time remaining 1 part 2 - 2014 november-december  work & days: a lifetime journal project

9 November 2014

Why am I depressed this morning. Note from Tom written at 7:13 from Starbucks that was two lines of just business. Meeting with Paul K last night in which, whenever I'd say anything, he'd change the subject back to himself. We used to have such lively talk. Now it's as if he's encapsulated. He looks encapsulated, he arrived in a long brown overcoat and a flat cap with a scarf tight around his neck though it wasn't wet and hardly cold. His close thick beard encloses him too, like a fitted shell. He's extending himself, I suppose in a sense of kindness? Calls me, arranges these meetings, but doesn't want to see me. I sit next to him wondering what's happened to him, or is it to me, that I can't light him up into interest now.

And Tom, is he shutting me down because he has decided to, or is he just shut down.

David is fond in his way but I don't take his fondness seriously, why, because he floats in fondness with a couple of dozen women all over the city.

Louie isn't gone, she can still listen and laugh, but she's busy and not hungry. I'm outside her life of money and skill and ambitious popularity.

I'm starving to be seen and felt and in that starvation also not seeing and feeling. That's the point isn't it.

Paul has a Japanese woman who lives with her very old parents in deep country. They talk on the phone. "She's so sincere. And she's a good storyteller." It's where he still has an edge into romance, a romance of context, as I had with Tom. The relation won't bear dailiness, doesn't bear dailiness when she visits him. He likes his routines better than he likes his friends, now, he said.

When he was saying goodbye he pulled a chocolate bar out of his bag for me. I was walking back up Abbott in the dark looking around for someone to give it to. There was a very tall drunk waiting on the curb. I handed it to him. He was too dazed to understand what was happening. "It's a chocolate bar" he said slowly. He fell into step with me. "What are you doing later." I said "No. No." His pickup line was so odd in the circumstance, as if he didn't know he was a drunk giant next to a small seventy-year-old stranger who had given him a chocolate bar at random because she didn't want it.

I'm still puzzled about Tom    
Does he think he's going to find somebody else    
Is that why he's shutting down     no
It's just his habit    
Should I let it go     no
Will he find somebody else    
And be happy     no
Go on missing me     YES
Stop thinking of him     NO
Do you think we should stay related    
Because there's no one else     no
Then why     because you're children fighting the decision to withdraw
Did Leah get my message     no
So should I fight him for it     YES
Phone him    
 
Can I actually get to my work    
Do I have the will    
Is that the only answer    
We want the same thing, which is to stay alive emotionally    
But we haven't fought each other correctly     YES
 
This is hard    
Strict poverty until I die     no
Is there anything I can realistically hope for     processing, triumph, coming through, crisis
You'd call this crisis     YES
Coming through wd mean complete self sufficiency     no
Ordeal    

-

BP 200/110! 200/120!

Am I going to be able to bring it down    
Shd I do meds     no

In the drugstore 190/95.

After biking, conversation, supper, newspaper 175/108.

Will biking and sitting do it    
Despite stress    

Lowest in 2012 was 117/79.

Highest in 2013 154/100.

- So that's two emergencies.

-

I want all my loves back. All the loves I had to throttle.

Did I have to     no
But I'd have been abused if -     YES
 
Is that the right thing to want    
Can I do it    
Without losing intelligence    

I was slow-breathing and Tom came up. I thought, I could stop yearning for more from him and just love him. He can't harm me. It's what I actually want. It's the metta meditation I suppose. But I don't want the formula. I want to do it personally.

-

soma that opens our minds to the vastness of your sky

Soma is poppy, cannabis, ephedra. [BBC The story of India]

-

Cold. Remembrance Day, streets closed around the war memorial in all directions. Three cruisers parked across Hastings at Abbott. Walking to Army Navy at noon colder than I have been in is it twelve years.

Save-On Meats is a long narrow diner now. I went in for breakfast. Three young servers and a young manager. My waitress was a light-footed young woman, black, carrying her head beautifully on a long neck. Red lipstick. Her hair was interesting, close-shaved on the sides and grown out in a strip of pelt from the forehead to the nape. It suited her, gave her a regal profile. I was sitting at the counter. When she was handing my check across to me I said "I love your hair." It startled me how she lit up at that - such a beautiful person, isn't she used to it? Her pleasure was like a long-held flash of light. I was a bit dazed by it.

Two mornings ago there was a bug crawling south across the room. I thought to track it rather than catch it right away. It seemed uncertain, was moving in one direction and then another, but then headed for the south wall. It climbed onto the baseboard, moved along it behind the power bar. I had to bend over to keep my eye on it. Suddenly it jumped across to the back of the power bar and landed exactly next to one of the holes meant for a nail or screw, a distance of six or eight of its body lengths.

-

Photo I took in the dark this morning. Man standing in front of the pharmacy holding a Styrofoam cup that's a white spot at his chest. Behind him is his supermarket cart full of all he owns. On the other side of the frame a tree holding up its arms into the golden light of a streetlamp pointed down.

-

I listened through all of Sons and lovers on audiobook. He likely was unfair to Miriam and to Clara too, really, and there's all that Lawrence hysteria in any of his adult relations, but at the same time such a presence of countryside. He walks ten miles home. Fields, times of day, what is seen from a window. It's another era, as if my mother's childhood and young adulthood too. 1913.

15

Voted, city elections.

Bright cold Saturday afternoon.

3 months since I last saw Tom.

Richards Lives of short duration.

The coming of winter 1974, Blood ties 1976, Lives 1981. B.1950 Newcastle NB.

If you find somebody to love in this world
You better hang on tooth and nail
The wolf is always at the door

Jerry saying, I think it may be too late for you to break up with Tom.

16

Am I going to survive this ordeal    
Will it be better in a year     no
Two years    
Such hardship for two years     YES
 
Should I give up on working for now     no
Start looking for somewhere else to live     no
Look for a job     no
Stop thinking of Tom    
Because there's no solution    
Hide his FB comments    
Really give up on Tom forever     YES
 
Are you still with me     YES
Will you lead me     intimate, illusion, about father, improvement
That's what it's always been with Tom    
I can see that    
(Is this arm disease that     no)
So is there a solution in myself     improve, recover, by means of heartbreak and anger
Not at Tom    
I need a therapist     no
Feel them in pure form apart from him    
Heartbreak of aloneness    

What needs to be solved:

1. need a good home
2. need to bring bp down permanently
3. need a credible doctor
4. need at least $600 a month more
5. need some secure attachment somewhere
6. need to solve fiery arm disease
7. need country
8. need hope in work
9. need to feel good-looking
10. need to feel I am where I should be
11. need my kids to be okay

17

Saturday night there was a lot of street noise. I lay awake feeling my blood pressure scarily high. Biked to Granville Market and then tried my bp again. Still high, and stayed high all day and into the night. No bites, though, and I was feeling I'd out-managed the bugs. Then yesterday as I was lying on the bed reading, a vicious attack, something like thirteen bites inside my shirt, up my neck, across my back. I stripped everything, did the laundry, put blankets into the dryer, even the red cushion, which needed a dryer of its own - $8 for all - got out the Pinesol and wiped down all the baseboards, mopped the floor with it. But in the process of cleaning something got up my pantleg and left another vicious trail from ankle to above the knee. I didn't find either of these.

Knew my bed was clean though and slept confidently and woke with lower bp, but as I was making my bed there was an adult bug on the quilt at the head end. I don't know how it could have got there. I'm mystified by them.

- I've just now made this entry not realizing I was writing it onscreen rather than in a journal book.

-

[Stanley Park sea wall] Stone wall constructed around the shore perimeter to hold back erosion. Master stone mason - argued that waves created by ships passing through First Narrows were eroding - 1920 workfare project for 2300 unemployed men. Stone sets from dismantled electric railway system in the '50s.

18

What is it about this book.

It has a charm of randomness, it floats. Nothing is nailed down - things happen, Lois lifts her left leg and kicks at the air. The world surrounding people does the same sorts of unmotivated thing. "Under the bridge the pleasant moving shadows of water." There are scents, more than in most books. Who is smelling them? Four generations it took me some while to sort. Neighbours I might not ever have got straight, times floating through all muddled together, a watery dissolve altogether. [David Adams Richards Lives of short duration]

Who are all these people. They know each other, as they would, but I have no way to.

Some of his adjectives seem random too, "a few darkly ferreted things."

Usually-unnamed social facts, people looking at each other with sexual interest, constant status concern, brand names.

Physical observations I don't believe are character's observations exactly, though maybe they are meant to be?

[Notes trying to figure out why Richards believes in god.]

Tue, Nov 18 6:36am

Email to Greg:

It's the quietest moment of the day. No one is yelling. Gentle swish of cars and buses on Hastings a block away. It must be overcast, because there's no dawn showing yet in the eastern sky. I'm sitting with my feet on the desk - keyboard a bit sideways - in the sort of lamplight I like in a room - three sources spread around - with a large tin cup of my sort of elaborated tea - grated ginger and redbush brewed together for ten minutes, then strained off, then the tea brought to boiling again, then a heaping teaspoon and a half of a Lapsang Souchong / Irish Breakfast mix, and meantime, warming in the cup, quite a bit of half-and-half, some agave syrup, some fresh-ground black pepper and some grated nutmeg.
 
The NASA site is spectacular this morning.
 
There are a couple of cams I like to check through the day. One is from home, a spot on the Alaska Highway maybe 15 miles from La Glace. Deep in winter.
 
I've been here too: [camzone in Del Mar.]
 
It's good all day long. Just now it showed the moment when the sun's angle was so horizontal that it caught only the foaming crest of its waves. Deep in winter in its own way, which has to do with opalescent light.
 
The horizon's showing now, slight touches of pink on the underside of yes thick overcast. Flock of crows flapping west.
Yesterday I took the bike around the Stanley Park sea wall, about ten miles altogether. It's a quite beautiful feat of construction over 60-some years, a stone embankment with steps into the water at intervals, some of the stone taken up from an electric tramway when it was retired, some of its building done by thousands as make-work during the '20s. It circles a peninsula so it is indeed optimal for observing, since it gets around to looking in every direction, first toward the Second Narrows Bridge and the mountains east up the Fraser, then directly across to North Vancouver and its heap of sulfur, then, after passing under Lions Gate Bridge, northwest over a sheet of open sea with freighters, then across to the Kits beaches, then toward the older apartment buildings of the West End, then flanking Coal Harbour's fantastic silver towers to the south. Temperature changing with sun exposure, the most shaded quadrant had falling ice. Quite a lot of its inland edge is forest - cedar, hemlock, Doug fir, salal, salmonberry, snowberry, thimbleberry, vine maple.

Thursday, November 20

Belated happy birthday.
That is some blog - I've read it many times.
I couldn't reply when you wrote. I was in deep grief, which now has mostly lifted.
I have just retired. With misgivings. I drew deep fulfillment from teaching, but I felt the need for a kind of freshness before I die.
I never read your Queens journal, and now I can't find it. Is it available somewhere? Or is there more of what you sent me? (I read all 8 pp.)
I told one of my students about you recently. If she is very lucky, she could become a little like you.

-

Thursday, November 20

I'm glad you read the here2014 site. I post these things and no one seems to want them.
have sometimes thought that now we're so safely old we maybe could be friends. do you think?
do you have something you want to do in retirement?
I do but I'm not doing it yet.

-

Note from Don sent at 2am this morning. I'd sent him Here2014's birthday page last year and he said he'd read all of it many times. I loved to hear that.

Is this a good idea     no
Do you mean because he'll drop me     no
Because I'll be in false hope     no
Because he's lying     no
He's sincere     YES
Will you say why     work woman, will defeat, friendship, by aggression
Bad idea to communicate with him    
I need a philosopher friend     YES
I feel I could talk to him     YES
I could work if I felt there was one person who -    
Work woman would ruin friendship by competition     YES
Will something bad happen if I send this     no
But it will come to nothing    

-

Fri, Nov 20 26' x 10' x 8'
 
hello alex,
this is a small house sketchup design I'd like someone to build for me. it began as a housetruck design, but I've needed 26' to include what I want in a house, and 26' is too long for an easily drivable truck.
I like to live with a lot of light and a constant relation to the outdoors so there can never be too many windows. am a filmmaker so the desk has to take up a lot of space, and also like to work on my bed, which rules out a ladder. - so it's a very personal design, but maybe there are others (other women?) who share these likings?

Housetruck jpgs: [noon whole] [5:20am june 21 N side] [office end] [daytime sofa] [view from the couch] [bed made up] [view from bed] [doorway to machines] [bathroom from above] [west end] [bathroom light]

November 21

David McAra's house on the London roof. I'm inventing it at the same time as seeming to remember a real place and time I should describe faithfully. I saw it only at night. Only the kitchen area near the door was lit. There was an upright piano along the south wall at the far end of the room but the rest of the long space was in the dark, so now when I'm filling in those farther spaces I have been uncertain.

I want it for the moment when I haul myself up the many stairs and come out onto the roof. It's late and raining. I've left my things at the Y. It was a long flight. I'm jet-lagged and don't look good. I'd intended to come and surprise him in the morning, but once on the ground in his neighbourhood I just want to see him. The door onto his roof is a heavy warehouse door. The curtains next to his bed are partly open. I stand in the rain looking into his cave of light. He's there in a white shirt with sleeves rolled up, suspenders and loose pants. Barefoot. He's wearing reading glasses, looking down at something in a pool of lamplight. He feels me looking, starts up, comes, not to the door but to the bedside window where I am. Opens it. Stands looking at me with his face alight. We both just gaze. Then he puts out his arm and pulls me inside. Takes my wet coat and puts it over a chair by his fire. Rubs my hair with a towel. There is soup on the stove. He sets out a bowl for me. I am sitting on a bench facing his table - I don't know why it is a bench rather than a chair. He sits across from me and asks about my journey. He says don't go back to the hotel, stay with me. He sends me out to his sauna, lends me pyjamas. I get into his bed. Fall asleep as he moves about the room. (Puts on some of his own music.) Sometime during the night we half-wake together and he's into me without decision, home.

It's David McAra, rather than the California Mac, now, why, because he's a computer musician and not rich and for the kindness of soup and a bed, and for the age I was? Early forties. He lives on the roof of a business building. Is it in Bloomsbury? Drives a green Landrover. Is handy, has devised a winch strong enough to haul a piano up to the 7th floor. Slight Edinborough accent, is it? Near the British Museum. He can see the river.

Alex published the housetruck on his site today. I sent it just yesterday.

New parts of DM's house are original mullioned windows and a sound-proofed sound studio at the back.

[bed at noon] [desks] [evening sky interior light]

The McAra: name comes from Gaelic word for son of the young manly one. Ancient family seat in Perthshire some say well before the Norman Conquest. Central Scotland. High mountains of the southern Highlands, agricultural straths in the east. McAras a sept or subclass of McGregors.

What tartan was the red blanket?

There are Irish McAras.

23

Publication - sudden lot of clicks into my sites - why - remembered it's that my housetruck design was published - comments - lots of them.

"Delightful design!" - "I love everything about the design except the shower" - "It's a lovely design" - "Would love to find someone who could build this on the Big Island" - "I love Ellie Epp's design. This is what I am looking for" - "This is such an elegant design! I wouldn't change a thing, and that is saying a lot! :-}" - "Superior design, love the use of light, storage and especially the bed!" - "Nicely done!" - "I love it! It's different from other tiny houses, love the roof!" - "Love all the windows and lay out, as well as the looks, that makes this one absolutely delightful" - "I really love this design with all the windows. I could easily live in this. Great job!" - "This is perfect. All to my liking. Love light! It has it all and still spacious with built ins. The roof is so cool. Gives more open area and more light! Yea. It's perfect. Wonderful design." - "Superb creation. When can we buy your plans? Wonder if flexible solar panels placed on the roof would work for off-grid solar power for the house? Thanks for the brilliant design!" - "Sweet design. I'm not a woman but I really like your plan" - "Love the 10' width and all the windows also the curved roof" - "Outstanding. Would like a separate shower but overall beautiful and liveable!" - "This is one of the best tiny house designs I've seen I could easily live in this space."

SIPs for construction, flexible solar panels.

Roof curve? Copper or rubber membrane "torched into place" - induction burners from Walmart.

- By now it's Google page 4.

Sunday, November 23
 
Such a lovely response. Thank you.
I would love to be friends.
It will be challenging for me, because you have never been 'safe' for me: not because, or just because, of your allure, but more deeply because around you I always felt that I was 'choosing' to be safe in my life, avoiding the summonses and adventures and risks that you seemed to embrace. But I am trying now, like an aging and ugly butterfly, to release from that safety.
So I would like to meet you in this space.
I will write again soon.
d

-

Sunday, November 23
 
in the meantime here's this sharon olds poem somebody sent me:
 
I Go Back to May 1937
 
I see them standing at the formal gates of their colleges,
I see my father strolling out
under the ochre sandstone arch, the
red tiles glinting like bent
plates of blood behind his head, I
see my mother with a few light books at her hip
standing at the pillar made of tiny bricks with the
wrought-iron gate still open behind her, its
sword-tips black in the May air,
they are about to graduate, they are about to get married,
they are kids, they are dumb, all they know is they are
innocent, they would never hurt anybody.
I want to go up to them and say Stop,
don't do it--she's the wrong woman,
he's the wrong man, you are going to do things
you cannot imagine you would ever do,
you are going to do bad things to children,
you are going to suffer in ways you never heard of,
you are going to want to die. I want to go
up to them there in the late May sunlight and say it,
her hungry pretty blank face turning to me,
her pitiful beautiful untouched body,
his arrogant handsome blind face turning to me,
his pitiful beautiful untouched body,
but I don't do it. I want to live. I
take them up like the male and female
paper dolls and bang them together
at the hips like chips of flint as if to
strike sparks from them, I say
Do what you are going to do, and I will tell about it.

[from The gold cell)

Sunday, November 23
 
yes. oh yes; yes.
cleaning out my office last spring (the same office for 44 years) ... a small picture was on the floor -- it had fallen out of something ... it was a picture from olivia's and my wedding, with the two of us and you and greg ... and we looked so earnest (or I did) and young and -- above all -- innocent. no. above all -- we looked beautiful.

-After I sent him the Sharon Olds poem.

I could copy it here for the fine semicolon. Beyond that what is it D is that no one else I know is. When I feel it, is it myself I feel, or him. It's as if a yawning gap in the chest, a dark vacuum affrighted in realization of tragic facts. A kind of resolute fear? Not resolute but still, holding still in it.

Is that true?    
Do you like him    
More than any other men I know    
Because of it     YES
Do you think what he said about being safer is true     no

-

Mon, Nov 24,
 
I think of this photo of o that way. [O and Don about 1966]
not being beautiful anymore.
you said an ugly butterfly.
I worry about how I look in photos now, solid like an old Indian chief, worry about whether I've earned that look by evasions, or whether that's what certain accomplishments have to look like, or whether none of that is so, it's just family fate.
am thinking about whether I actually earn being your unsafety conscience. I think probably not. longer conversation for later.

24

Michelle Butler Hallet about Lives of short duration "This one works in currents and layers, very like a big river."

Arches for the roof - several sheets of marine grade ply laminated and cut to shape. Then marine ply fitted as skin and covered with waterproof membrane, then roofing of her choosing.

November 27

[south side evening sun] [washhouse arches] [bath water daylight]

[blue evening] [st pancras]

28

A boy from downstairs gave me many bunches of flowers. He had them on the other side of the bed. I remember snapdragons. Anything else? Something yellow.

Then dim sum with Louie at the Pink Pearl - picked up my cactus and peaked cullet - made a photo I liked in blue dawn - rest of the day working on the London roof - moonlight photos of it - Isaac Levitan - made Louie laugh about putting bedbugs in a little jail.

-

John Luther Adams:

dark waves, become ocean

-

Here's just the house [overhead view].
The long room is about 20x40. The back room I haven't filled in is a sound studio. Bath room, toilet room and sauna room are in the shed. The big red contraption is for hauling stuff like pianos up from the alley.

-

Figured out how to do moonlight in sketchup just now. [bathwater in moonlight] [bookshelves in moonlight]

-

To Paul:

Isaac Levitan's Russian paintings? Was looking for moonlight paintings online and just about all of them I was attracted to were his. Some of them remind me of where we come from. A relation to distance. 1860-1900. [Levitan October] [Levitan muddy road]

November 29

[moonlight] [moonlight bed]

November 30

[stormy sky, sidelit north]

December 1

Chiffonier, chesterfield - those old words.

2

[looking north] [evening sky hoist and plants] [looking toward hoist from the stairs]

To Paul:

Tue, Dec 2
 
I was thinking of you a lot yesterday because I was trying to sketchup our old four room house. Four room and shed. I'd run up against things I wasn't sure of - what colour was the floor in their bedroom? Was the lino in the kitchen predominantly blue, or green? What colour was the blanket on the kitchen couch, wasn't it grey? - lots more like that - that I thought you might remember. And the exact dimensions. I was guessing 24' square interior. Were all the interior doors hollow core?
It's necessarily a crude thing, for instance where I do remember the wall colours exactly I haven't been able to find them in paintable form.

To Greg:

Tue, Dec 2
Have spent a couple of days trying to model the little house I grew up in. It's interesting trying to recover it. It's a way of thinking about my dad too. What he was thinking when he designed it, reasons for decisions I'd never noticed. Even the furniture becomes more interesting when I have to draw it. I have to wonder where they got it. It's very miscellaneous so there will be a story for each piece, too late to ask.
Here's what I have so far [24x24].

3

Secretary hand, Chancery hand, Court hand, Text hand. [Ackroyd The Lambs of London]

To G:

Wed, Dec 3
 
The model is also a way to show my friends where I come from. Which is a way to tell you all how far I've come and why I so loved your family's and Olivia's family's houses. And Ban Righ and Sunnyside and houses on Kingston streets, and on. My Konrad grandparents' well built new house in BC.
 
I like to think of Paul and me in that tasteless house sitting with encyclopedia volumes on our laps absorbed in learning taste. 15 volume 1950 Richards Topical Encyclopedia [Richards covers] and its accompanying 7 volume geography set 1951 called Lands and Peoples [Lands covers] bought from a traveling salesman when they couldn't have been able to afford it. I don't remember a time when we didn't have it so it must have been early on. The aspiration and hope in that decision still moves me. Paul has kept the set, along with its plain wooden bookshelf box.
 
But I've been realizing lately that my most important architectural imprint was the Edmonton hospital where I stayed maybe 6 times between 3 and 14. Clean high-ceilinged rooms, high windows with deep sills, terrazzo floors, heavy doors with brass hardware, space, light, good materials everywhere.

6 December 2014

To Paul:

Epps' house about 1955 - interiors, 9 attachments: [gold bedspread above] [their bedroom] [kitchen from above] [kitchen with actual view] [living room from above] [living room looking south] [girls' bedroom looking west] [girls' room from above]
 
A few details came back as I worked on it - the kitchen floor had a browny-beige pattern. I seem to remember frame and panel on the girls' room door and hollow core elsewhere? Remember nothing of your room except the position of the bed. The northwest corner of my and Judy's room is a blank. Not sure whether there were two chests of drawers in their room. Remember various pieces of furniture being in different places - the red armchair was in the kitchen for a while. The taller chest of drawers was in the living room.
 
I know the blue and green walls are not the right shades. The washing machine was round not square. The stove was less elaborate. I did model their bedroom suite myself because I had a photo. There may be furniture I've completely forgotten.
Thanks for the photo. [contemporary photo] The picket fence is so decrepit by that time - it always struck me as a hopeful gesture going in, whose decay marked a loss of care.
 
Modeling the house I was often noticing the politics in its construction. The furniture assembled miscellaneously, except for their bedroom suite, which must have been bought new. The chrome kitchen set too, whose vinyl cracked not long after. Ordered from Eatons?

-

Some details aren't accurate - actual lino patterns not found - not the exact shades of blue and green - etc - trying to reconstruct what was background in childhood - seeing different things in it now - my dad's family politics in the way it was constructed - what was conventional and what was original -

Showing it seems more intimately revealing than any language could be. The awkwardness and backwardness we were, where we come from.

To G:

[Paul's room about 1959] [floor plan] [whole house]
 
Paul was exiled to a built-on lean-to shed-porch when we began to have boobs that might excite him. This image may be painful to Paul because it makes my dad's family politics so visible. He never painted the drywall in our bedroom - that was one step down in the hierarchy of importance - but in Paul's room he never even clad the inside walls. 2x4 studs, no insulation.
 
The airtight heater was scary. There were chimney fires because Ed didn't clean the pipes every fall. A terrifying roaring above in the attic space, which I knew was full of loose shavings as insulation. I was scared of nothing so much as of chimney fires that could happen when my parents were away in town. I knew I'd have to get on the roof and dump salt down the pipe, and try to set a pan over it to oxygen-starve the fire. Which wd be hard to do because flames would stand a yard high above the top of the tin pipe.
 
I should model the outhouse too. A two-seater, one hole smaller for us kids. Fascinating frozen cones of many colours of shit to be seen down the holes in winter. Eatons catalogues for paper, which cannot have cleaned very well, and we only bathed once a week, on Saturday nights, in a round galvanized tub on the kitchen floor, all the kids in the same water.
 
There were old boards laid down through the trees - an aspen poplar grove - to keep our shoes dry when it rained or in spring melt. We'd try to run them as fast as we could, the boards squelching when our feet hit.
 
The aspen grove was a dank realm of mosquitoes, with, in spring, the acrid smell of saskatoon flowers. In winter the run wouldn't be shoveled - we'd have to stagger along in our dad's deep footprints, which were too far apart for us - so we didn't go as far as the outhouse to pee. There'd be a patch of yellowed snow not far from the house but around a corner. I remember Judy and me squatted down competing to see who could squirt farthest - little girls' tight little pee holes could do that. At night a potty under the bed.
 
It's interesting to me how intimate these sketches feel, as if they give anyone much more personal information than language can. They are who we were.
 
I'd forgotten staggering through deep snow in Ed's footsteps till I was telling you.

11

I don't write here, these days. I invent buildings, or draw buildings I've known - I'm working on the lake house.

I post small creations on whatthereis.tumblr.com. They aren't important but they please me.

I send things I make to someone - Louie, Greg, Paul Epp, Paul K, David, Jerry, Tom.

I post on FB. My girl students sometimes write me there or elsewhere - Kate, Sam, Jody, Emilee.

Luke sometimes shows up on FB message.

Rowen phoned last time Freya was away. We ate singing chicken together. He shifts into a remote abstract tone to talk about a game he wants to develop, that's like the hard remote tone Luke uses for business ideas.

I don't write these days because I'm ashamed of them.

The bedbugs are less, much less, and the street noise is less, but I have hard nights. The burning skin / black arm pain is back. I feel it on the surface of my eyes now, and on my arms and face. There's a hiss in my left ear louder than often. I eat randomly and expensively, for a while was wolfing carbs so five pounds of water blubber piled onto my waist. Am spending $600 out of savings every month. Will have been here 3 months at the end of the year and they want me to sign another 3 month lease. Have no plan to be anywhere else or spend less.

Have not moved on Cheryl's book or mine or any other. Feel nothing will come of them. Nothing will come of anything.

What is it that won't come.

When I imagine discovering I have a fatal disease I feel no fight. Let it come, I seem to be done. I keep going on small pleasures and small contacts and stupid distractions like the books I read these last two days. The library has row on row of stupid books. I put on my jeans and walk out onto the streets once a day, twice at most.

The computer is my drug.

It has been raining and will go on raining for another 4 months.

I look at the highway near Demmit, at the waves at Delmar, at a dry hillside at Mesa Grande. I check gmail, FB, the weather page, the stats page.

I clean house once a day.

Waiting for someone to come for me. Joyce did. Tom sometimes did.

- There I think of Nyingma again and feel what it would be like to have a plan. I'd have a reason to get things done out of the way.

Six months at Nyingma? Save $6000.

End of March? Next fall?

Wd they have me?    
Wait till I have more money?    

R visa validity 60 mo no fee, multiple applications. R-1 temporary religious worker. Be a member for two years before. Organization files a petition for you. B visitor visa for voluntary service. Petition for nonimmigrant worker form 1-129. Unpaid volunteer - visa waiver 3 mo max. J-1? Sponsor.

14

The moons of Jupiter - I used to think she only wrote about adultery and that seemed so middle-class an entertainment. I'm more impressed now, but should I be. She intimidates me sometimes with the specificity of her observations of people in a moment but it's the kind of intimidation that doubts: is that really what her character was feeling, that exact mix? Does she see things I can't? Probably, but at the same time I suspect her of impressive method. There's something too about her social insideness. She has been pretty and successful and the people she writes about often are those things too, women who dress well and wear makeup. I've had wilder shores. At the same time she began where I did, rurally. She can write about small town people, poor people, but - what is it I'm wanting to name - the way she's stayed a conventional woman; she knows what conventional women know, though she knows it with more depth and particularity. She has gone into the minutia of what women know but she doesn't know world, she stays among people.

Dreamed of Don last night; he was visiting with an infant. I have a little yearn since he wrote. Naturally he isn't replying.

Four or five days on the lake house, which mostly is done. I've rotated toward a window and peered through it. There's the upstairs space lined with unpainted wood, the chimney stack as I'd see it when I was on the porch roof fitting glass. I've leaned a broom behind the screen door on the kitchen porch.

It's a complex little form, with a lot of well-fitted parts. My proportions aren't just right and yet there is the barrel heater with Grandpa Epp's bench behind it, where I sat reading a book of Chinese stories when it was 40 below and Jam was away in Hythe shopping and didn't come home for days. Drawing the bench I remembered I had a green pillow - it was an African fabric with a pattern in the weave and tie-dyed spots? Beautiful dark green.

[kitchen bed] [kitchen door open] [winter work table]

Jam's pale pink silk quilt.
Yellow plastic washbasin.
Red Le Creuset pot with a wooden handle.
A stone for the kitchen porch's step.

15

The carols I'm hearing on CBC are sung with so cynical a sound.

The Potsdam Gravity Potato - geoid - areas on the earth's surface where gravity is stronger - gravity maps - high or low sub-surface densities.

17

An awful 24 hours, burning skin that didn't stop. Lay in bed all day hurting, coughing up yellow slime. Wouldn't want to get up. Shaking when I did. Woke at 1am soaked - even the sheet was so wet I had to move it out of the way for the rest of the night. Then second set of pyjamas soaked too. Was cold for a while, so cold. My hands wouldn't warm up.

18

"Someone has said that a writer should have as much trauma in childhood as he can bear without breaking." PD James on Eleanor.

Escutchean - in medicine, distribution of pubic hair. Shield in heraldry.

21

Taznahkt is Berber, High Atlas. Iraqui Kurdish embroidered carpet chain stitch.

Was it 12 hours of sketchup today? Working on 824. When I'm working I sometimes sneeze but don't feel sick and hardly blow my nose.

824 is the house of color. Sketchup doesn't show either the shabbiness or the radiance for instance of the middle room's blue. Such elaborate mouldings. Skirting boards, door and window frames, wainscoting. Ridiculous balustrade and stair posts yet to come. I get away from slog by making or finding furniture - the metal filing cabinet, the little crib, the blue chest, the ferry bench, the kitchen table with holes cut for ma jong tile drawers. The old PC. The old typewriter. Three mirrors - turquoise oval, green rectangle, fancy bathroom mirror - still to make. The dial phone in the bathroom. Peter Epp's bench.

Layers of layout - I need to sort furniture position into 1. Dames rocket and Luke, 2 Luke later, 3 Rowen baby, 4 thesis era.

Color detail I forgot and recovered. Objects - the ratty rug in the bathroom. Where exactly were the doors into the closets? Have I got the window sizes right? [kitchen stove] [looking from the kitchen toward the hall]

I've learned a lot since I last tried 824. I'm not trying to modify a whole existing house. I understand groups and layers. I know how to move, place and rotate easily. I can find, import and apply textures. I know to look for components like skirting boards ready-made. I'm handling the maddening V-ray intrusions. I have quite a large bank of furniture, small objects and textures and remember where to find them. I'm probably better at estimating dimensions. I have amazing focus in that mix of invention and slog. I come back knowing how to do things next day. I've found other and better color palettes though colors are still lurid. I know how to rotate textures. I'm fast at seeing how to modify existing stuff. I know to build different storeys of a house, and porches, and roofs, separately and combine them later - that's probably the most useful one. I've figured out how to do autospaced intervening multiples and measured intervals. Know to hide things when they're in the way. And apple-E for erasing lines. Squashed with apple-S and expanded with apple-P to get better proportions. Worked out many dimensions before I began, which was better. Am remembering numbers better? Some, I think. When there's an intervening action I know to write a value down.

Still have to learn how to make volumes interact. Should have used it for the lake house roof.

There maybe isn't a lot done in a day? And yet the rooms are more real-feeling tonight, much more.

Other projects: skyshack, 3663 Georgia, Ban Righ, Sexsmith, Burghley Rd, St Albans Rd.

Meantime my muscles are more friable from not eating much, maybe, or sick lungs. Sore here and there, wrist, hip, shoulder.

22

When I couldn't sleep last night I was having Christmas with my imaginary family. Thinking what present to get each, elaborating them as I thought. Mig Nuñez is a horseman? High quality agricultural manager who likes opera. I give him Four last songs, Te Kanewa. Lee Nuñez is Navejo rather than Mexican; turns out she's Mac's cousin. 10 years younger than Mig, who's 50. When her youngest leaves for college she wants to do archeology. I give her earrings. Martín Nuñez, Mig's old dad, the gardener, I give Clebsch on salvias. We'll do a collection. Jim? - son - the astrophysics student - what did I give him - a book. Becc - Rebecca the 16 year old - I find a collection of Double Take magazines. Mac isn't easy. 3 pairs of those thick soft white socks. What else. Want something he'll take when he travels, a really beautiful shirt.

What they give me:
Martín a little tree he grafted
Becc a red amaryllis
Jim an app
Lee and Mig, a pink mohair blanket like Susan's

Mac showers me - a super-long lens, a long distance phone contract, a soft long thick dark green cardigan, $400 pyjamas, silky cotton with stripes. He gives Mig and Lee a trip to Cuba. Jim a big air travel credit so he can go to conferences. Becc a computer and a length of sari silk from India. My grad dress! she says. Martín a hat.

Christmas morning they come for light late breakfast, bacon and eggs and fresh bread toast, orange juice and coffee laid out on the library table, fire in the fireplace.

He has just come back from India the day before. Brought a tree. He and Mig are at the kitchen's big table with their plates talking about the horses. I'm at the counter making raspberry-cranberry dessert, listening in. The kids and Lee are trimming the tree. I've done a garden circuit with Martín earlier and he's still in the glasshouse doing things.

While the geese cook we'll gather in the library and Mac will show pictures of where he was and what he was doing there. We'll watch some movie we all like. Becc will keep sneaking looks into the Double Takes. Late afternoon people scatter for a bit, take walks, nap, read, then dinner. Then presents in the library. At dinner Martín raises his glass to say it was good in this year that la senora joined them. Mig says something to Mac in Spanish. Mac smiles. La senora entiende espaniol, my brother. Everyone tells the events of their year. Plans for the next.

Becc wants to get into a best college. Our strategy is to get her a major publication credit. She's writing a piece about her dad and horses.

There's a sprinkle of white on the mesa.

Long slow dessert in the library. Everyone goes home by 9. Mac says he needs half an hour on the computer. I say shall we sleep outside? He says yes, turn on the subfloor heat and add a big quilt from my closet. I put on my new pyjamas and go lie in the outside bed with my nose sticking out, looking at stars. After a bit more than half an hour he comes naked from the washhouse and slides into bed. We talk about the day. He's happy, he has a hard-on but he's holding out. He knows I know it's there.

27

Lavender and peach bands with island mountains below them in a blue row.

A wide short open tree with small lights spaced somehow evenly all through.

Low wide stone fireplace with a deep bed of large chunks glowing red.

April of 1989 - "a squad of vivid men" - "big dark brother with juicy arms, warm straight energy ... curious" - "and a gawk" - "the brothers have made themselves together, it's a powerful sight" - "in the family bathroom mirror looking an exotic catch" - "the mum who rules, is tall and impatient." [AG10-3]

1989 is going on 25 years.

The big dark juicy teenage brother - 19? - was least recognizable, a swollen bear of a man, large, with a puffed-up face and large belly; the one I called a gawk, who has hands like Rob, is a tall narrow trans - well, equally unrecognizable - with long hair dyed beige, fingernails painted maroon, thin long shanks and a high belly carried further forward than his fake boobs. He babbled, as if that's how he thinks girls behave, I wondered, or as if the specialness of his new status licensed him to feel every thought interesting enough to share. "I feel naked without earrings." He was wearing a thickly sequined stretch top, a filmy skirt and high suede boots. I could not see him in the image he had invented, not at all, was aware of having to take his claim on faith, but later when Geoff had turned off all but the tree's lights and we were talking in the dark Cary was there again in his natural family voice.

Rob - he came up the escalator into the sea bus foyer wearing a long black greatcoat - wasn't a teenage boy anymore, his face has thickened some, but he's not bulkier around the middle and he still has that family lightness of play. His voice is as it was, quirky.

Pat was not tall and impatient but small and ill. Often she was sitting silent in her rocking chair, breathing with difficulty, still drinking though.

In the bathroom mirror I was not an exotic catch but an old woman who looked unwell.

A couple of paragraphs about a visit in July - 23rd - [AG10-4].

 

part 3


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work & days: a lifetime journal project