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Theory III. Working with theory: theory and critical thinking
1. Reading hard stuff
2. What's theory good for?
3. Using theory rather than being used by it: critiquing


"I get to be myself 100% of the time." (student) Richard Makepeace

1. Reading hard stuff

A. Techniques

spend the time

take notes

take notes on notes

make outlines

paraphrase

look carefully at examples, metaphors, illustrations

ask who they are arguing against

B. Assess what makes it hard

it's badly written?

writer is deliberately obscure?

you don't have necessary background knowledge?

you don't understand key terms?

it is dense, needs to be read more slowly or aggressively?

2. What's it good for?

gives you terminology Example: Cornell's (p.294) hegemonic masculinity, emphasized femininity

gives entry to ongoing conversations/communities (maybe as troublemaker, if that's your pref.)

experience of the theory's cognitive microclimate gives you new way of being - new perceptions, new thoughts, new sense of connections, new framework

political tool

everybody is already part of theoretical communities; working with theory helps make those background theories apparent so they can be consciously accepted, rejected or revised

3. Using theory rather than being used by it: critiquing

Ask who made the theory, when and why. Example: the origin of cultural studies theories in British universities, where class divisions were very marked.

Look for and evaluate implicit and explicit assumptions. Test them against your own experience.

Example 1: Mead (p.270) "we cannot get an experience of our whole body." Mead was only thinking of vision; he forgot that we can feel the whole of our bodies.

Example 2: the chapter's authors (293) talking about body modification as "converting the raw and mute body into an active communicator of symbolic significance." What if we experience our own and others' bodies as subtle and eloquent presences that cannot help broadcasting much about the persons they are?

Watch the metaphors. Example: the chapter's authors (268, 271) saying bodies are our vehicles. Does this language imply that "we" are separate or separable from our bodies the way people are separable from their cars?

Ask whether the writer's conclusions actually follow from their premises.

Assess definitions, look for invalid dichotomies.

Example 1: implicit definition of nature as "realm outside culture and society" (267). Primate groups such as macaques and orangutans are increasingly being understood as societies and cultures, and culture is increasingly being understood as part of nature.

Example 2: the chapter's author saying (293) the body is "considerably more than a biological entity." He is assuming that social and cultural facts are not also biological facts.

Don't buy the whole farm if all you want is the pumpkin. Carefully track what it is that you like in a theory, what it is that actually interests you. It might be a term or a distinction or an observation. Maybe that is all you need ­ maybe you can just pluck it out of its framework and use it elsewhere (with credit given of course).

Assess the mood of the theory. Ask yourself whether it is a mood you trust.

Example: Jungian theory can have a kind of expansive euphoric feel. French postmodern literary theory can have a speedy paranoic feeling.

Summary: Aggressive close reading.

As we get more experienced with theory, it is possible to read with hawk eyes, accepting what we find acceptable, bracketing what we don't trust, paraphrasing in better language when we don't like the terminology or metaphors, redefining key terms, rethinking conclusions.

The sorts of aggressive scrutiny described here make us full, empowered and responsible citizens of our theoretical communities.

Vigilantly testing theory against our own experience makes our theoretical moments congruent with our feeling and sensing moments: it allows us to be integrated bodies.

 

 


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