanted to stay another day, I know her fantasy and won't give her pleasure, am dry, the two small stories I was working on these two days are nearly as good as their material can be, but they are nothing, I can judge writing and it makes me think I can write, starving because of the awful feel of fat bum in tight pants, one of the stories was telling me my rage of superiority was fury that I had no lover, it was six months and I was ugly, the job is unbearable unless I sink into newspapers and magazines, I've been sexually nowhere for most of four years (and maybe she has but she looks fine), working days, five in succession, almost empty, nothing to write in the journal.

Now I want to know, I was bold and always got up some romance to make me lively, what is the barrier, virginity wasn't one, compared to this - no one or everyone, anyone, is how it feels - holding off something you're wonderful, in a puzzled tone, you're devoted but you don't love me, you don't love my story and want to know me backward and forward in it, you don't imagine it and I don't make you who does know, T and C.

The empty kitchen, radio, when I come home I can't read, there's not a comfortable place in the house, it's as if I don't believe I'm going to live here, the slowness is unusual, no fine contemplation, a blank with nothing new in it, endless catching up work, doubt, the platform was removed but I still don't know whether I need one, is any exactness gained, she is too doubtful for relation, I'm disillusioning Luke without grace to win him, what's left, eyes imagined seen by the boy, they signaled bold heart over my teeth sunk into an orange.

With Daphne it's turned into sulk, I won't talk to her. When I look at it I feel a small wanting to laugh. The worst loss is J but it's been expensive giving up sex. There are little things in writing I like but most of them are like the Cosmo stories evocations of glamour which I think are worth less than finding intelligent relations and even that I thought next to the shampoo bottles is just decoration. I make pretty things and don't trust them. I make clear stories that have the shape of stories and so are junk. You Dorothy Richardson. Money is silly, owe, again, a thousand and a half.

Camera and tape recorder I don't use, it is a life in disorder because it can't decide how to be, it produces small undistributed images, keeps no connections, and that's true, but what does it do instead. No creation. Dark circles under the eyes. Heavy haunch 5 days without food left heavy. This is an old voice, London.

No library card!

There was something I changed for, I hoped to give up the partial successes to win a new mind and I did sometimes arrive in it, but what is this, the old mind in worse drudgery than it ever would accept, and thinking of crimes to enliven itself again. My honesties seem to have made me heavy

Carole's birthday. Twelve cold oranges in a paper bag. Her face at the door is beautiful, I notice when I can, in greeting negotiating in a way that must be brought from before, her party that's over, Al in the chair in hat and cold and medals, I'm here to eat French bread and egg salad, wine - you don't know I'm here to eat, sit down next to the food, ignore A, watch her when we're speaking across each other focus on him. [Carole Itter and Al Neal]

"I want to go to bed with Carole" he says, 'you're forty-two and you're like a teenager."
The way he staggers, thin legs, big glasses.
What's the secret, how does she bear, she does love him, like the pretty mother of a retarded child who she lets fuck her because he wants to.
 
Come home and can't sleep, the food is burning.
 
People with thick white hair brown faces in a community near other communities, they believe something I don't remember, I think about body and religion. White hair thick wool sweaters (Shetland maybe). They're in the south of somewhere.
 
A big duck I could eat, be eating on, for two weeks.
 
Lake keeps it cool. Staying somewhere in a house, a part of the place where seaplanes can land easily.
 
I'm going past camping field, Sue calls out that Robert has been staying with her.
 
Paul lying down next to me faithful warm heart, impresses me, simple steadfast, hasn't stopped waiting. I'm moved. This account is missing the circumstance and I'm nervous of it. He says, Why are you so sexy, meaning, these days. I say, It's been four years.

Woke in the dark feeling the truth of the dream - I don't want it to be an instruction - but I want to be in my truth as I'm not now - I don't want to be instructed to go to Paul, Carole with Al, but Daphne with Roy? Is it a solution when the handsome and child-begetting man is irrelevant or ungettable?

I am looking for a contra to scare me back into the middle of my feeling, the other one the refused one I know her the truth I'll love someone for letting me into. Then I'd have hot cunt for J too letting something happen.

Well and is this my odd formulation I've been fastening on for years or is it a specific instruction about Paul. In the dream he was steady and unrebellious willing to be sad for his truth. In the life I know him in he's that double-tooth evader. Something was true to him.

And the other trying to see everything and move in the wide understanding, the parts I try to understand and can't, or no longer can. Yeats breaking through to an overview that sounds in his writing voice.
    The way from then I had to keep working to try to break in among the real people.

Feeling of food burning on a clean slab.

The nice-looking man I put into #6. Over the counter "Can I take you to lunch tomorrow?" His smile, fused teeth, is all pain. "Your face fascinates me." "There are times I like it too ... you look like a nice man but I'm gay." Deep lines, he has to walk out in front of my scrutiny: he's limping! Narrow shoulders, wasted, caved frame. Putting on his windbreaker, going around the other side of the van. I said no but checked carefully whether there was something other than pain.

On the bus the brightness of first moment face, shy, holding back, angry, then it goes giddy.
Leaving the house for the depot, 20 minutes, the clock slow
thinking to be late but it takes about 10. Less said.

The discipline in English sentences making everything connect to something else. It an be there because it's lovely, attractive, brings the feeling of charm, but it must seem to be there as information about how something is done.

This particular pain is how. Pushing the brain ahead, thought ahead. It's pain, suspense. I'd like to know whether pain is always information. With Roy I learned it was. With J it seems not to be and that means either - here she is black and sheepskin - she doesn't know or I am a false machine.

part 2


edged out volume 1: 1981 july-december
work & days: a lifetime journal project